Black and White (released in 2008) - Starring Anil Kapoor, Anurag Sinha, Shefali Shah, and Aditi Sharma

This is a serious movie, on a serious topic. India has seen one spectacular suicide bomber, in the form of Dhanu who blew up in 1991, killing the former Congress Prime Minister Rajiv Gandhi and a number of others (including his security personnel) in the southern state of Tamil Nadu. But even though India has seen a huge number of terrorist attacks, with such terror attacks at many different regions of the country; there have been very few such suicide bombers in India (it has occurred in many other movies though, another one being the film Dil Se ). There have been many cases of terrorists attacking the police or acting in a conflict where they are not likely to survive (including the Mumbai attacks where the terrorists would have known that they would not come out alive), but no suicide bombers.
The movie starred a few known actors such as Anil Kapoor, Anurag Sinha, Shefali Shah, and Aditi Sharma. The movie was directed by Subhash Ghai, more know for romance movies, and other such movies (Taal, Karz, Pardes, and many others). However, over a period of time, Subhash Ghai also contributed to meaningful movies, such as the movie Iqbal. This is a movie of a disaffected man, whose passion have been bought to a boil and he has agreed to be a suicide bomber, and in turn takes on the identity of a man who has been brutally affected by the horrible communal riots in Gujarat. He has been recruited to strike at one of the most significant celebrations - the speech of the Prime Minister from the ramparts of the Red Fort on August 15th.




He (taking on the identity of Numair Qazi - played by the actor Anurag Sinha) comes to Chandni Chowk in the older section of Delhi (right next to the Red Fort, a crowded area where Hindus and Muslims live next to each other and take part in each other's celebrations). The idea being that he will make friends with a college professor Ranjan Mathur (played by Anil Kapoor) who lives in Chandni Chowk along with his wife Roma Mathur (played by Shefali Shah). He is the perfect example of a person living in harmony in Delhi - he is an Urdu professor at Zakir Hussain College, and lives with both Hindu and Muslim neighbors.
When in Chandni Chowk, Numair discovers a lot of things that are alien to him. Hindus and Muslims live among each other, they help out in the religious activities of each other (the Chandni Chowk area takes on an air of celebration during festivals of all religions - Hindu, Sikh and Muslim), and even those local politicians from either religion who supposedly play to religious fervor are actually friends of each other and are doing all this for political reasons. He was supposed to be tricking the professor by getting his help and managing to sneak in bombs and blow himself up. Does this experience of communal amity that he sees change his plan ? With the CBI and the police on the trail of terrorists, can he be caught before he can blow himself up ?
This movie was not a big hit commercially, but it is a serious movie for those who are interested in such a topic, and is decently well made with good acting. Well worth a watch.

Kaminey (released in 2009) - Starring Shahid Kapoor, Priyanka Chopra and Amol Gupte

Kaminey was an interesting movie, released in the year 2009. Even the name was somewhat different from the existing names that are used for movies, and the script was even more interesting (and was actually bought from a Kenyan writer for 4000 dollars by Vishal Bhardwaj). When I walked into the movie hall, the movie seemed a bit slow in the beginning, but quickly gathered pace and became a must watch. The movie was directed by Vishal Bhardwaj, starred Shahid Kapoor in a double role, and also starred Priyanka Chopra in a role that she must have appreciated. The music for the movie was also given by Vishal Bhardwaj, and was well appreciated, especially for the hit song, called Dhan Te Nan, sung by Sukhwinder Singh, Vishal Dadlani. Lyrics for the movie were by Gulzar. The movie was nominated for a number of awards at the Filmfare awards, Apsara awards, and many others.

DVD for Kaminey on Amazon / Flipkart

Sholay (1975) - One of the greatest Indian movie hits of all time

When you think of great Hindi movies, one of the names that always comes to the front is the movie called Sholay, released in 1975. The movie seems like it was set in another age, it being now 35 years since it was released and became a huge hit; and is now a cult movie. If it comes on TV even now, you can be sure that there will be some people who will want to watch. And the movie created a set of characters who became incredibly famous, specifically the few characters of Gabbar (Amjad Khan), Thakur (Sanjeev Kumar), Jai (Amitabh Bachchan), Veeru (Dharmendra), and Basanti (Hema Malini), and the under-played role of Radha (played by Jaya Bachchan).
The movie took a chance, starring a newcomer in the pivotal role of the dacoit leader (Danny was the original choice, but he was unavailable, and hence a newcomer such as Amjad Khan was selected). The movie was based on a small idea by the prolific writer duo of Salim-Javed. And the outcome was a movie that broke all records, and became a cult movie known till today.



The movie was produced by G.P. Sippy and directed by his son Ramesh Sippy. Music for the film was given by RD Burman, with the lyrics provided by Anand Bakshi. During direction, the movie went over-budget, since the director wanted to be perfect in the shooting, and many of the shots took many takes and many days. The movie also had real-life relations between the stars, with Amitabh and Jaya getting married 4 months before shooting of the movie started, and Dharmendra romancing Hema Malini at that time. The movie took a period of 2.5 years to make. The movie also had an effect on tourism, with the location of Ramanagaram (a rocky terrain), a village near Bangalore, Karnataka being the shooting site, and being known later as the location where Sholay was shot.
The movie was based on the concept of revenge, where a local dacoit terrorises the village, and also takes revenge on the family of the local thakur. The Thakur in turn hires 2 small-time but brave crooks to come in to fight the dacoit and his gang, and this is what they do, but with some sadness, as one of the 2 loses his life in the end.
The movie takes these 2 small time crooks (Jai and Veeru) in a jail. They are remembered by an ex-policeman, the Thakur, when he is looking for somebody who can help him fight the dacoits (led by Gabbar). He had apprehended them, and then see how brave they were when they fought off dacoits who were trying to rob a train. He meets them, and offers them a large amount of money if they can get rid of Gabbar and his gang. Gabbar is a violent and brutal dacoit leader who is terrorising the villages.
In the first confrontation, three men from Gabbar's gang come to get supplies from the villagers, something that they do without any issue in the past. Now, however, they face a fight from Jai and Veeru and have to go back without any supplies; at which Gabbar cannot stand the sight of his men being humiliated in front of the village and shoots them after some drama (in a scene that was much appreciated). The next major attack is on Holi, during which Jai and Veeru are pinned down and are looking for Thakur to throw a gun towards them, but he does not cooperate. Later his story is revealed, where he had arrested Gabbar some time back, and then Gabbar killed all his family except for one daughter-in-law Radha (Jaya Bhaduri). And in another confrontation, Gabbar cut off both his hands leaving him without any hands.
So, the situation continues, with Jai and Veeru staying in the village, and getting fond of Radha and Basanti respectively. Gabbar has cut off the village from the outside, but they fight back by killing some of his men. And then the final confrontation, where the fight with Gabbar and his men take place, in which Jai finally dies.

Some interesting scenes from the movie:

Where Jai talks to Basanti's mausi and turns her against Veeru, and Veeru on the water tank:



Scene from the jail early in the movie with Asrani:

Reshma Aur Shera (released in 1971) - starring Sunil Dutt, Amitabh Bachchan, Waheeda Rehman, Raakhee

Reshma Aur Shera was one of the earlier movies of Amitabh Bachchan, at a time when he was not the established superstar. The movie is an account of betrayal, love, murder, honour, set against the backdrop of the sands and harshness of Rajasthan. The movie was essentially the creation of Sunil Dutt, who also produced and directed the movie.
The movie was well liked by critics, and was nominated for some international (although it did not win too many). Some of the awards it was nominated for include:
- The Golden Bear at the Berlin International Film Festival
- Academy Award for Best Foreign Language Film (Oscars)
The movie was written by S. Ali Raza, with some beautiful music by Jaidev (for which he won the 1972 National Film Award for Best Music Direction (his first award for music)).



The movie is about the feud between 2 families, and in a story that has been seen many times, where the children of both families are in love. The eldest son of Sagat Singh, Shera (Sunil Dutt) is not the more violent and revenge seeking son, trying to make peace. He is very strongly attracted to the daughter Reshma (Waheeda Rehman) of his father's rival, and she also falls in love with him when she sees how he can be strong for peace rather than for more revenge.
And yet there is a third element, the younger son of Sagat Sing, the mute Chotu (Amitabh Bachchan, who plays the role of a skilled shooter, also heavily influenced by his father). Eventually Chotu goes against the wishes of his brother in terms of not having violence and going in for peace and influenced by his father who wants Chotu to shoot the rival and his son both. And they both die; this causes Shera to hunt for his own brother to kill him. What happens next ?

Gadar Ek Prem Katha (2001) - An incredibly successful movie

The art of movie-making is inherently the art of story telling. The success (and therefore also the failure) of a film is primarily determined by the director’s ability to narrate a story well. The rest of the paraphernalia, read, music, dance, camera work, set design, costume design, sound…all of it is secondary. The immensely successful movie, Gadar-Ek Prem Katha, directed by Anil Sharma, is a superlative example of this simple fact. Many a movie has talked about love and many a movie has also talked about the Partition. So in that sense, Mr. Sharma is not telling a new story. However he has taken these two emotionally-charged elements and woven a wonderfully simple tale that leaves the viewer experience a whole gamut of emotions without being too heavy.

Gadar-Ek Prem Katha, starts off in pre-partition India. Sakeena (Amisha Patel’s soft beauty will take your breath away), a girl from a rich Muslim family is a student at a convent school in Shimla. Tara Singh (Sunny Deol, aptly cast) is a truck driver who fetches supplies to the school and nurtures a very innocent crush on her. A silly prank is the starting point of an unlikely friendship that develops between these two apparently diverse individuals. Then comes Partition and Sakeena’s family headed by Ahsraf Ali (Amrish Puri) depart for Lahore amidst growing tension between the two communities. The ensuing mindless violence that followed Partition is very sensibly captured and in one such incidence Sakeena gets left behind while her entire family boards the train to Pakistan.



Tara Singh rescues her from the clutches of sword wielding men and offers her the shelter and security of his home. After some time they marry and their love matures into a strong bond. The couple have a son and are blissfully happy. After a good seven odd years, Sakeena comes upon a picture of her father in the newspaper and she realises that her family is alive and well.

With the help of Tara Singh, Sakeena is able to re-establish contact with her father Ashraf Ali across the border. Ali is happy that his daughter is alive but is none too pleased that she is now married to a Sikh and also has a son. His devious plotting finds the sweet family torn apart-Sakeena under house arrest in Pakistan; Tara and their son waiting in India. As soon as Tara Singh is able to discover his father-in-law’s true intentions, he sets out for Pakistan to rescue his wife and bring her back home. He is supported in this endeavour by his faithful friend Darmiyan Singh and his little son. In Pakistan Tara has to face many trials and tribulations. Whether Tara is able to bring back his “Madam” (as he refers to Sakeena) forms the second half and the climax of the film.

Heartfelt acting, melodious songs and a simple narrative make this film immensely watch-able.

Awards won:

Winner:
Filmfare Best Action Award - Tinnu Verma
Filmfare Special Performance Award - Amisha Patel
Sansui Best Actress Award - Amisha Patel
Annual Filmgoers Awards - Best Actress - Amisha Patel

Songs from the movie:

1. Aan milo sajna (link)

2. Main Nikla Gaddi Leke (link)

3. Musaafir jaane wale (link)

4. Hum Juda Ho Gaye (link)

5. Udja Kale Kawan (link)

Dus - Fast paced action

Dus is a fast-paced action thriller starring a number of Bollywood stars Sanjay Dutt, Sunil Shetty, Abhishek Bachchan, Shilpa Shetty, Pankaj Kapoor, Esha Deol and Zayed Khan. The movie was released in 2005, and was a decent hit (costing around Rs. 20 crore, and earned a revenue of Rs. 43 crore). The movie was directed by Anubhav Sinha, with production by Nitin Manmohan and Sohail Maklai. Music was by Vishal-Shekhar, and Ranjit Barot. The movie was fairly long, being around 2 hours & 20 minutes. Music for the film became quite popular, and the title song of 'Dus Bahane' was a hit. The movie also had a twist, in that one of the popular heroes was sacrificed at the climax of the movie, something that a lot of movies avoid.
The movie is about the effort of the Anti Terrorist Cell (working somewhat similar to what you would expect the RAW to function, but without all the glamour that the movie depicts) to stop a massive bombing of which it does not have much information, and for which there are only 10 days left. Sanjay Dutt is the head of this organization, with the name of Siddhant Dheer. Along with him, his younger brother Shashank Dheer (Abhishek Bachchan), Aditya Singh (Zayed Khan), Aditi Kumar (Shilpa Shetty) are the others in the organization. Neha (Esha Deol) is an agent in Canada who starts the entire process, by reporting the existence of a plan being spear-headed by Jambwal, about whom they do not have any information, and whose identity they do not know.



The movie attempts to play the game of multiple double-crossing, about people betraying each other, about people not being who they claim to be. Because the ATS does not know the identity of Jambwal, they cannot even confirm that if they catch a person, whether that person is Jambwal or not. And this happens when they catch Mehendi (Pankaj Kapoor), an agent of Jambwal who is terrified of Jambwal. They are trying to interrogate him to find out more Jambwal, but they land in more problems. The car provided to them by Neha is rigged to explode if it slows down (English movie Speed?), so who is Neha. Zayed Khan is a bomb expert who can detect if a bomb is planted, and what are the chances of defusing it in time.
They are further trying to not reveal their plan to the Canadian police, even though the plan involves the terrorists bombing a stadium where a match is ongoing, so as to attack the Indian Prime Minister who will be there to attend the match (on May 10th). They uncover traitors in their midst, although each of these traitors extract a cost. The action peaks in the end, as they are at the stadium where there are multiple bombs planted, and their mission is to get the bombs away without loss of life (with the bombs being constructed of C4, a military explosive (where did terrorists get C4 from?)). The movie is a much watchable movie, be sure to watch (although the logic can sometimes fail).

Videos of songs from the movie:

Dus Bahane (Sung by KK, Shaan)



Deedar De (Sung by Sunidhi Chauhan)



Chham Se (Sung by Sonu Nigam, Shaan, Babul Supriyo, Sunidhi Chauhan, Sapna Mukherjee)






Lyrics from the movie Dus:

Dus Bahane:
Here Now Here Now, Everybody Put Your Hands Up In The Air Now
Here Now Here Now Everybody Put Your Hands Up In The Air
Uski Aankhon Mein Baatein, Baaton Mein Jadoo
( Say Here Now Here Now )-2
Uski Aankhon Mein Baatein, Baaton Mein Jadoo
Jadoo Mein Kho Gaye Hum Hogaye Beqabu
I Looked At You, You Looked At Me,Aur Hogayi Mushkil
And You Became My Destiny Tuhi Meri Manzil
( Dus Bahane Karke Legaye Dil Legaye Dil
Dus Bahane Karke Legaye Dil )-2

Here Now Here Now, Everybody Put Your Hands Up In The Air Now
Here Now Here Now Everybody Put Your Hands Up In The Air
Yeh Dil Topehle Aisa Nahin Tha
Kisne Behkaya Aisa Sapna Dikhaya Kyun
Yeh Aankhein Meri Dekhe Ussi Ko
Soche Bina Hi Usse Apna Banaya Kyun
Jeena To Marne Se Ab Hai Kahi Mushkil
Khudko Jo Khoya To Woh Hogaya Haasil
( Dus Bahane Karke Legaye Dil Legaye Dil
Dus Bahane Karke Legaye Dil )-2

Here Now Here Now, Everybody Put Your Hands Up In The Air Now
Here Now Here Now Everybody Put Your Hands Up In The Air
Kisne Kisiko Haske Bulaya
Baatein Banake Koi Jadooo Sa Chalaya Tha
Bas Dekha Dekhi Dil Se Hui Thi
Duniya Bhulake Koi Aaise Dil Pe Chaya Tha
Kiske Bin Kya Hoga Yeh Kh Sake Na Dil
Khudko Yeh Samjhana Ab Ho Gaya Mushkil
( Dus Bahane Karke Legaye Dil Legaye Dil
Dus Bahane Karke Legaye Dil )-2

Uski Aankhon Mein Baatein, Baaton Mein Jadoo
Jadoo Mein Kho Gaye Hum Hogaye Beqabu
I Looked At You, You Looked At Me,Aur Hogayi Mushkil
And You Became My Destiny Tuhi Meri Manzil
Dus Bahane Karke Legaye Dil Legaye Dil
Dus Bahane Karke Legaye Dil
(dus Bahane Karke Legaye Dil Legaye Dil
Dus Bahane Karke Legaye Dil) - 2

------------
Deedar De

Hain Ishq Toh
Ishq Toh - 2
Hain Ishq Toh Ishq Toh Gale Se Laga Le - 2
Ek Jhalak Ko Ankh Taras Gayi - 3
Aa Saamne Aur Tham Le Teri Aamanat Yaar Main
Deedar De
Deedar De Deedar De Deedar Le Deedar De - 2
Hain Ishq Toh Ishq Toh Gale Se Laga Le

(Abhi Koi Armaan Rang Na Laya
Abhi Koi Dil Ko Chal Nahi Paya) - 2
Abhi Koi Aankhon Mein Sapna Nahi Hain
Abhi Koi Jadooo Chal Nahi Paaya
Tu Pyar Ki Yeh Kashtiyan Kar De Jara Ve Paar Re
Deedar De
Deedar De Deedar De Deedar Le Deedar De - 4

(Abhi Koi Dil Main Jashn Hua Hain
Abhi Koi Taza Zakhm Mila Hain) - 2
Abhi Khamoshi Bhi Khamosh Si Hain
Ke Koi Mujhko Soch Raha Hain
Bechainiya, Betaabiyan Karne Lagi Singar Ve
Deedar De
Deedar De Deedar De Deedar Le Deedar De - 4
Hain Ishq Toh Ishq Toh Gale Se Laga Le - 2
Ek Jhalak Ko Ankh Taras Gayi - 3
Aa Saamne Aur Tham Le Teri Aamanat Yaar Main
Deedar De
Eedar De Deedar De Deedar Le Deedar De – 2

------------

Chham Se

dil kutch kehta hain
lab kutch kehtey hain
behke behke se hum hote hain
jo kehna chahe
woh keh bhi jaye
aaise lamhe toh
kam hote hain
pyar mein koi nayi baat nahi
yeh aaisa jo ho jaye
dhunde nigaahein jab har pal usko
apna dil kho jaye
aankhon mein kyon chehra uska thodasa dhundhlaye re
cham se woh aa jaye cham se aa jaye
cham se woh aa jaye man pe cha jaye
cham se woh aa jaye cham se aa jaye

mausam ka har andaz bhi
teri adaa ban gaya
chahat ka yeh ehsaas bhi
teri wafa ban gaya
tera chehra aankhon mein
tera pehra khwaabo mein
kabhi dil ki raaho mein
yeh hota hain ho jaaye de
cham se woh aa jaye cham se aa jaye
cham se woh aa jaye man pe cha jaye
cham se woh aa jaye cham se aa jaye

jaayegi jab tu deke judaai bhi
tanha si hogi dilki tanhai bhi
ehsaas tere dil ka aankhon semeri chalka
betaab hoke jab uski hi yaad mein dil ghabraye re
cham se

dil kutch kehta hain
lab kutch kehtey hain
behke behke se hum hote hain
jo kehna chahe
woh keh bhi jaye
aaise lamhe toh
kam hote hain
pyar mein koi nayi baat nahi
yeh aaisa jo ho jaye
dhunde nigaahein jab har pal usko
apna dil kho jaye
aankhon mein kyon chehra uska thodasa dhundhlaye re
cham se woh aa jaye cham se aa jaye
cham se woh aa jaye man pe cha jaye

Lakshaya - good, but failed to work

War movies typically try to raise the jingoistic pitch, pushing the envelopes of patriotism, sacrifice, dedication, and lots of grunting, screaming, and similar behavior. A typical example is Border which showed determination, courage, sacrifice, death, honor, etc. Lakshya was a bit off from this track, trying to combine the story of the development into maturity of a young rudderless route when exposed to the harsh environment of a war. In that sense, it was different from the other war movies.
The movie was a perfect opportunity for the lead star, Hrithik Roshan, to showcase his histrionic skills; he was there right from the first frame to right at the end, where his individual triumph is showcased. The other actors in the movie were Preity Zinta, Amitabh Bachchan, Om Puri and Boman Irani (although it was only Preity Zinta who got a role almost the same size as that of Hrithik). The movie was based on the Kargil war of 1999, and depicts the effort by Lieutenant (later Acting Captain) Karan Shergill to capture a critical peak and keep the honor of his Brigade. The movie was directed by Farhan Akhtar, with the story by Javed Akhtar, and music by Shankaar-Ehsaan-Loy.
The movie made some good watching. You had this guy, wandering around aimless in life, with his dad wondering when he will do something in life. Some of his friends were similarly aimless, although his girlfriend Romi (Preity Zinta) was more caring about causes, and a career for her in journalism seemed to be a likely next step. In this carefree mood, he decides to try out for the army, and actually gets selected to the astonishment of his parents. However, he cannot stand the discipline of the NDA, and jumps from there.
His parents expected this, but Romi is disgusted with him, and leaves him. He is shaken at this, and this turns him into a dedicated person. He returns to the academy, takes his punishment and graduates into a good soldier, and officer. And then he gets involved with the Kargil conflict as part of his brigade, and then meets Romi again over there. Romi's character was apparently styled on Barkha Dutt, is covering the conflict as a TV reporter. They meet, when Romi is now engaged to somebody else, and Hrithik and his brigade have to break the Pakistani stranglehood on a critical peak, and the way to do that is very challenging.



Videos of songs from the movie Lakshya on Youtube:

Agar Main Kahoon (link)

Main Aisa Kyon Hoon (link)

Main Aisa Kyon Hoon, Lakshya - Hrithik's Awesome Dance Performance @ Yahoo! Video

Lakshya Title Song (link) - Hrithik looks real determined in this beautiful song

You have changed (link)

Kitni Baatein (link)

Ha Yehi Rasta hai (link)



Climbing the mountain:



Lakshya - Final Battle



Kandhon Se Milte Hain Kandhe (link)

Lyrics of movie Lakshya:

Title Song:

Haan yehi rasta hai tera, tune ab jaana hai
Haan yehi rasta hai tera, tune ab jaana hai
Haan yehi sapna hai tera, tune pehchaana hai

Haan yehi rasta hai tera, tune ab jaana hai
Haan yehi sapna hai tera, tune pehchaana hai
Tujhe ab ye dikhaana hai
Roke tujhko aandhiyaan, ya zameen aur aasmaan
Paayega jo lakshya hai tera
Lakshya toh har haal mein paana hai

Mushkil koyi, aajaaye toh, parbat koyi, takraaye toh
Taaqat koyi, dikhlaaye toh, toofaan koyi, mandlaaye toh
Mushkil koyi aajaaye toh, parbat koyi takraaye toh
Barse chaahe ambar se aag, lipte chaahe pairon se laakh -2
Paayega jo lakshya hai tera
Lakshya toh har haal mein paana hai

Himmat se jo koyi chale, dharti hille qadmon tale
Kya dooriyaan kya faasle, manzil lage aake gale
Himmat se jo koyi chale, dharti hille qadmon tale
Tu chal yunhi ab sub-o-shaam, rukna, jhukna nahin tera kaam -2
Paayega jo lakshya hai tera
Lakshya toh har haal mein paana hai

Haan yehi rasta hai tera, tune ab jaana hai
Haan yehi sapna hai tera, tune pehchaana hai
Tujhe ab ye dikhaana hai

---------
Kandhon Se Milte Hain

( Kandhon Se Milte Hain Kandhe, Qadmon Se Qadam Milte Hain
Ham Chalte Hain Jab Aise To, Dil Dushman Ke Hilte Hain )...(2)
( Ab To Hamein Aage Badhte Hai Rahna
Ab To Hamein Saathi Hai Bas Itna Hi Kahna )...(2)
Ab Jo Bhi Ho, Shola Banke Patthar Hai Pighlana
Ab Jo Bhi Ho, Baadal Banke Parbat Par Hai Chhaana
( Kandhon Se Milte Hain....Dushman Ke Hilte Hain ) -2

Nikle Hain Maidaan Mein, Ham Jaan Hatheli Par Lekar
Ab Dekho Dam Leinge, Ham Jaake Apni Manzil Par

Khatron Se Hans Ke Khelna, Itni To Ham Mein Himmat Hai
Modhein Kalayee Maut Ki, Itni To Ham Mein Taaqat Hai
Ham Sarhadon Ke Vaaste, Lohe Ki Ik Deewaar Hain
Ham Dushmanon Ke Vaaste, Hoshiyaar Hain Taiyar Hain
Ab Jo Bhi Ho..Par Hai Chhaana
Kandhon Se Milte Hain...Dushman Ke Hilte Hain

Josh Dil Mein Jagate Chalo, Jeet Ke Geet Gaate Chalo...(2)
Jeet Ki Jo Tasveer Banane Ham Nikle Hain
Apne Lahoo Se Hamko Usmein Rang Bharna Hai
Saathi Maine Apne Dil Mein Ab Ye Thaan Liya Ha
i Ya To Ab Karna Hai, Ya To Ab Marna Hai
Chahe Angare Barse, Ke Bijli Gire
Tu Akela Nahin Hoga Yaara Mere
Koi Mushkil Ho Ya Ho Koi Morcha
Saath Har Mod Par, Honge Saathi Tere
Ab Jo Bhi Ho...Par Hai Chhaana
Kandhon Se Milte Hain...Dushman Ke Hilte Hain

Ek Chehra Aksar Mujhe Yaad Aataa Hai
Is Dil Ko Chupke Chupke Vo Tadpata Hai
Jab Ghar Se Koi Bhi Kat Aaya Hai
Kaagaz Ko Maine Bheega Bheega Paaya Hai
Palkon Pe Yaadon Ke Kuchh Deep Jaise Jalte Hain
Kuchh Sapne Aise Hain, Jo Saath Saath Chalte Hain
Koi Sapna Na Toote, Koi Vaada Na Toote
Tum Chaho Jise Dil Se, Vo Tumse Na Roothe
Ab Jo Bhi Ho, Shola Banke Patthar Hai Pighlana
Ab Jo Bhi Ho, Baadal Banke Parbat Par Hai Chhaana
Kandhon Se Milte Hain ...Dushman Ke Hilte Hain

Chalta Hai Jo Ye Kaarvan, Goonji Si Hain Ye Vaadiyan
Hai Ye Zameen, Goonji Goonji
Ye Aasman, Goonja Goonja
Hai Ye Hawa, Goonji Goonji
Hai Ye Samaa, Goonja Goonja
Har Raste Ne, Har Wadi Ne, Har Parbat Ne Sadaa Di
Ham Jeeteinge, Ham Jeeteinge, Ham Jeeteinge Har Baazi
( Kandhon Se Milte Hain...Dushman Ke Hilte Hain )...(5)

----------
Kitni Baatein

Hariharan:
Kitni baatein yaad aati hai
Tasveerein si ban jaati hain
Main kaise inhein bhooloon
Dil ko kya samjhaaun

Sadhana:
Kitni baatein kehne ki hai
Honton par jo sehmi si hai
Ik roz inhein sun lo
Kyun aise gum-sum ho

Hariharan:
Kyun poori ho na paayi daastaan

Sadhana:
Kaise aayi hai aisi dooriyaan

Hariharan:
Dono ke dilon mein chhupa hai
Jo ik anjaana sa gham
Kya ho paayega woh kam
Koyi kya kahe

Sadhana:
Dono ne kabhi zindagi ke
Ik mod pe bhi jo paayi
Hai kaisi woh tanhaai
Koyi kya kahe

Hariharan:
Kitna viraan hai ye sama

Sadhana:
Saanson mein jaise ghulta hai dhuwaan
Kaisi aayi hai aisi dooriyaan

Hariharan:
Kitni baatein yaad aati hai
Tasveerein si ban jaati hain
Main kaise inhein bhooloon

Sadhana:
Tumse aaj yun milke dil ko
Yaad aaye lamhein kal ke
Ye aansoon kyun hai chhalke
Ab kya kahen

Hariharan:
Tumne hamko dekha jo aise
Toh ik umeed hai jaagi
Phir tumse pyaar paane ki
Ab kya kahen

Sadhana:
Aa gaye ham kahaan se kahaan

Hariharan:
Dekhe mudke ye dil ka kaarvaan
Kaisi aayi hai aisi dooriyaan

Sadhana:
Kitni baatein kehne ki hai
Honton par jo sehmi si hai
Ik roz inhein sunlo
Kyun aise gum-sum ho

Hariharan:
Kitni baatein yaad aati hai
Tasveerein si ban jaati hain
Main kaise inhein bhooloon
Dil ko kya samjhaaun

--------
Main Aisa kyun Hoon

Main aisa kyun hoon -4
Main aisa kyun hoon -3
Main jaisa hoon main waisa kyun hoon
Karna hai kya mujhko ye maine kab hai jaana
Lagta hai gaaunga zindagi bhar bas ye gaana
Hoga jaane mera ab kya
Oh…
Koyi toh bataaye mujhe
Oh…
Gadbad hai ye sab kya
Oh…
Koyi samjhaaye mujhe
Oh…
(Oh we ee aa owe ee oh
Oh we ee aa owe owe owe owe) -2
Main aisa kyun hoon -4
Main aisa kyun hoon -3
Main jaisa hoon main waisa kyun hoon

Ab mujhko ye hai karna, ab mujhe woh karna hai
Aakhir kyun main na jaanoon, kya hai ke jo karna hai
Lagta hai ab jo seedha, kal mujhe lagega ulta
Dekho na main hoon jaise, bilkul ulta phulta
Bad loonga main abhi kya
Oh…
Maanoon toh kya maaanon main
Oh…
Sudhroonga main kabhi kya
Oh…
Ye bhi toh na jaanoon main
Oh…
Jaane ab mera, hona kya hai (oh)
Lagta hai tumko kya
Jaane ab mera, hona kya hai (oh)
Kya main hoon jaisa bas waisa rahoonga?
Oh we ee aa owe ee oh
Oh we ee aa owe owe owe owe
Karna hai kya mujhko ye maine kab hai jaana
Lagta hai gaaunga zindagi bhar bas ye gaana
Hoga jaane mera ab kya
Oh…
Koyi toh bataaye mujhe
Oh…
Gadbad hai ye sab kya
Oh…
Koyi samjhaaye mujhe
Oh…
(Oh we ee aa owe ee oh
Oh we ee aa owe owe owe owe) -2
Main aisa kyun hoon -4
Main aisa kyun hoon -3
Main aisa aisa aisa hi hoon

---------
Agar Main Kahoon

Udit:
(Agar main kahoon mujhe tumse mohabbat hai
Meri bas yehi chaahat hai toh kya kahogi) -2
Alka:
Main tumse kahoongi, is baat ko agar tum
Zara aur saja ke kehte, zara ghooma-phira ke kehte
Toh achcha hota

Udit:
Agar main kahoon
Tumko jab dekhoon lagti ho jaise nayi
Honthh hain pankhadi phool ki
Aankhein jaise jugnu chamke huwe
Soche mera ye dil dhadakte huwe
Agar main kahoon…
Agar main kahoon ye jo chehra hai
Jaise koyi chaand hai toh kya kahogi

Alka:
Main tumse kahoongi
Mujhko bhoole se bhi chaand tum na kaho
Chaand mein toh kayin daag hai
Mujhe phool na kehna woh murjhaate hain
Jugnu bhi na kehna woh kho jaate hain
Ye baatein puraani hai, jo mujhko sunaani hai
Kissi aur adaa se kehte, zara ghooma-phira ke kehte
Toh achcha hota

Udit:
Agar main kahoon mujhe tumse mohabbat hai
Meri bas yehi chaahat hai toh kya kahogi

Udit:
Agar main kahoon
Baatein sunke tumhaari main hairaan hoon
Jo bhi kehna hai kaise kahoon
Lagta tumhein kuchh bhi achcha nahin
Sach ko bhi kehti ho sachcha nahin

Alka:
Agar main kahoon..
Agar main kahoon tumhein pata nahin hai kyun
Hai pyaar mujhe bhi tumse toh kya kahoge

Udit:
Main tumse kahoonga, mere dil ka hai ye kehna
Ham ko hai saath mein rehna

Alka:
Ye dono ke dil mein hai na toh phir kyun kehna

Udit:
Agar main kahoon

Alka:
Toh main tumse kahoongi

Parinda - A classic movie

How many people are there who would not have seen Parinda (well, atleast if you take people who are more than 30 years old). Parinda was not director Vidhu Vinod Chopra's first movie, but if there are some movies that he will be most remembered by, it will be for this movie. Similarly, both Anil Kapoor and Madhuri Dixit have reckoned that this movie is one of their best movies. The movie was produced and directed by Vidhu Vinod Chopra, written by Shivkumar Subramaniam, and starred Jackie Shroff, and Nana Patekar in pivotal roles. Music was by R D Burman, and lyrics by Khursheed Hallauri. Some other actors who had great roles in the movies were Tom Alter, Anupam Kher, and Suresh Oberoi.



The movie was released in 1989. It tells the gripping story of the Bombay underworld, the fight between the rival gangs, the lack of trust and warfare between them, the role of the police. In the end, the movie was about the guy who got involved in a gang for survival, and who learns the hard way that life in the gang is brutal. In the end, everybody is expendable, life is brutal; and even a loyal member of the gang cannot save his own brother.
The reason why the movie was so popular was due to its realism, essentially attributed to the technical crew of the film, with Binod Pradhan´s cinematography being a great hit. The overall sound of the movie, the shots with the pigeons, the mad gun shooting amid the honeymoon lovemaking, the various deaths in the movie, the climatic scene where Jackie Shroff kills his own boss (and the killer of his brother) by burning him to death in a fire of alcohol bottles, all of these were shots that still enthrall people.
The movie is about the love between the 2 brothers, Jackie and Anil. When they were young and fighting for survival, Jackie joins Anna's gang and prospers. He sends Anil out for studying, with Anil all the time unaware that his brother actually worked for a gang leader (and too, a psychotic one). Jackie tries to keep his brother away from the gang, but eventually fails when Anil's friend, Inspector Anupam Kher is killed by Anna's men (using the meeting called by Anil). Madhuri Dixit is Paro, a teacher, who is in love with Anil, but moves away when she learns that he is now part of the gang. The rest of the movie is about the revenge taken by Anil, the consequences when Anna learns about this, and the reaction of Jackie. This movie is a must watch.

Videos of songs from the movie:

Tumse Milke (Singer(s): SURESH WADKAR AND ASHA BHOSLE)



Pyar Ke Mod Pe (Singer(s): ASHA BHOSLE - SURESH WADKAR)



Anna's death in Parina by fire



Awards given to Parinda (Filmfare awards):
1989: Winner, Filmfare Best Director Award for Vidhu Vinod Chopra
1989: Winner, Filmfare Best Actor Award for Jackie Shroff
1989: Winner, Filmfare Best Editing Award for Renu Saluja
1989: Winner, Filmfare Best Screenplay Award for Shivkumar Subramaniam
1989: Winner, Filmfare Best Supporting Actor Award for Nana Patekar




Lyrics from the movie:

Pyaar Ke Mod Pe

pyaar ke mod pe, chhodoge jo baahe meree
tum ko dhoondhegee, jamaane mein nigaahe meree

jindagee mein jo kahee aaur main kho jaaoongaa
tum se milane ke liye, laut ke fir aaoongaa
aye meree jaana-ye-wafaa dekhanaa raahe meree

ayesaa naa ho, aye sanam jaao to fir aa naa sako
meree ye tamannaa hai, tum mere paas raho
kyo tumhe bhaatee nahee, aaj panaahe meree

koee ban jaaye meraa, ayesee takadeer nahee
dil ke aaeene mein ab koee tasaweer nahee
ye hakeekat hai, asar kho chookee, aahe meree

saath main tumhaare hoo, ab koee gam naa karo
khud ko tanahaa mere, hote humadam naa karo
ho ke maayoos naa dam tod de, chaahe meree

--------------------------------

Tumse Milke

--MALE--
(Tumse milke aisa laga
Tumse milke armaan hue poore dil ke) - 2
Ae meri jaane wafa
Teri meri meri teri ek jaan hai
Saath tere rahenge sada, tumse na honge judaa
Tumse milke aisa laga
Tumse milke armaan hue poore dil ke
Mere sanam, teri kasam chhodenge ab na yeh haath
Yeh zindagi

--FEMALE--
La la la

--MALE--
Guzregi ab

--FEMALE--
La la la

--MALE--
Hamdam tumhaare hi saath
Apna yeh vaada raha, tumse na honge judaa

--FEMALE--
Tumse milke aisa laga
Tumse milke armaan hue poore dil ke
Ae meri jaane wafa
Teri meri meri teri ek jaan hai
Saath tere rahenge sada, tumse na honge judaa
Tumse milke aisa laga
Tumse milke armaan hue poore dil ke
Aah aah aah aah

--MALE--
Maine kiya

--FEMALE--
La la la

--MALE--
Hai raat din

--FEMALE--
La la la

--MALE--
Bas tera hi intezaar

--FEMALE--
Tere bina aata nahin ek pal mujhe ab qaraar

--BOTH--
Hamdam mera mil gaya, ab hum na honge judaa - 2

--MALE--
Tumse milke

--FEMALE--
Tumse milke aisa laga
Tumse milke

--BOTH--
Armaan hue poore dil ke
Ae meri jaane wafa
Teri meri meri teri ek jaan hai
Saath tere rahenge sada, ab hum na honge judaa
La la la la, la la la la la la la la
La la la la la la la la

A Wednesday - Dynamic

Sometimes you come across a movie that shakes you a lot, and which leaves a promise that there is a space for movie making that is different from the standard cliches, or romances, or manufactured tragedies. 'A Wednesday' is a movie that I got around to watching much after the movie was released, and I was thoroughly impressed. You may not agree with everything that the movie propounds, but you cannot be but impressed by the pace of the movie, by some superb acting from the various stars, by the ability to leave you sympathizing with a person who directs acts of murder, and eventually admiring the director, Neeraj Pandey, who dared to make a movie with no main female lead in a romantic situation, and most of all, a movie without any songs.
The movie certainly was not a rich action sequences laden movie such as 'Singh in King', but given a choice, I would rather watch a movie like 'A Wednesday'. This was a movie that gained extremely from word of mouth, colleagues who had seen the movie gave enthusiastic reviews, and I would do the same if somebody asked me.



Without revealing the end, the twist in the movie as well as the impassioned speech by the bomb maker comes at the end of a gripping movie, and keep you on your seats till the final credits come to an end. The performances by Anupam Kher, Naseeruddin Shah, Jimmy Shergill and Deepal Shaw are all first rate, and the fact that they are able to make their presence felt in such a short movie (1.5) hours makes the performances even more creditable. The movie also introduces the concept of a backlash by the 'stupid, common man'; all of us who live in a city and go to our work places, and some of whom die in bomb blasts that happen in our cities.
The movie is about the flashback by a retired police commissioner of Bombay, Prakash Rathod [Anupam Kher]. He remembers an incident that happened in the space of 4 hours, on a normal weekday afternoon, the details of the incident not being present on any file or records (only in the memory of those involved). He gets a call from an anonymous caller about bombs kept in the city at different locations, and for defusing which, 4 Muslim terrorists in police custody needed to be rounded up from their separate locations. The caller, Naseeruddin Shah, situated on the top of a building, almost like a picnic, makes the police believe in his story when he discloses the location of a bomb right in the police station next to the police headquarters.
Anupam Kher gets complete authority from the Chief Minister to handle the negotiations, and gets down to business. He is obviously dealing with a person who knows how to conduct himself, defeating attempts to track his details. Eventually, inspite of a crack team and some fast police work, spear headed by a hot headed police officer (Jimmy Shergill in a great role), Anupam Kher is forced to follow all of the directions he is given, till the time that the terrorists are transported to an air field in Juhu. If you have not watched the movie, you should watch it.

Prahaar: A classic movie for Nana Patekar

There are times when you watch that is so impressive that you don't mind watching it again. I found Prahaar to be one such movie. The movie was released in 1991, and it has been quite some time, but it can't take away the topical nature of the movie. The movie was directed by Nana Patekar and produced by Sudhakar Bokade. The movie had music by Laxmikant Pyarelal and lyrics by Mangesh Kulkarni.
Nana Patekar showed a commendable amount of skill in extracting good performances from the cast of characters that included Dimple Kapadia and Madhuri Dixit (there was a story floating around the time when the movie was made that he wanted a natural look, and so when one of the female leads reported to the set in make-up, he asked her to wash the make-up off). The movie does not have a direct villain, but there is a struggle against many kinds of bad elements, whether it be terrorists, or the normal city ruffians and hoodlums who take hafta (extortion money), or even of the normal population who have been so terrorised that they have lost some of their sense of right or wrong. The movie also has some good performances from the second tier of characters such as Gautam Joglekar (who plays Peter D'Souza).
The movie starts off as the story about men who have joined the army as commandos. They start to undergo the army commando training course under the tutelage of Major Chauhan (Nana - who actually took a brief training course at the army commando training course), and the course can be pretty hard, forcing many of them to feel like dropping out. Some do, but Peter does not and completes the course finally. By that time, he has developed a respect for Major Chauhan. The training course depicted is fairly detailed, with a certain amount of humour showing up.
At the end of the course, they are called to undertake an anti-terrorist operation, successful, but Peter is crippled and has to return home and leave the army. He reaches home, and his fiancee Madhuri is glad to have him back. His army training however soon causes him to start opposing the local mafia who extort money, and soon he is killed. At this time, Major Chauhan comes for the funeral, and sees how the local police is unconcerned and takes no action.
Major Chauhan takes up as a paying guest in the house of Dimple (a young widow with a small child) and gets affectionate towards the child (they never actually show any romance between Nana and Dimple, although there are many hints towards something like this possibly developing). Once he actually takes on the ruffians single-handedly when they tease Dimple, but soon realizes that the local citizens are so suppressed by the mafia that they actually turn on Nana for going against the ruffians. And then the epic scene where the gangsters (this was from an age where the use of guns was less) decide to attack Dimple's house and Nana.
They first scare Dimple and her child, and then they taunt Nana. And then the fight begins - you can see the untrained ruffians being very confident of their youth and numbers against a person who is after a single person and older than them, and yet soon they realize that the person whom they are attacking can defeat all of them, and Nana proceeds to do just that. In the process, he actually kills them, and is soon hauled up before the court. And his speech about being a soldier, and fighting against the vermin of society goes in vain, since the judge declares that his fight is misplaced, he is not responsible for repairing the civilian society, and he is sent for counseling until he is over this.
The movie is a movie that talks about how the fight against injustice is something that all of us can handle, how the personal conviction and strength of a person can make them win odds, and yet how sometime the whole fight can be futile in the face of a disinterested administration.





Scene where Peter wants to join the army



Dance by Madhuri Dixit in Prahaar



A great commando training scene from Prahaar (link)

Omkara - A rough but great movie

Omkara (release in 2006) was a much awaited movie. Director Vishal Bhardwaj had earlier made a name for himself with Makdee and Maqbool (starring an incredible performance by Irfan Khan), and his Hindi interpretation of Shakespeare's Othello had already lead to much anticipation, with the prospect of Saif Ali Khan playing a baddie's role being much awaited.
The movie delivered, but not too much as Vishal would have thought. It won a great amount of critical acclaim, and extreme kudos for the 2 best performances of Saif Ali Khan and Konkona Sen. Vivek Oberoi and Kareina Kapoor won praise, while the performance of Ajay Devgun could have been better - much more is expected out of an actor who has given a performance like Gangajal.



No matter, the movie belongs to Saif Ali Khan. His portrayal of the angry avenger Iago is brilliant. The movie would have been a commercial success if not for the dark atmosphere of the movie, and the crude dialog (replete with the Hindi curse words that you would hear in such a setting, but which inhibit more families and larger audiences from attending). Further, the portrayal of the settings of a rural UP are not exactly geared for wider commercial. Having said that, the movie did very well in markets abroad such as the US and British markets.
Ajay Devgun plays Omkara (Othello), Kareena Kapoor plays Dolly Mishra (Desdemona), Konkona Sen Sharma plays Indu (Iago's wife Emilia), Vivek Oberoi plays Kesu 'the firangi' (since he is from the city) (Cassio), and Bipasha Basu plays Billo Chamanbahar (Bianca).
Omkara is a local bahubali, a person capable of getting things done as well as controlling a criminal gang, and thus very valuable to the local politician Tiwari Bhaisaab (Naseeruddin Shah). This helps him right in the beginning when he elopes with Dolly and her father objects. When his daughter states that she was not abducted, but eloped on her own, he feels ashamed. This is a small twist in the story. The main story is when Tiwari moves onto a bigger role and wants Omkara to take his local seat. This is to be the culmination of Langda Tyaagi's (Saif Ali Khan) ambitions, to be the successor to Omkara. He is shocked and driven into a rage when Omkara appoints Kesu to be the next successor.
In this rage, he starts planning revenge, and does so without any hesitation or thought, and this is the guts of the movie. The cunning that he deploys to break both Omkara and Kesu, and in the process use a number of other people such as his own wife, Omkara's would-be-bride Dolly and the jilted lover of Dolly. His plans play on the most base of human emotions, trust, and eventually he manages to convince Omkara about an affair between his Dolly and his trusted lieutant Kesu, leading to a final conflict where Omkara destroys his own world and then takes his own life in regret over what he has done.
The screenplay, direction and music is all by Vishal Bhardwaj, lyrics are by Gulzar. The song 'Beedi jalai' became a national hit

Videos of songs from Omkara:

Beedi Jalaen Le



Jabaan Pe Lagaa Ishq Pyaar



Naina Thag Lege



O Saathi Re



Omkara Re Omkara



Buy the Movie



Buy the music



See some of the awards won (Wikipedia)

Lyrics for the movie:

Beedi Jalaayile Jigar Se Piya (Sung by Sukhwinder Singh)

na gilaaf, na lihaaf
(na gilaaf, na lihaaf thandi hawa bhi khilaaf sasuri) - 2
ho itni sardi hai kisika lihaaf lehi leh
ho jaa padosi ke chuleh se aag lehi leh - 2
(beedi jalaayile jigar se piya, jigarma badi aag hai) - 2
??tu aana nigaari alag se piya aah aa
tu aana nigaari alag se piya, ke duniya badi dhank hai
haan beedi jalaayile jigar se piya, jigarma badi aag hai
na gilaaf, na lihaaf thandi hawa bhi khilaaf sasuri
ho itni sardi hai kisika lihaaf lehi leh
ho jaa padosi ke chuleh se aag lehi leh - 2

na kasoor, na fatoor
na kasoor, na fatoor, bina juraam ke hajoor maar gaye, ho maar gaye
ho aise ik din duphari bula liyo re
bandh ghungroo kachehri lagaliyo re
bulaayliyo re, bulaayliyo re dupehri
lagaayilo re, lagaayilo re kachehri
angeethi jalaayile jigar se piya, jigarma badi aag hai
beedi jalaayile jigar se piya, jigarma badi aag hai

ho na toh chakkuon ki dhaar, ho na daraati?? na kataar - 2
aisa kaate ke daat ka nisaan chhod de
ke katayi toh koi bhi kisaan jod de
o aise jaalim ka jod de re makaan jod de, re bilo...
jaaalim ka jod de makaan jod de
aise jaalim ka, o aise jaaalim ka,
aise jaaalim ka jod de makaan jod de
na bulaaya, na bataaya
na bulaaya, na bataaya, maane neend se jagaya, haay re
aise chonkele haath mein naseeb aa gaya
woh ilaychi khilayike kareeb aa gaya
koyila jalayile jigar se piya, jigarma, aag hai

itni sardi hai kisika lihaaf lehi leh
ho jaa padosi, ho jaa padosi, jaa jaa padosi
ho jaa padosi ke chuleh se aag lehi leh




Omkara Re Omkara (Sung by Sukhwinder Singh)

(dham dham dharam dharaiya re, sabse bade ladaiya re
omkara, hey omkara) - 2
hey omkara re, omkara
arre dham dham dharam dharaiya re, sab se bade ladaiya re
omkara, hey omkara, hey omkara re, omkara
aankhein tez takaiya do, tu jeeb saamp ka phunkara
omkara, hey omkara
arre bijuri sa pondhe?? sar pe, jiski talvaar ka jhankara
omkara, hey omkara, omkara re, omkara
omkara, omkara, omkara, omkara re, omkara

(maathe par tirsul ke jaise, teen teen bal badhte hain
arre kaan pe jooenge toh bhaiya raan bajaa chal padhte hain) - 2
gali gali mein, arre gali gali mein
gali gali mein bhay baitha hai chaunk pe gunja hunkaara, omkaara
arre (dhum - 3), dham dham dharam dharaya re, sab se badhe ladaiya re
omkara, hey omkara, hey omkara re
(jhaanan jhaanan jhaanan chankaara) - 2
(badh bhaiya bhaiya badh bhaiya omkara) - 2
omkara

(chat par aakar gidh baithe aur parnaalo se khoon baahe
arre kaun gira hai, kaun kata hai, kisma dam hai kaun kahe) - 2
chhakke chhut gaye dushman ke, omkara
chhakke chhut gaye dushman ke, dharati maange chhutkaara
omkara, hey omkara, omkara re omkara
arre dham dham dharam dharaiya re, sab se badhe ladaiya re
omkara, hey omkara
hey aankhein tez takaiya do, tu jeeb saamp ka phunkara
omkara, hey omkara
arre bijuri sa pondhee sar pe, jiski talvaar ka jhankara
(omkara, hey omkara) - 2
chhakke chhut gaye dushman ke
chhakke chhut gaye dushman ke, dharati maange chhutkaara, omkaara
(jhaanan jhaanan jhaanan chankaara,
badhe bhaiya bhaiya badhe bhaiya ) - 2 omkara
omkara re, omkara



O Saathi Re (Sung by SHREYA GHOSHAL, VISHAL BHARADWAJ)

o saathi re din dube na - 2
aa chal din ko roke
dhup ke peeche daude
chaanv chhue na
o saathi re
o saathi re din dube na
aa chal din ko roke
dhup ke peeche daude
chaanv chhue na
o saathi re
o saathi re din dube na
thaka thaka suraj jab nadi se hokar niklega
hari hari kaayi pe paanv bada toh fislega
tum rok ke rakhna main jaal giraaun
tum pith pe lena main haath lagaaun
din dube na ha
teri meri atti katti
daat se khaati katti
re jaiiyo na
o piyu re
o piyu re na jaiyyo na

kabhi kabhi yun kare main daantu aur tum darna
ugal pade aankhon se feenke paani ka jharna
hmm tere kehre badan mein sil jaaungi re
jab karwat lega tu chhil jaaungi re
sang le jaaunga
teri meri angni mangni
and sang laagi sangni
sang le jaaun
o piyu re
o saathi re din dube na
aa chal din ko roke
dhup ke peeche daude
chaanv chhue na
o saathi re



Naina Thag Lenge (Sung by Rahat Fateh Ali Khan)

nainon ki mat maaniyo re
nainon ki mat suniyo
nainon ki mat maaniyo re
nainon ki mat suniyo
nainon ki mat suniyo re
naina thag lenge - 2 thag lenge naina thag lenge
naina thag lenge thag lenge naina thag lenge
jagte jaadu phukenge re jagte jagte jaadu
jagte jaadu phukenge re neenden banjar kar denge
naina thag lenge - 2 thag lenge naina thag lenge
naina thag lenge thag lenge naina thag lenge
nainon ki mat maaniyo re

bhala manda dekhe na paraya na saga re
nainon ko toh dasne ka chaska laga re
bhala manda dekhe na paraya na saga re
nainon ko toh dasne ka chaska laga re
nainon ka zehar nasheela re - 4
baadalon mein satrangiyan bonve
bhor talak barsaave
baadalon mein satrangiyan bonve
naina baanvra kar denge
naina thag lenge - 2 thag lenge naina thag lenge
naina thag lenge thag lenge naina thag lenge -2

naina raat ko chalte chalte swargan mein le jaave
megh malhaar ke sapne dije hariyali dikhlave
naina raat ko chalte chalte swargan mein le jaave
megh malhaar ke sapne dije hariyali dikhlave
nainon ki zubaan pe bharosa nahi aata
likhad parakh na rasid na khaata
nainon ki zubaan pe bharosa nahi aata
likhad parakh na rasid na khaata
saari baat hamari - 2
bin baadal barsaaye saawan saawan bin barsaata
bin baadal barsaaye saawan naina baanwara kar denge
naina thag lenge - 2 thag lenge naina thag lenge
nainon ki mat maaniyo re
nainon ki mat suniyo
nainon ki mat suniyo re
naina thag lenge
jagte jaadu phukenge re jagte jagte jaadu
jagte jaadu phukenge re neenden banjar kar denge
naina thag lenge - 2 thag lenge naina thag lenge
naina thag lenge thag lenge naina thag lenge -2
naina



Namak Isaq Ka (Sung by RAKESH PANDIT, RAKHA BHARDWAJ)

Haaaa, chaand nikal gayi ho ji main chaand nikal gayi daiyyo re......

Hmm, bhitar bhitar aag jare
baat karu to sape lage
ajji bhitar bhitar aag jare
baat karu to sape lage
oh main tu chaand nikal gayo daiyya re
Ang pe aise chhaale padee
Tez tha jhaunka ka karu
Sisi karti, sisi sisi karti main maru
Zabaan pe laga re laga re haaye
Zubaan pe laga, zubaan pe laga laga re
Namak isaq ka haaye tere isaq ka zubaan pe laga laga re haaye
Namak isaq ka, tere isaq ka

(Zubaan pe laga laga re) -2

Namak isaq ka haaye re tere isaq ka -2

Balam se maanga maanga re, balam se maanga re
balam se maanga maanga re balam se maanga maanga re namak isaq ka tere isaq ka
zabaan pe laga laga re, namak isaq ka haaye re tere isaq ka haan re tere isaq ka.....
tere isaq ka....

Sabhi chhede hai mujhko, sipahiye baake chhamiye
haaaann, haan haanji haan
Wah wah ji wah wah ji wah aah
Sabhi chhede hai mujhko, sipahiye baake chhammiye


Thaadi dene lage hai gali ke baniye baniye
koi to kaudi daudh luta de, kauyi to kaudi
Ajji thodi thodi shahad chata de, thodi thodi

Tez tha tadka ka karu sisi karti main maru-2
Raat bhar jaa na re
Raat bhar jaana, raat bhar jaana jaana re
Namak isaq ka haaye tere isaq ka

zabaan pe laga laga re namak isaq ka haaye
tere isaq ka haan re, tere...

hooo, aisi bhukh lagi zaalim ki,
hoo aisi paak lagi zaalim ki
ki bansuri jaisi haan ji main

aarre jo bhi kaha us chandra bhaan ne
phat se ho gayi raazi main, baansuri jaisi baazi main, phat se ho gayi raazi main haaye

kabhi ankhiyon se pina, kabhi honto se pina -2
kabhi achcha lage marna, kabhi muskil lage jeena

karva karvat pyaas lagi thi
arre balam ki aag paas lagi thi

(tez tha jhauka ka karu, sisi karti main maru) -2

dali bhar dala ji dala ji dala ji dala ji dala ji daala ji re
dali bhar daala, dali bhar dala daala re namak isaq ka haaye re, tere isaq ka

Zubaan pe laga laga re namak isaq ka haaye re tere isaq ka....

Balam se maanga maanga re, balam se maanga re
balam se maanga maanga re
namak isaq ka haaye re namak isaq ka

Johnny Gaddar: A delightful movie

(It is so difficult to write about a thriller movie like Johnny Gaddar without giving the story away, so if you feel that you are losing your suspense of the story, stop reading)
If you liked the Saif Ali Khan and Urmila Matondkar movie 'Ek Hasina Thi', you would like Johnny Gadar. There is an element to this movie that makes it a great thriller, including the part about there being a lot of suspense for the characters in the movie while the viewer knows everything. There are no spectacular action scenes, or expensive stunts; it's all about putting in an element of suspense in the interactions. What seems important is to have a slick story line, although the second half does stretch the story line a bit. However, it was interesting to learn that Director Sriram Raghavan did not shoot with a bound script; apparently they just had the beginning, the middle part, and the end; the rest of the script was improvised.
The director is clearly inspired from James Hadley Chase (if you have read some of the novels of Chase, it will seem apparent). There are people of all shades, but rarely do you come across a true person or a person who is all white without any shades of grey in his character. This can't be more true than in this movie, given that all the characters have strong shades of grey in their character. Somehow, the movie seems more realistic, as you realize that this is what real people are like.
The casting is decent, with some good roles by the characters of Neil Mukesh, Vinay Pathak, Zakir Hussain, Ashwini Kaleskar. Rimi Sen does a good role of the wife of Shardul (Zakir Hussain) in love with Vikram (Neil Mukesh), but absolutely terrified of her husband and what he would do if he got to know.
The movie is about a gang of people who need to collect a lot of money to avail of a get rich quick scheme, and collect Rs. 2.5 crore. Vikram, the youngest of the lot, decides to use this opportunity to loot all the cash and steals the money from Daya Shetty in a train. He also kills Daya by accident, and thus starts the quest to keep ahead of the others (who don't know who stole the money, but suspect each other). Mukesh's first kill is by accident, but after this, he slowly kills the others one by them, and very few of them really suspect him, till almost the end when they get killed. But, in the end, as in Chase's novels, the killer or thief can't really get away, and he is killed (and that too by mistake by the widow of one of the persons he killed).
The movie remains fairly taut, and the tension is apparent as things move ahead. You know who did the killing, but still wait to see as to how he gets away from the various gang members who want to find out who did the killing and then kill the thief. A slightly weak point in the movie is the character of Dharmendra, you expect the leader of such a gang to be much more villainous and be more able to smell out who the killer actually is.
Music is by Shankar Mahadevan, Ehsaan Noorani, Loy Mendonca and Lyrics by Nilesh Mishra, Hardkaur, Jaideep Sahni

Songs:

Dhoka



Move Your Body (Johnny Gaddaar)



Lyrics:

Title Song:

[Choti si zindagi
Gehri si jeb hai
Bakki to jaaneman
baaton ke seb hai] 2
ho

Baatein hai
Sab saali baatien hai
Kehte hai phir bhool jaaate hain

Hey johny
Zindagi juna hai khel yaar

Hey johny Gaddar
Matlab hi hai asli yaar

Hey Johny

Aayegi nahi phir yeh zindagi
ho mar mar ke jeena yaar
jam ke kahana pee na yaar
Bhar ke pyala pe na yaar
Mangega to mera hai
Chenega to tera hai ki nahi


Baatein hai
Sab saali baatien hai
Kehte hai phir bhool jaaate hain

Hey johny
Sab kuch hai yahan sale mein hey

Hey johny Gaddar
Sab chalta hai khel mein
Hey Johny

Chad ja tu bhi rail mein

Hey Johny


Bhar ki chus le
Jeb mein thus le
Ho baaton mein na ana tu
Apni karta ja na tu
Baaton mein na ana tu
Apna gana ga na tu

Jadu hai tere mein
Tere mein jadu hai ki nahi

Bhala kar to tera to tera bhal ho
Aisa kaam jo sala chala ho

hey johny
Thoda sa tu bhi khel yaar

Hey Gaddar
Jo aaye to pel yaar
Hey johny
Aaj nakad phir kar udhar



Move your body

Doob ja mere pyaar mein 4
o yeah 2
o yeah all da sexy gals
all da sexy boys
[Got ya move ur 2
Got ya move ur body tonite ]2
Like this...

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2
soni baliye


[Got ya move ur 2
Got ya move ur body tonite ]2
Like this...like this like this
n tht n this n tht

[Sab ek baat pe ade hai
Sab paise naal jude hai ]2
Abb paise fek tamaasaha dekh
Tamaasaha dekh Paise dekh
lyrics from lyricsmasti.com
are kismat ka hai khel

Rock to da rythm n rock to ryhme 2
We gona watchin tonite

Life is a gamble boys
So u know dat ur bare
a play ur card rite
If u gona take a chance
Then u know tht u stand up vam time
This is just a game
So u gona keep on playing
Cos u know wht i m saying
and know u might win this tonite

Tel me ur handle game
kya hoga woh hai teri kismat
Tel me ur handle it
Lekin bazi khelega is waqt
U cud get rich or poor
Baby better really take it slow
or u really know
so here we go hit the show

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2


[Abhi baap na bada na bhaiya
abhi sabse bada rupaiya]2
tu bhi paise fek tamaasaha dekh
Tamaasaha dekh Paise dekh
LyricsMasti.com
are kismat ka hai khel

Move ur body baby 2
Jab kudiye
Move ur body baby 2
u got to 2

Gangster: A great movie

A typical urban gangster movie of the 70's and 80's (thus excluding the rural dacoit movie such as Sholay) was all about the larger than life character, fighting against the police, and maybe reforming or dying. It was the odd movie such as Deewar which tried to look into the mind of a gangster, but these were still movies about larger than life characters. It was films like Vaastav & Satya that tried to break into the basic characters mind, and show the goings on around them, along with the overall despair that involved such criminals (and make no mistake, no matter the circumstances, the new age of movies display them as criminals even when showing their sequence of steps to becoming a gangster).



A refreshing new movie in this regard is the movie called Gangster (directed by Anurag Basu for Mahesh Bhatt). The movie pulls no punches, showing the old game of gangster vs. police through the eyes of a young woman forced to make her choices. The movie is truly a different movie, able to de-glamorize the whole gangster-moll and romance bit. The movie does have some unrealistic parts as well, such as the alcohol-sunken portrayal of a bar dancer by Kangana Ranaut in a great debut role. With some excellent roles given to both Shiney Ahuja and Emraan Hashmi, this movie is also a good example of a movie doing well on the basis of story and performances (and some good music).
Story is all in flashback, showing 2 people firing guns at each other; and then the story starts to unfold. Kanagana essays the role of Simran, a dancer turned into an alcoholic. She has dreams of a normal family, but those are not to be. One day she gives shelter to a dreaded gangster Daya (Shiney Ahuja) when he is being chased by the cops. Why she does so is not clear ! However, Daya starts visiting her club and soon saves her from a drunk customer, and then asks her to come home. And so naturally, they start having an affair; but always on the move (far removed from the normal life that she wanted) since he is on the run from the police. He even ignores the advice from his patron (Gulshan Grover in a short role) to leave her.
They decide to escape from India so as to escape the police and the pressure; and he goes off to Mauritius and she is sent off to South Korea. And it is here that she starts sinking into the pressured and dreary life of an alcoholic, which is when Emraan Hashmi meets her (he is a singer, and starts showing interest in her). She succumbs to her loneliness and has a one-night stand with him. In the meantime Shiney reaches there and beats up Emraan almost to death. However, this is the last we see of the proud don, since he now tries to lead a normal life for her, doing menial work in order to earn money. But, we all know what happens from a one-night stand - Kangana is now pregnant with Emraan's child.
Emraan encourages her to get Shiney to surrender to the police, and, in a fateful decision that she will always regret, she picks Emraan's side. And then after Shiney is gone, she learns that Emraan was a policeman, and the finale is about her trying to take vengeance. The movie is a worth-watch, and with some hummable songs. Movie has music by Pritam Chakraborty; lyrics are by Sayeed Qadri, Mayur Puri, Nilesh Mishra

Songs from the movie:

Bheegi Bheegi Si (Singer: James)



Tu Hi Meri Shab Hain (Singer: K K)



Ya Ali (Singer: Zubeen)




Lyrics:

Bheegi Bheegi

bheegi bheegi si hai raaten
bheegi bheegi yaaden
bheegi bheegi baaten
bheegi bheegi aankhon mein kaisi nami hai
aa ha ha ha aa ha
aa ha ha ha aa ha
aa ha ha ha
sapnon ka saya palkon pe aya
pal mein hasaya pal mein rulaya
phir bhi yeh kaisi kami hai
aa ha ha ha aa ha
aa ha ha ha aa ha
aa ha ha ha
na jaane koi kaisi hai yeh zindagaani zindgaani
kahaani adhuri kahaani
na jaane koi kaisi hai yeh zindagaani zindgaani
kahaani adhuri kahaani

aadhi aadhi jaagi aadhi aadhi soyi
aankhen yeh teri toh lagta hai royi
lekar ke naam hamara
aa ha ha ha aa ha
aa ha ha ha aa ha
aa ha ha ha
rutha rutha rab chhuta chhuta sab
toota toota dil tere bina ab
kaise ho jeena ganwara
aa ha ha ha aa ha
aa ha ha ha aa ha
aa ha ha ha
na jaane koi kaisi hai yeh zindagaani zindgaani
kahaani adhuri kahaani
na jaane koi kaisi hai yeh zindagaani zindgaani
kahaani adhuri kahaani

bheegi bheegi si hai raaten
bheegi bheegi yaaden
bheegi bheegi baaten
bheegi bheegi aankhon mein kaisi nami hai
aa ha ha ha aa ha
aa ha ha ha aa ha
aa ha ha ha
na jaane koi kaisi hai yeh zindagaani zindgaani
kahaani adhuri kahaani
na jaane koi - 2 hamari adhuri kahani
na jaane koi yeh zindagaani zindgaani
kahaani adhuri kahaani
na na na....


Tu Hi Meri Shab Hain

u hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o
tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o

aankhon se padhke tujhe dil pe maine likha
tu ban gaya hai mere jeene ki ek wajah
ho aankhon se padhke tujhe dil pe maine likha
tu ban gaya hai mere jeene ki ek wajah
teri hasi teri adaa auron se hai bilkul judaa
o o o o ho ho
o o o o o o

aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
ho aankhen teri shabnami chehra tera aaina
tu hai udaasi bhari koi haseen dastaan
dil mein hai kya kuchh toh bata
kyon hai bhala khud se khafa
o o o o ho ho
o o o o o o

tu hi meri shab hai subha hai tu hi din hai mera
tu hi mera rab hai jahaan hai tu hi meri duniya
tu waqt mere liye main hoon tera lamha
kaise rahega bhala hoke tu mujhse judaa
o o o o ho ho
o o o o o o...



Ya Ali

ya ali reham ali
ya ali yaar pe qurbaan hai sabhi
ya ali madad ali
ya ali yeh meri jaan yeh meri zindagi
ishq pe mita doon luta doon
main apani khudi
yaar pe haan luta doon mita doon
main yeh hasti
ya ali reham ali
ya ali yaar pe qurbaan hai sabhi
ya ali madad ali
ya ali yeh meri jaan yeh meri zindagi

mujhe kuchh pal de purvat ke
faki hampe chahat ke
rahe bechain dil kab tak
milen kuchh pal toh raahat ke
chahat pe ishq pe haa mita doon luta doon
main apani khudi
yaar pe ha luta doon mita doon
main yeh hasti
ya ali reham ali
ya ali yaar pe qurbaan hai sabhi
ya ali madad ali
ya ali yeh meri jaan yeh meri zindagi

bina tere na ek pal ho na bin tere kabhi kal ho
yeh dil ban jaaye pathhar ka na ismein koi hulchul ho
sanam pe ha ishq pe ha mita doon luta doon
main apani khudi
kasam se ha luta doon mita doon
main yeh hastii
ya ali reham ali
ya ali yaar pe qurbaan hai sabhi
ya ali madad ali
ya ali yeh meri jaan yeh meri zindagi

Songs from Rocky - Sanjay Dutt's first movie

Rocky was Sanjay Dutt's debut movie, a vehicle to launch the gangling young hunk, the son of 2 very famous star parents - Nargis Dutt and Sunil Dutt. The movie was directed by his father, Sunil Dutt and was released in 1981. The movie was a hit, but was a bit of a tragedy since Nargis Dutt died a few weeks before the release, and the tragedy of her death and long fight against cancer pushed Sanjay Dutt into a full-blown usage of drugs, out of which he could only emerge after his father sent him to a clinic.
The movie starred Sanjay Dutt, Reena Roy, Tina Munim, Ranjeet, Amjad Khan (in a positive role), Rakhee and Shakti Kapoor. The movie was a typical masala movie of a young man finding out that those he considered to be his parents were not actually his parents, instead he finds out that his father had been murdered and that his mother had been forced to stay away from him. The movie is about his quest to find out the truth, and to take revenge. There were some excellent songs in the movie, and music was by R.D.Burman. Lyrics were by Anand Bakshi.

Kya Yehi Pyaar Hain (Kishore Kumar and Lata Mangeshkar)



Aah deke zara




Lyrics:

Kya Yehi Pyaar Hain

--MALE--
Kya yehi pyaar hai

--FEMALE--
Haan yehi pyaar hai

--MALE--
O, dil tere bin kahin lagta nahin
Waqt guzarta nahin

--FEMALE--
Kya yehi pyaar hai

--MALE--
Haan haan, haan yehi pyaar hai

--FEMALE--
O, dil tere bin kahin lagta nahin
Waqt guzarta nahin
Kya yehi pyaar hai

--MALE--
Haan yehi pyaar hai
Pehle main samjha kuch aur vaje in baaton ki
Lekin ab jaana kahan neend gayi meri raaton ki

--FEMALE--
Jaagti rehti hoon main bhi, chaand nikalta nahin, oh
Dil tere bin kahin lagta nahin
Waqt guzarta nahin
Kya yehi pyaar hai, bolo, bolo na

--MALE--
Haan yehi pyaar hai

--FEMALE--
Kaise bhooloongi, tu yaad hamesha aayega
Tere jaane se jeena mushkil ho jaayega

--MALE--
Ab kuch bhi, ho, dil pe koi zor to chalta nahin
Dil tere bin kahin lagta nahin
Waqt guzarta nahin
Kya yehi pyaar hai

--FEMALE--
Haan, haan yehi pyaar hai

--MALE--
Jaise phoolon ke mausam mein yeh dil khilte hai
Premi aise hi kya patjhad mein bhi milte hain

--FEMALE--
Rut badle, duniya badle, pyaar badalta nahin, ho
Dil tere bin kahin lagta nahin
Waqt guzarta nahin
Kya yehi pyaar hai

--MALE--
Haan yehi pyaar hai

--BOTH--
O, dil tere bin kahin lagta nahin
Waqt guzarta nahin

--FEMALE--
Mm hm hm hm hm hm

--MALE--
Haan, haan haan, haan yehi pyaar hai

--FEMALE--
Kya yehi pyaar hai

--MALE--
Haan yehi pyaar hai