In the space of a few years, the late Rajesh Khanna became a superstar, enjoying a level of adulation that is difficult to achieve for anybody after him (even the level of success of Amitabh Bachchan soon after him did not reach the amount of crazed fandom that Rajesh Khanna achieved), giving a consecutive series of 15 hit films, something that nobody has managed to do since. This stardom lasted a few years, but made Rajesh Khanna a name that would forever be remembered. One of the movies released during this duration was 'Kati Patang', which also became a huge hit. The movie was produced and directed by Shakti Samanta, and was the second in a series of 9 films they made together. The movie earned a number of Filmfare nominations, but the only award won by the movie was for Asha Parekh as the Best Actress, and the movie did seem to have a focus on Asha Parekh as the person on whom the movie revolved around. The music of the film, by RD Burman was very well liked and appreciated, and Kishore Kumar sang most of the songs for the movie (Kishore was the usual singer for Rajesh Khanna). The movie was actually based on a novel by the name of "I Married a Dead Man," by William Irish (real name of the author being Cornell Woolrich, with William Irish being the name under which the novel was published) and was made into English and French language movies as well.
The movie was an emotional movie, based on the struggle of a woman who took a decision in her life that impacted her again, in an amazing coincidence. Like many people of the current age, the heroine of the movie Madhavi (Asha Parekh) took a decision that you would consider right. She was an orphan and when her uncle arranged her marriage to somebody whom she did not know, she ran away from there to her lover rather than get married to somebody she did not know. Unfortunately, she found that she had been deceived, since her lover Kailash (Prem Chopra) was only playing with her, and she found him with another woman Shabnam (Bindu). Hurt and betrayed, she returned home to find that her uncle had died. With this distressing situation, she ran away and ran into her friend Poonam who was with her small child. Poonam had married her husband against the wishes of his family and they had never met her. However, she was now returning to his family after the death of her husband, and yet, in another tragedy, Poonam dies although her child and Madhavi both survive, with Madhavi now having to take care of the child.
Madhavi decides to travel to Poonam's inlaws, and since they have never seen Poonam, Madhavi takes on the guise of Poonam, living as their widowed daughter-in-law. And then she runs into the person who has suffered an emotional turmoil, Kamal (Rajesh Khanna). Kamal's would be wife ran away before the marriage, something that affected him terribly emotionally. Madhavi is very distressed to hear about this, since she was the one who had caused such pain to Kamal. However, when Kamal starts to get closer to her, she resists since she does not want her truth to come out. And then the complication happens, with Kailash and Shabnam re-entering the scene and twisting things around so that she is liable to get blamed. How does she handle this and who supports her ? Watch the movie.
Love Aaj Kal was a love story released in 2009, produced by Saif Ali Khan as his first movie as a producer, and paid him rich dividends, becoming a fairly big hit. The movie starred essentially 4 people in 2 parallel love tracks (separated by a generation), Rishi Kapoor, Saif Ali Khan, Deepika Padukone and a Brazilian newcomer, Giselli Monteiro. The music of the movie was also well appreciated, with songs such as Twist, Chor Bazaari, Dooriyan, and Aaj Din Chadheya becoming big musical hits. The music for the movie was by Pritam (lyrics by Irshad Kamil). The movie was directed by Imtiaz Ali (who also had a previous big hit in the form of Jab We Met).
The movie was a story of breakup and meeting, set in a very modern generation, where people concentrate on their careers, and contrasts this with a storyline that was set a generation back, where the person would do a lot for love, and base their decisions and their actions on love (and in the end, the conclusion of the movie is that the power of love still makes people do things even when they feel that they are driving their own decisions).
The movie is the story of Jai and Meera, who are a modern couple in London, and parallel to this, the movie also tells the story of Veer Singh and Harleen (from the past). Jai and Meera (Saif and Deepika) are in London, where they meet and become a couple. However, they have career needs that they realize will take them in different directions, with Meera interested in conservation, taking her to India, and Jai being an architect, working for the Golden Gate firm in San Francisco. They decide that they cannot be together, and have a separation party, deciding to move on with their own life. They do however, decide to remain very much in contact, and with the power of modern communications, it could be that they remain very close to each other. When Meera is leaving, Jai comes in contact with Veer Singh, who is surprised that Jai is letting Meera go like this, and tells him the story of how he fought for Harleen (in a sepia tinged story), whom he liked but did not get a chance to speak to much.
Now, Jai and Meera are living their own lives, with Jai involved with a blonde in London, while Meera has received an offer from her boss, and finally decides to accept his romance. In between, Jai pays a visit to Meera and they have a lot of fun together, but things get serious when Vikram (Meera's boss) proposes to her; Meera is confused because she still has feelings for Jai, and she and Jai have an argument (with Meera telling Jai that they should stop being in touch with each other).
And then Meera marries Vikram, still confused. Jai comes there, and in a remarkable coincidence, he gets an offer from the Golden Gate. In the meantime, Meera realizes her marriage was a mistake, and tries to get in touch with Jai but realizes that he is incredibly happy over going to San Francisco and does not say anything more to him. He enjoys his stay in San Francisco, but over a period of time, this excitement starts falling and he starts to feel depressed. It takes a mugging for him to realize that he is actually missing Meera, and he rushes back to Delhi even though he knows that Meera is married. When he reaches here, he realizes that Meera and Vikram are no longer married, and he has an emotional reunion with Meera at her site.
Reshma Aur Shera was one of the earlier movies of Amitabh Bachchan, at a time when he was not the established superstar. The movie is an account of betrayal, love, murder, honour, set against the backdrop of the sands and harshness of Rajasthan. The movie was essentially the creation of Sunil Dutt, who also produced and directed the movie.
The movie was well liked by critics, and was nominated for some international (although it did not win too many). Some of the awards it was nominated for include:
- The Golden Bear at the Berlin International Film Festival
- Academy Award for Best Foreign Language Film (Oscars)
The movie was written by S. Ali Raza, with some beautiful music by Jaidev (for which he won the 1972 National Film Award for Best Music Direction (his first award for music)).
The movie is about the feud between 2 families, and in a story that has been seen many times, where the children of both families are in love. The eldest son of Sagat Singh, Shera (Sunil Dutt) is not the more violent and revenge seeking son, trying to make peace. He is very strongly attracted to the daughter Reshma (Waheeda Rehman) of his father's rival, and she also falls in love with him when she sees how he can be strong for peace rather than for more revenge.
And yet there is a third element, the younger son of Sagat Sing, the mute Chotu (Amitabh Bachchan, who plays the role of a skilled shooter, also heavily influenced by his father). Eventually Chotu goes against the wishes of his brother in terms of not having violence and going in for peace and influenced by his father who wants Chotu to shoot the rival and his son both. And they both die; this causes Shera to hunt for his own brother to kill him. What happens next ?
The art of movie-making is inherently the art of story telling. The success (and therefore also the failure) of a film is primarily determined by the director’s ability to narrate a story well. The rest of the paraphernalia, read, music, dance, camera work, set design, costume design, sound…all of it is secondary. The immensely successful movie, Gadar-Ek Prem Katha, directed by Anil Sharma, is a superlative example of this simple fact. Many a movie has talked about love and many a movie has also talked about the Partition. So in that sense, Mr. Sharma is not telling a new story. However he has taken these two emotionally-charged elements and woven a wonderfully simple tale that leaves the viewer experience a whole gamut of emotions without being too heavy.
Gadar-Ek Prem Katha, starts off in pre-partition India. Sakeena (Amisha Patel’s soft beauty will take your breath away), a girl from a rich Muslim family is a student at a convent school in Shimla. Tara Singh (Sunny Deol, aptly cast) is a truck driver who fetches supplies to the school and nurtures a very innocent crush on her. A silly prank is the starting point of an unlikely friendship that develops between these two apparently diverse individuals. Then comes Partition and Sakeena’s family headed by Ahsraf Ali (Amrish Puri) depart for Lahore amidst growing tension between the two communities. The ensuing mindless violence that followed Partition is very sensibly captured and in one such incidence Sakeena gets left behind while her entire family boards the train to Pakistan.
Tara Singh rescues her from the clutches of sword wielding men and offers her the shelter and security of his home. After some time they marry and their love matures into a strong bond. The couple have a son and are blissfully happy. After a good seven odd years, Sakeena comes upon a picture of her father in the newspaper and she realises that her family is alive and well.
With the help of Tara Singh, Sakeena is able to re-establish contact with her father Ashraf Ali across the border. Ali is happy that his daughter is alive but is none too pleased that she is now married to a Sikh and also has a son. His devious plotting finds the sweet family torn apart-Sakeena under house arrest in Pakistan; Tara and their son waiting in India. As soon as Tara Singh is able to discover his father-in-law’s true intentions, he sets out for Pakistan to rescue his wife and bring her back home. He is supported in this endeavour by his faithful friend Darmiyan Singh and his little son. In Pakistan Tara has to face many trials and tribulations. Whether Tara is able to bring back his “Madam” (as he refers to Sakeena) forms the second half and the climax of the film.
Heartfelt acting, melodious songs and a simple narrative make this film immensely watch-able.
Awards won:
Winner:
Filmfare Best Action Award - Tinnu Verma
Filmfare Special Performance Award - Amisha Patel
Sansui Best Actress Award - Amisha Patel
Annual Filmgoers Awards - Best Actress - Amisha Patel
Dilwale Dulhania Le Jayenge was a major hit film, early enough in Shahrukh's career that it gave him a big jump. The movie was an incredible success, remembered even today. It was also an a huge event in the career for director Aditya Chopra. The movie is also much appreciated by critics, marked among movies that are worth seeing in any top movie list. It also won a huge number of awards, almost a clean sweep of the popular awards:
Filmfare Awards:
1996 Filmfare Best Movie Award: Yash Chopra
1996 Filmfare Best Director Award: Aditya Chopra
1996 Filmfare Best Actor Award: Shahrukh Khan
1996 Filmfare Best Actress Award: Kajol
1996 Filmfare Best Supporting Actress Award: Farida Jalal
1996 Filmfare Best Comedian Award: Anupam Kher
1996 Filmfare Best Lyricist Award: Anand Bakshi, Tujhe Dekha
1996 Filmfare Best Screenplay Award: Aditya Chopra
1996 Filmfare Best Dialogue Award: Aditya Chopra, Javed Siddiqi
1996 Filmfare Best Male Playback Award: Udit Narayan, (Mehndi Lagake Rakhna)
The movie was also acclaimed for its music, with the music by Jatin Lalit and some great singing by Lata Mangeshkar and Udit Narayan. The shooting of the movie, in the scenic beauty of Switzerland, and then in the fields of Punjab were in the line of the movies by Yash Chopra, and supported by some excellent cinematography by Manmohan Singh.
The movie spans across 3 countries and 2 continents. The movie starts in England where aj Malhotra and Simran Kaur (Shahrukh Khan and Kajol respectively) are living in London, with Raj being like any normal London boy, drinking, out with friends, and so on, and spoiled by his father Anupam Kher. Simran has a domineering father, convenience store owner Chaudhry Baldev Singh (Amrish Puri), who is very conservative and would not really want his daughter to have all the freedom of a girl living in London. He would want his daughter to get married to a traditional Indian man, and finds a suitable arrangement with the son of his friends. Simran finally agrees to this, but wants to first travel with friends and see the world.
In the trip, Simran bumps into Raj, who is also on a trip. She does not like him, seeing him as a uncaring person, but there is a situation in which both of them have to depend on each other. They start loving each other, but have to separate at the end of the trip. When Baldev gets to know about this from Simran, he is very angry since he considers that Simran has broken his trust, and flies off to Punjab with the family for marriage. What does Raj do ? How does he manage to persuade Baldev and marry Simran ?
Songs and lyrics from the movie:
Dilwale Dulhania Le Jayenge – Ghar Aaja Pardesi (link)
Dilwale Dulhania Le Jayenge – Zara Sa Jhoom Loon Main (link)
Dilwale Dulhania Le Jayenge – Mere Khwabon Mein (link)
Dilwale Dulhania Le Jayenge – Ruk Ja O Dil Deewane (link)
Dilwale Dulhania Le Jayenge – Tujhe Dekha To (link)
Dilwale Dulhania Le Jayenge – Mehndi Laga Ke Rakhna (link)
Dilwale Dulhania Le Jayenge – Ho Gaya Hain Tujhko (link)
The quest to have a house of one's own is a very strong impulse, capable of stirring up strong emotions in any person. Gharonda is a movie on that concept, on the quest of a young couple to have a house of their own. I was very impressed with the movie, even though the movie can leave you down a path where you feel that life can go very negative, and where events can happen that leave you feel disillusioned with life. The movie was released in 1977, and became popular as a movie with emotions, and some great music. The movie was directed and produced by Bhimsain, with some great lyrics by Gulzar and music by Jaidev. The movie starred Amol Palekar, Zarina Wahab, Shreeram Lagoo, and Jalal Agha.
Sudip (Amol Palekar) and Chaya (Zarina Wahab) are colleagues working in the same office in Mumbai. Like other middle class citizens, they drea, of owning a house in Mumbai. They are not yet married, but plan to get married when they have bought a house; and for which they paid all their lives savings. However, they are in for a shock when in a few months, the builder runs into difficulties, and all their money is lost. At around this time, their boss and the owner of the firm, Shreeram Lagoo starts getting more interested in Chaya; and then the couple make an audacious plan. Lagoo is rich, alone, and a heart patient, and they figure that he will die soon after marriage, and then Chaya will be a rich widow. Chaya is not comfortable with this idea, but accepts it after persuasion. Soon, Chaya settles in the life of a married woman, and wonders of wonders, Lagoo starts getting better. Sudip starts seeing his plan going awry, and then when Chaya scolds Sudip for visiting often, he gets puzzled. The decision point finally occurs in the end when Modi (Shreeram Lagoo) gets a heart attack, and Chaya nurses him back to health; Sudip realizes that she is gone from his life forever, and leaves.
What can one say about this movie ? I really liked this movie, although the huge number of songs got to me sometime in the middle. The movie is a sensitive portrayal of the triangle, with the girl in the middle, and you see how her emotions slowly change as she gets to know the person to whom she is married to. The movie was a big hit for Sanjay Leela Bhansali, since his earlier movie, Khamoshi, was a critical success, but did not do too well at the box office. The success of Hum Dil De Chukhe Hain Sanam propelled Sanjay Leela Bhansali into the big league, and encouraged him to make his mega opus, Devdas. HDDCS also gave a big boost to the career and reputation of its heroine, Aishwarya Rai. Before this, Aishwarya did not have a great reputation an a star who could emote well, and a role where she had an opportunity to show a range of emotions was something that she would have welcomed. The success of the movie gave her reputation a big boost, something that her male stars (Salman Khan and Ajay Devgun) did not get to the same extent.
The movie is about a unique triangle. Aishwarya lives in a joint family in the Rann of Kutch, one which is very musically inclined as her father is a famed classical musical Pandit, and at the same time, protective of their honour. Aishwarya is the favorite daughter of her father, who is strict otherwise. And then comes in Salman Khan to their mansion, to learn music from her father. He has come all the way from Italy for this purpose. Initially, Nandini (Aishwarya) does not like Salman, also because she had to give up her room for him, and they play a lot of pranks on each other. But, as you would expect, soon they start to love each other, fairly deeply. For some time, this love is hidden, but at one point, her father, Pandit Darbar (Vikram Gokhale) finds out about this love affair. He is not the least bit supportive, and asks Salman to leave (his gift to his teacher), and orders Nandini to forget Salman, as she is to marry other. And then Nandini is married off to Vanraj (Ajay Devgun); Vanraj had seen Nandini at a function and fell in love with her. However, immediately after the marriage, Vanraj gets to know about the love that Nandini had for Sameer (Salman Khan) and promises to take her to Italy to be with Sameer (after the initial anger). They arrive in Italy, and as you might expect, searching for a person in a different country is not easy; they run into various issues, getting robbed once, and Nandini gets shot during the attempt. Vanraj takes care of her when she is in hospital, and slowly Nandini starts to start seeing Vanraj for the caring and loving person he is. Eventually they find Sameer through his mother (Helen), and when Salman finds out, he is overjoyed. It is at this time that Nandini has to decide, is she still in love with Sameer, or is she now conscious of her role as Vanraj's wife, and now in love with him ?
Awards won by the movie at the 2000 Filmfare Awards: Best Movie - Hum Dil De Chuke Sanam Best Director - Sanjay Leela Bhansali Best Actress - Aishwarya Rai Best Male Playback - Udit Narayan, "Chand Chupa Badal Mein" Best Art Director - Nitin Chandrakant Desai Best Cinematographer - Anil Mehta Best Choreography - Saroj Khan, "Nimbooda" Best Background Score - Anjan Biswas
Videos of songs from the movie:
Tadap Tadap (sung by Kay Kay)
Ankhon ki gustakhiyan maaf ho
Jhonka Hawa Ka
Dholi Taro Dhal
Hum Dil De Chuke Sanam (title song)
Nimbooda
Albela Sajan aayo Re
Man Mohini Teri Ada
Chaand Chupa Badal Mein
Lyrics:
Tadap Tadap
Bejaan Dil Ko Bejaan Dil Ko Bejaan Dil Ko Tere Ishq Ne Zinda Kiya Phir Tere Ishq Ne Hi Is Dil Ko Tabah Kiya
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Ajab Hai Ishq Yaara Pal Do Pal Ki Khushiyaan Gam Ke Khazaane Milte Hain Milti Hai Tanhaiyaan Kabhi Aansoon Kabhi Aahein Kabhi Shikve Kabhi Naalein Tera Chehra Nazar Aaye Tera Chehra Nazar Aaye Mujhe Din Ke Ujaalon Mein Teri Yaadein Tadpayein Teri Yaadein Tadpayein Raaton Ke Andheron Mein Tera Chehra Nazar Aaye Machal Machalke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Agar Mile Khuda To Poochhoonga Khudaya Jism Mujhe Deke Mitti Ka Sheeshay Sa Dil Kyon Banaya Aur Us Pe Diya Fitrat Ke Woh Karta Hai Mohabbat Wah Re Wah Teri Kudrat Wah Re Wah Teri Kudrat Us Pe De Diya Kismat Kabhi Hai Milan Kabhi Furqat Kabhi Hai Milan Kabhi Furqat Hai Yehi Kya Vo Mohabbat Wah Re Wah Teri Kudrat Sisak Sisakke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
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Ankhon ki gustakhiyan maaf ho
Aankhon Ki Gustakhiyaan Maaf Hon O Aankhon Ki Gustakhiyaan Maaf Hon Ek Tuk Tumhein Dekhti Hain Jo Baat Kehna Chaahe Zubaan Tumse Vo Ye Kehti Hain
Aankhon Ki Sharmohaya Maaf Ho Tumhein Dekhke Jhukti Hain Uthi Aankhein Jo Baat Na Keh Sakin Jhuki Aankhein Vo Kehti Hain
Aankhon Ki Aankhon Ki Gustakhiyaan Maaf Hon
Kaajal Ka Ek Til Tumhare Labhon Pe Laga Loon La la la.. Haan Chanda Aur Suraj Ki Nazron Se Tumko Bacha Loon Hmmm.. Oh Palkhon Ki Chilman Mein Aao Main Tumko Chhupa Loon Aa.. Khayaalon Ki Ye Shokhiyaan Maaf Hon Har Dam Tumhein Sochti Hain Jab Hosh Mein Hota Hai Jahan Madhosh Ye Krti Hain
Aankhon Ki Sharmohaya Maaf Ho
Ye Zindagi Aapki Hi Amaanat Rahegi Ay Hey Dil Mein Sada Aapki Hi Mohabbat Rahegi Ay Hey In Saanson Ko Aapki Hi Zaroorat Rahegi Is Dil Ki Naadaniyaan Maaf Hon Ye Mere Kahan Sunti Hain Ye Pal Pal Jo Hote Hain Bepal Sanam To sapne Naye Bunti Hain
Aankhon Ki Aankhon Ki Gustakhiyaan Maaf Hon Sharmohaya Maaf Ho
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Jhokaa Hawa Ka
Jhonka Hawa Ka Aaj Bhi, Julfein Udaata Hoga Na, Tera Dupatta Aaj Bhi Tere, Sar Se Sarakta Hoga Na, Baalon Mein Tere Aaj Bhi, Phool Koi Sajta Hoga Na, Thandi Hawayein Raaton Mein Tujhko, Thapkiyaan Deti Hongi Na Chaand Ki Thandak Kwabon Mein Tujhko, Le Ke Toh Jaati Hogi Na, Sooraj Ki Kirnen Subah Ko Teri Needien Udaati Hogi Na, Mere Khayalon Mein Sanam, Khud Se hi Baatein Karti Hogi Na, Main Dekhta Hoon Chup Chup Ke Tumko, Mehasoos Karti Hogi Na, Jhonka Hawa Aaj Bhi Julfein Udaata Hoga Na
Tadeva Lagnam Kagaz Pe Meri, Tasveer Jaisi Kuch Toh Banati Hogi Na, Ulat Palat Ke, Dekh Ke Usko Jee Bhar Ke Hansti Hogi Na, Hanste Hanste Aankhen Tumhari, Bhar Bhar Aati Hongien Na, Mujhko Dhaka Tha, Dhoop Mein Jis Se, Woh Aanchal Bhigoti Hogi Na, Saawan Ki Rimjhim Mera Tarana, Yaad Dilati Hogi Na, Ik Ik Meri Baatein Tumko Yaad Toh Aati Hongein Na, Yaad Toh Aati Hogi Na, Yaad Toh Aati Hogi Na, Kya Tum Mere In Sab Sawalon Ka Kuch Toh Jawab Dogi Na
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Dholi Taro Dhol
Hey kha na na na na khankhanat hey ta na na na na tantanat ay ja na na na na na janjanat chha na na na na na na na ji ji ji ji ji hey.. haa
Jhananana Jhanjhanat Jhanjhar Baaje Re Aaj Tanananana Tantanat Manjeera Baaje Ghananana Ghanghanat Gori Ke Kangana Aaj Chhananana Chhanchhanat Paayal Sang Baaje Sar Par Chunar Odhe Niklegi Aaj Raadhe Lehra Lehrake Gopiyon Sang Kaanha Bhi Peechhe Peechhe Taang Koi Kheenche Kheenche Murli Se Barsaaye Nasur Tarang Dharti Aur Vo Gagan Jhoomenge Sang Sang Sabpe Chadhega Aaj Prem Rang Rangeen Gulaal Hoga Socho Kya Haal Hoga Nachenge Prem Rogi Dum Duma Dum Dum Dham Dham Datilal Datilal Dhidkit Dhidkit Dhilaal Baaje Mirdang Dhana Dhan Dhan Dhana Dhan Baaje Chham Chham Chham Chhamat Jhanjhar Jhamjhamat Ghungroo Ghamghamat Chamak Cham Chamake Hey Baaje Re Baaje Re Baaje Re Baaje Re Dhol Baaje
Hey hey.. Hey Baaje Re Baaje Re Baaje Re Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol Ki Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol To Dham Dham Baaje Dhol Hey Hey Chhori Badi Anmol Meethe Meethe Iske Bol Aankhein Iski Gol Gol Gol Gol To Dham Dham Baaje Dhol Haan Haan Chhora Hai Natkhat Bole Hai Patpat Arre Chhede Mujhe Bole Aise Bol To Dham Dham Baaje Dhol
Hey.... Baaje Re Baaje Re Baaje Re Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol To Dham Dham Baaje Dhol To Dham Dham Dham Baaje Dhol
Rasiyo Ye Roop Taro Chhoo Loon Zara Arre Na Arre Haan Arre Haan Haan Haan Haan Hey... Raat Ki Rani Jaise Roop Mera Mehkasa Mehkasa Mehkasa Mehkasa Udegi Mahak Mujhe Chhoo Na Tu Kyon Behkasa Bahkasa Behkasa sa sa sa sa Paas Aaja Meri Rani Tu Ne Nahin Meri Maani Karoonga Main Manmaani Mat Kar Shaitani Arre rererere.. Sarre rerere.. Pare rerere.. Ki Dholi Taro Dhin Dhinak Dhin Ki Dholi Taro Dhin Dhinak Dhin Ki Dholi Taro Hey.. Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol
Hey Hey Chhori Badi Anmol Meethe Meethe Iske Bol Aankhein Iski Gol Gol Gol Gol To Dham Dham Baaje Dhol Ho Ho Ho Chhora Hai Natkhat Bole Hai Patpat Chhede Mujhe Bole Aise Bol To Dham Dham Baaje Dhol
Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol Ki Dham Dham Dham Baaje Dhol
Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Hungama Hungama Ho Gaya Hai Hungama Hungama Hungama Ma Ma Ma Ma Re.. Hungama Hungama Ho Gaya Hai Hungama Hungama Hungama Ma Ma Ma Ma Re.. Dham Dham Dham Dhol Baaje Hey Baaje Dham Dham Dham Dhol Baaje Hey Baaje Re Baaje Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dham Hey Dham Dham Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham
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Title Song of Hum Dil De Chuke Sanam
Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Oh Ho Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam
Ye Duniya Kare Sitamb Tujhpe Mitnege Hum Teri Kasam
Oh Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam
Umeedein Tumhin Se Hain Mere Sanam Thaama Hai Tumhara Hi Ye Daaman Ho Bhoolenge Kabhi Na Ab Tumhein Hum Oh Bhoolenge Kabhi Na Ab Tumhein Hum Oh Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam
Teri Yaadon Ke Saaye Mein Guzregi Ye Zindagi Us Khuda Ke Baad To Pooja Hogi Bas Teri Chaahe Jo Maanglo Sab Tumhara Hai Chaahe Jo Maanglo Sab Tumhara Hai Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam
Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam .
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Nimbooda
Ye Nimbooda Ay Nimbooda Ho Ho Oo Ho... Dhinak Dhinak Dhinak Dhinta
Arre Layido Layido Laydo Arre Layido Layido Laydo Nimboo Layido Ja Khet Se Hariyala Nimbooda Layido Nimbooda Layido
Aa Nimboo Layido
Ah Ha
Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo Arre Katto Katto Nimboo Tez Chori Se Sar Pe Kaato Phir Chhota Chhota Nimbooda Kya Jaadu Karega Dekho Ki Buri Nazar Vo Khatti Hoyegi Phir Char Raste Pe Vo Utar Giregi
To Layido Layido Laydo To Layido Layido Laydo Nimboo Layido Ja Ja Ja Khet Se Hariyala Nimbooda Layido Nimbooda Layido
Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Nimbooda Layido Nimbooda Layido Haan Nimboo Layi Layi Layi Layido
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Albela Sajan Aayo Re
albela sajan aayo ri mora hatwar sukar aayo ri albela sajan aayo ri albela albela albela albela alebela albela
jyot purao magal gau sanann saanan jyot purao magal gau man rang ish payo ri
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Man Mohini Teri ada
Hey Mitti Pe Kheenchi Lakeerein Rab Ne To Ye Tasveer Bani Aag Hava Pani Ko Milaya To Phir Ye Tasveer Saji
Hey Hasti Teri Dishaal Kudrat Ka Tu Kamaal Hey Man Mohini Teri Ada Tujhe Jab Dekhle To Phir Ghata Barse Jhar Jhar Jhar Jhar Sarar Sarar Sarar Naache Chamak Chamak Vo Bijli Deewani Hai Bemisaal Tu Kori Kori Anchhui Tujh Mein Hai Kudrat Saari Khoyi Tujh Mein Hai Kudrat Saari Khoyi Khoyi Tujh Mein Hai Kudrat Saari Khoyi Khoyi
Tat ta..
Mitti Ki Hai Moorat Teri Masoomiyat Fitrat Teri Ye Saadapan Ye Bholapan Tu Mehki Mehki Tu Lehki Lehki Tu Chali Chali Har Gali Gali Tu Hava Ke Ghan Sang Sanana San Tera Ang Ang Jaise Jaltarang Koi Leher Leher Chali Teir Teir Paani Ka Mel Tere Tan Badan Jhar Jharar Jharar Angaarey Jaisa Tera Rom Rom Hai Dehka Dehka Agni Ka Khel Tu Agan Agan
Takir takir...
Zara Dhirak Dhirak Zara Lachak Lachak Kabhi Matak Matak Kabhi Thumak Thumak Khali Jhoom Jhoom Kabhi Ghoom Ghoom Dharti Ko Choom Mach Dhoom Dhoom Chanchal Badi Tu Natkhat Badi Dehki Bahaar Ras Ki Fuhaar Tere Teekhe Nain Tere Keshe Rain Ye Balkhana Ye Itrana .
Tat tat ...
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Chand Chupa Badal Mein
Chand Chupa Badal Mein, Sharma Ke Meri Jaana , Seene Se Lag Ja Tu, Bal kha Ke Meri Jaana, Gumsum Sa Hai, Gupchup Sa Hai Madhosh Hai,Khamosh Hai, Haan Ye Sama, Haan Ye Sama Kuch Aur Hai, Han Han Han Chand Chupa(Repeat)
Nazdikiyan Badh Jaane De, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Door Se Hi Tum Jee Bhar Ke Dekho, Tum Hi Kaho Kaise Door Se Dekhoon, Chaand Ko Jaise Dekhta Chakor Hai, Aye, Gumsum Sa Hai, Ye Sama Kuch Aur Hai Ho Ho Ho, Chand Chupa Badal Mein(Repeat)
Aaja Re Aaja Re Chanda, Ki Jab Tak Tu Na Aayega, Sajana Ke Chere To Dekhne Ye Man Tarsa Jayega, Na Na Chanda Tu Nahin Aana , Tu Jo Aaya To, Sanam Sharma Ke Kahin Chala Jaye Na, Aaja Re Aaja Re Chanda, Tu Laakh Duayen Payega, Na Na Chanda Tu Nahin Aana, Varna Sanam Chala Jayega,
Aanchal Mein Tu Chup Jaane De, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Julfon Mein Tum Kho Jaane Do, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Pyaar To Naam Hai, Sabra Ka Humdam, Woh Bhala Bolo Kaise Karen Hum, Sawan Ki Raah Jaise Dekhe Mor Hai, He Rehne Bhi
Ijaazat means permission, and the name of the movie is based on the concept of the heroine having taking a drastic step without consulting with her husband, something that she would regret later. The movie is a very well regarded movie, based on alternative cinema. The movie is also very well known for its songs (shown later in this post), and is also distinctive that the movie gave a chance for Asha Bhosle to showcase her quite tremendous singing talents, since she sang the 4 main songs of the movie. These songs are all incredibly famous, and regarded as excellent songs both in terms of music and lyrics. The music of the film won 2 national awards. The movie did give a boost to the reputations of both Naseeruddin Shah and Rekha, although the commercial success of such a movie is always debatable. The movie was directed by Gulzar (also the lyrics, screenplay and dialogues), with music by RD Burman.
1988 - National Film Award for Best Female Playback Singer: Asha Bhosle - Mera Kuch Samaan 1988 - National Film Award for Best Lyrics: Gulzar - Mera Kuch Samaan 1989 - Filmfare Best Lyricist Award: Gulzar
The movie works in mostly flashback mode. Mahinder (Naseeruddin Shah), on a stormy night, gets into a train waiting room; a lady sitting in the waiting room tries to avoid being seen, but eventually they meet. The lady is Sudha (Rekha), and when they see each other, the flashback starts. They were married to each other earlier, but that relationship broke because of the presence of another girl in Mahinder's life. Mahinder used to love a girl called Maya (Anuradha Patel), a free living feminist. However, it was impossible for Mahinder to marry her since his grandfather (Shammi Kapoor) would never have allowed this. His grandfather had found Sudha, a school teacher, for him, and even though the engagement has stretched to 5 years, it was pretty clear that the marriage could happen anytime. This was something that Mahinder told Sudha about as well, with the understanding that Maya would never come between them. However, it seemed to Sudha that Maya had such an important part in Mahinder's life that her presence was always there. The situation escalates, till there is a time when Sudha feels that Mahinder has deserted her for Maya and she laves without telling Mahinder. In the meantime, when Mahinder gets to know, he suffers a heart attack, with Maya taking care of him. Soon after, Maya dies when her scarf gets entangled in the wheel of the motorcycle that she was driving. In the present time, when Sudha gets to know these events, she is shocked, since it would seem to be that she had left without ascertaining the complete facts, and this had changed her life. And then her husband, Shashi Kapoor comes in, and she leaves with him, this time taking the permission (Ijaazat) of Mahinder, unlike the previous time.
Ijaazat Song on Youtube: Khali Haath Sham Ayee Hai
Lyrics:
katra katra milti hai katra katra jeene do zindgi hai, bahne do pyaasi hoon main pyasi rahne do
Tumne to aakash bichhaya mere nange pairo main zameen hai dekhe to tumhaari aarzoo hai shayad aisi zindagi haseen hai aarzoo main bahne do pyaasi hoon main pyaasi rahne do ...
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Mera kuch saamaan tumhare paas pada hai -2 o o o ! saavan ke kuch bheege bheege din rakhe hain aur mere ik khat main lipti raat padi hai vo raat bhulaa do, mera vo saamaan lauta do - 2 mera kuch saamaan tumhaare paas pada hai - 2
patjhad hai kcuh ... hai na ? o ! patjhas main kuch patton ke girne kee aahat kaanon main ek baar pahan ke laut aai thee patajhad kee vo saakh abhi tak kaanp rahi hai vo saakh gira do, mera vo saamaan lauta do - 2
ek akeli chhataree main jab aadhe aadhe bheeg rahe the - 2 aadhe sookhe aadhe geele, sukha to main le aaye thee geela man shayad bistar ke paas pada ho vo bhijwa do, mera vo saamaan lauta do
ek so sola chaand ki ratain ek tumhare kaandhe ka til - 2 geeli mahendi ki khushbu, jhoot mooth ke shikwe kuch jhooth mooth ke wade sab yaad karaa do sab bhijwa do, mera vo saamaan lauta do - 2
ek ijaazat de do bas, jab isako dafanaaungee main bhi vaheen so jaungee main bhi vaheen so jaungee
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Chhotee see kahaanee se, baareeshon kee paanee se saaree waadee bhar gayee, naa jaane kyo, dil bhar gayaa, naa jaane kyo, aankh bhar gayee
shaakho pe patte the,patton pe boonde thee boondo mein paanee thaa,paanee mein aansoo the
dil mein geele bhee the,pahale mile bhee the milake paraaye the,do humasaaye the
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