Aankhen (2002) - A bank robbery masterminded by Amitabh Bachchan

Aankhen released in the year 2002 and was a heist movie but with a twist. Based on a Gujarati play ‘ Andhalo Pato’ it had some of the leading names of Bollywood like, Amitabh Bachchan, Akshay Kumar, Paresh Rawal, Arjun Rampal and Sushmita Sen in leading roles. Directed by Vipul Amrutlal Shah, the movie was appreciated by one and all for its unique plot. It went on to become a huge commercial hit and garnered a lot of critical appreciation as well.

An obsessive temperamental bank manager Vijay Singh Rajput (Amitabh Bachchan) loses his job after he manhandles a bank clerk caught embezzling money. Embittered at losing his job he plots revenge on the bank by carrying out a heist. He comes up with a brilliant idea of training three blind men, Vishwas (Askhay Kumar), Ilyas (Paresh Rawal) and Arjun (Arjun Rampal), to carry out the robbery once he realises that the visually handicapped can be trained to do anything. He decides that their handicap (blindness) is the best alibi that one can come up and one that will save his skin as well.

He forces Neha, a teacher at a blind school, to train these three individuals. Neha is forced to carry out Vijay’s bidding as he has kidnapped her younger brother. Neha trains Vishwas, Ilyas and Arjun to overcome their blindness and act as ‘normal’ people. By elaborate and careful planning, she prepares the three men to carry out the heist without a glitch. The bank robbery is a success and the trio are able to run away to safety with the jewels. However there is only a small problem- Ilyas’s face is exposed, that is caught on the closed circuit cameras and that help the police to launch a massive man-hunt.



Meanwhile Vishwas and Arjun return to Neha convinced that she is not the main culprit behind the crime and are determined to get to the truth. They advice Ilyas to hide the jewels and they return to the training centre. At the centre Neha is used by Rajput to extort information from the duo, failing which she is killed of by him. Soon it is just Rajput and Vishwas and Arjun who have to duel with him. As soon as Iliyas returns Rajput tortures him so that he will reveal the hiding place of the jewels. Iliyas dies and the police turn up. In the argument that follows, Rajput lets it slip that he orchestrated the entire thing. The film has two alternate endings. The first one sees Rajput behind bars, while Arjun and Vishwas are celebrating their victor. The other one has Rajput bribing the cop to get out of jail. In the last scene Akshay Kumar and Arjun Rampal are sitting in a train (waiting for it to depart) and Mr Rajput is standing on the platform with a smile on his face.

CAST AND CREW

Directed by Vipul Amrutlal Shah
Produced by Gaurang Doshi
Written by Shobhana Desai, Aatish Kapadia, Vipul Amrutlal Shah
Starring Amitabh Bachchan, Akshay Kumar, Sushmita Sen, Arjun Rampal, Paresh Rawal,
Music by Jatin-Lalit, Aadesh Shrivastav
Lyrics Prasoon Joshi, Nitin Raikar
Cinematography Ashok Mehta
Editing by Shirish Kunder


VIDEOS OF SONGS

Chalka Chalka

http://www.youtube.com/watch?v=JPUL_E5g0CQ




Gustakhiyan Hai

http://www.youtube.com/watch?v=mRK1zDST89Y




Kuch Kasme Hai Jawa

http://www.youtube.com/watch?v=IkNpeDJel-g




Phatela Jeb Sil jayega

http://www.youtube.com/watch?v=v1AoayX2vE4




LYRICS


Gustakhiyan Hain, Betabiyan Hain

Singers: AADESH SHRIVASTAVA & VASUNDARA


Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan
Hosh Uda Do, Sab Kuchh Bhula Do, Todo Yeh Khamoshiyan
Yeh Dhadkan Ki Raftaar Hai, Yeh Saason Ka Angaar Hai
Yeh Ishq Sulagne Do Zara, Yeh Chaahat Ka Iqraar Hai
Jaane Jaan Oh Jaane Jaan...

Aawara Armaan Hai, Yeh Dil Ka Aelaan Hai,
Jaan Tujh Pe Qurbaan Hai, Jaanejaan...
Aawara Armaan Hai, Yeh Dil Ka Aelaan Hai,
Jaan Tujh Pe Qurbaan Hai, Jaanejaan...
Ek Hulchul Si Hone Lagi, Maein Jannat Mein Khone Lagi
Mujhko Baahon Mein Thaam Lo, Phir Na Rukne Ka Naam Lo
Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan...

Deewarein Sab Tod Do, Mausam Ka Rukh Modh Do
Har Kashti Ko Chhod Do, Jaanejaan Jaanejaan...
Deewarein Sab Tod Do, Mausam Ka Rukh Modh Do
Har Kashti Ko Chhod Do, Jaanejaan Jaanejaan...
Maein Hoon Teri Aagosh Mein, Kuchh Hosh Mein Kuchh Josh Mein
Kuchh Sholay Hain Kuchh Hai Jalan, Kuchh Behke Behke Hain Kadam
Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan...
Hasti Mita Do, Masti Luta Do, Chhodo Bhi Yeh Dooriyaan
Yeh Ishq Sulagne Do Zara, Yeh Chaahat Ka Iqraar Hai
Jaane Jaan Oh Jaane Jaan


-------------
Kuch Kasme

Singers: SONU NIGAM, ALKA YAGNIK


Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kaisa Hai Yeh Asar Jaadoo Hai Dekho Har Kahin
Kuch Dil Mein Pyaas Hai Aur Tu Bhi Paas Hai
Woh Jhuk Kar Aasmaan Lagta Hai Chume Yeh Zameen

Jab Kahin Chalte Hai Yeh Pyaar Ki Hawa
Yeh Dil Wahin Panchhi Ban Ke Udta Hai
Aur Kya Hota Hai Is Pyaar Mein Bata
Yeh Ishq Ka Toofan Kaise Thamta Hai
Chaayi Bekhudi Yeh Kaisi Dilkashi
Chaahat Ki Har Ada Kitni Dekho Hai Shabnami
Kuch Dil Mein Pyaas Hai

Dil Hi To Samje Hai Jo Dil Ki Hai Zubaan
Na Samja Hai Na Samjhega Jahaan
Doob Ke Mohabbat Mein Kuch To Paayenge
Sahil Pe Moti Hote Hain Kahan
Kuch Rishte Hai Naye Kuch Baatein Ankahi
Baarish Hai Pyaar Ki Bheeghegi Aaj Dil Ki Zameen
Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kaisa Hai Yeh Asar Jaadoo Hai Dekho Har Kahin

------------------


Phatela jeb sil jaayega

Singers: NITIN RAIKAR, AADESH SHRIVASTAVA & ARUN BAKSHI

Phatela jeb sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta
Phatela jeb sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta

Khaane ka hai chicken curry, usko mangta pati hari
Jeb main tere dus rupiya, peele cutting khaale bhajiya
Khaane ka hai chicken curry, usko mangta pati hari
Jeb main tere dus rupiya, peele cutting khaale bhajiya
Kismat pe, rone ka nahin, calender badalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Nitin Tension kaayko lene ka
Sahi bolta sahi bolta

Aaj to hai andhera, kal hoga ujaala
Arre apni diwaali hogi, kisi aur ka hoga diwaala
Kal dekh lenga paisa, hoga goni bhar kar
Income tax officer, toh haath dhoke hi peechhe pad jaayega ha ha ha!
Phatela jab sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaayega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta

Phatela jeb sil jaayega, jo chaahe mil jaayega
Arre boltaaej pakda baap line mein aa, line mein aa
Kyun ka kyun ka!
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin thakne ka nahin life mein chalte rehne ka
Life mein chalte rehne ka hey! life mein chalte rehna ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta -4

----------------------

Nazron Ne Teri

Singers: UDIT NARAYAN, KAVITA KRISHNAMURTHY


Nazron Ne Teri Jab Dil Ko Chua
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Tera Dil Hum Chura Le Gaye Dil Ban Ke Hum Aagaye
Tera Dil Hum Chura Le Gaye Deewane Kya Jaane Tu Deewangi Meri
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai

Dil To Churaya Tumne Hamara Is Dil Ka Tum Kya Karoge
Humne Bhi Dekho Aisa Kiya Jo Phir Tum Bhi Aahen Bharoge
Dekho Isse Na Shararat Kaho Dil Ki Zaroorat Kaho
Dekho Isse Na Shararat Kaho Aajao Baahon Mein Chaane Do Yeh Bekhudhi
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai

Jab Se Mile Tum Aise Khile Hum Phoolon Ki Neende Ki Udi Hai
Rishta Yeh Kaisa Saason Se Saasein Dhadkan Se Dhadkan Judi Hai
Abhi Milke Na Hoge Juda Wada Yeh Wada Raha
Abhi Milke Na Hoge Juda Jeena Hai Marna Hai Mujhe Raaho Mein Pyaar Ke
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Tera Dil Hum Chura Le Gaye Dil Ban Ke Hum Aagaye
Tera Dil Hum Chura Le Gaye Deewane Kya Jaane Tu Deewangi Meri
Deewani Kya Jaane Tu Deewangi Meri

----------------------

All The Best

Singer: Remo Fernandez


Khel Ke Dil Nasheen Maut Bhi Hai Haseen
Hai Maza Har Gadi Ab Yahaan
Kehta Hai Dil Deewana Hai Dekho Koyi Anjaana
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Kitne Yahan Josh Hai Ab Kahan Hosh Hai
Din-Ba-Din Badh Raha Yeh Junoon
Saason Mein Hai Raftaare
Jaane Main Ban Haare
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Baby All The Best Very Very Best

Zindagi Se Maut Tak Aakhri Har Daud Tak
Khel Khele Ek Naya Saath Hum
Jaanbaazo Ko Hi Kehta Jahan
Yeh Masti Ka Hai Aalam
Jeene Marne Ka Kya Gham
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Very Very Best To You
All The Best All The Best
All The Best All The Best

----------------------

Amitabh Soliloquy, Title Song


Sach Bahut Hi Ajeeb Aur Garib Hota Hai Yeh Sach Aksar
Asaamaanya Adbhud Kalpana Se Bhi Zyaada Vichitra Hota Hai Yeh Sach Aksar
Woh Sach Jo Hume Naya Lagta Hai Anjana Sa Ek Jhalak Dikhake Chaunka Deta Hai Jo Hume
Use Ajooba Maan Ne Lagte Hai Hum Aksar
Sach Woh Bhi Jo Alaukik Hai Hamari Samaj Ke Baahar Aur Usi Ka Darr Lagta Hai Hume Aksar
Aur Sach Ka Nakab Pehne Hue Kuch Na-Mumkin Kisse
Ahistha Ahishta Wakiye Sach Ban Jaate Hai Aksar
Aisa Hi Ek Na-Mumkin Kissa Asamaan Adbudh Akalp Andekha Anjaana Aparichit Kissa
Sach Hone Ja Raha Hai Ek Khatarnak Saazish
A Dangerous Game Is About To Begin.

Aankhen Aankhen Aankhen Aankhen
Ajooba Hi Ajooba Hai Khel Mein
Masti Hi Masti Hai Khel Mein
Aankhen Aankhen
Darr Darr Ke Jeene Mein Kya Maza
Jeete Ga Jis Dil Mein Hai Ada
Aankhen Aankhen
Jis Dil Mein Hai Josh Humnasheen
Usi Ke Liye Mushkile Bhi Haseen
Jis Dil Mein Hai Josh Humnasheen
Usi Ke Liye Mushkile Bhi Haseen
Masti Hi Masti Hai Hai Junoon

Nasron Ke Hatiyaar Bekaar Hai
Kismat Badal Ne Ke Aasaar Hai
Nasron Ke Hatiyaar Bekaar Hai
Kismat Badal Ne Ke Aasaar Hai
Ishaara Hai Ishaara Hai Maut Ka
Aankhen Aankhen
Ajooba Hi Ajooba Hai Khel Mein
Masti Hi Masti Hai Khel Mein
Aankhen Aankhen
The Game Begins Now

----------------------

Chalka Chalka

Singers: Javed, Alka Yagnik

Chhalka Chhalka, Jaam Hoon Mein -2
Honton Pe Rakh Le Chhalakne Se Pehle
Chhalka Chhalka Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2
Chhalka Chhalka, Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2

Bhale Chaahe Sab Se Chhupa Kar Tu Pi
Magar Ishq Mein Main Mila Kar Tu Pi
Ye Ishq Nasha Hai, Ye Husn Nasha Hai
Ye Jaam Sharaabi, Kehne Ko Nasha Hai
Ho….ho…soch Le Har Baat, Tu Bhi Utar Ne Se Pehle
Thodi Si Tu Bhi Pila De Re Utar Ne Se Pehle

Jawaani Ki Khilti Bahaaron Se Mil
Mere Husn Ke Tu Sitaaron Se Mil
Uljaa De Zulfein, Bikhra De Kajal
Is Diwaani Ko Tu Kar De Paagal
Ho….ho…aur Behkaade Tu Mujhko Sambhalne Se Pehle -2
(Chhalka Chhalka Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle) -2
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2

La La La La La La La La Re La La Le La Re…

Black - starring Rani Mukherji and Amitabh Bachchan (2005)

Black that released in the year 2005, amidst tremendous hype and expectations, managed to set a new benchmark for Hindi films. Partly based on the true life story of Helen Keller, the film was tremendously appreciated by the critics and the general public. Hailed by many to be a cult film Black won numerous awards for all those who were associated with it.

The film begins with Michelle McNally (Rani Mukherjee) a blind, deaf and mute woman visiting her former teacher Debraj Sahai (Amitabh Bachchan). Debraj is shown to be in a hospital struggling with the deadly Alzheimer’s disease. The film then goes back to Michelle’s childhood. Michelle’s world from a very young age has been a world that is devoid of sights, colours, sounds and noises. With the passage of time, she becomes a prisoner of this soundless and sightless universe that makes her violent, hostile, and almost animal like. Her parents, Paul and Catherine are at their wit’s end trying to control their eight year old daughter whom they are unable to understand and who is unable to understand them. Into this helpless situation enters Debraj Sahai, a slightly eccentric man. He takes it upon himself to bring Michelle into the light.

Initially he has to use harsh methods as Michelle has become uncontrollable which meets the disapproval of the little girl’s father who asks him to leave. But Debraj asks for twenty days from Catherine to prove himself and stays on. By the 20th day, as he is about to give up, a miraculous break through happens and Michelle is able to come out of her dark world. Impressed by his success the McNallys decide to keep Debraj as Michelle's teacher. Michelle is a fast learner and is very soon able to expertly sign. Debraj even convinces the Principal of a college to grant her the chance to pursue Bachelor of Arts degree, the first deaf-blind person to do so at that university. Michelle moves away from home and lives with Debraj and one of her servants.



Over the next twenty years she struggles to gain her degree. As Michelle face many ups and downs in life, we see the beginning of Alzheimer affect Debraj’s brilliant mind. He is shown forgetting the way out of Principal’s office. Debraj leaves Michelle when one night she forces him to kiss her on her lips as she has never experienced passion and wanted Debraj to be the one to teach her the meaning of this word like so many others. The film ends with Michelle gaining her B.A. degree and her visiting the institution where Debraj stays. She shows him her degree and a glimmer of recognition appears in his eyes. The film ends with a complete role reversal as Michelle takes it upon herself to reacquaint Debraj with the meaning of words that he has long forgotten.

Cast of movie Black:

Amitabh Bachchan - Debraj Sahai
Rani Mukerji - Michelle McNally
Ayesha Kapoor - Young Michelle McNally
Shernaz Patel - Catherine McNally
Dhritiman Chaterji - Paul McNally
Nandana Sen - Sarah McNally

Movie Information:

Directed by Sanjay Leela Bhansali
Produced by Sanjay Leela Bhansali, Anshuman Swami
Written by Sanjay Leela Bhansali, Bhavani Iyer, Prakash Kapadia
Music by Monty Sharma
Cinematography Ravi K. Chandran
Editing by Bela Sehgal

Awards:

Black made an all-time record at the Filmfare Awards by winning eleven awards.

National Film Awards (2006)
Best Feature Film in Hindi
Best Actor - Amitabh Bachchan


Star Screen Awards (2006)
Best Film
Best Director - Sanjay Leela Bhansali
Best Actor - Amitabh Bachchan
Best Actress - Rani Mukerji
Best Supporting Actress - Ayesha Kapur
Best Cinematography - Ravi K. Chandran
Best Editing - Bela Sehgal
Best Sound Recording - Anup Dev
Best Background Score - Monty Sharma

Filmfare Awards (2006)
Best Movie
Best Director - Sanjay Leela Bhansali
Best Actor - Amitabh Bachchan
Best Actress - Rani Mukerji
Critics Award Best Movie - Sanjay Leela Bhansali
Critics Award Best Performance - Amitabh Bachchan & Rani Mukharji (each)
Best Supporting Actress - Ayesha Kapur
Best Editing - Bela Sehgal
Best Cinematography - Ravi K. Chandran
Best Background Score - Monty Sharma


Video of Song:

Haan Maine Chhu Kar Dekha Hai



Haan Maine Chhu Kar Dekha Hai (link)

Lyrics:

Haan Maine Chhu Kar Dekha Hai

mausam ki adalaa-badali mein
pavan gulaabi ho jaati hai
(haan mainne chhuukar dekha hai) - 2

raat sarakakar chalate-chalate
bilkul aadhi ho jaati hai
(haan mainne chhuukar dekha hai) - 2
mausam ki adalaa-badali mein

garam gunaguni dhuup se baat ki hai mainne
paani ke bahane mein hansi suni hai mainne
sab kahate hain dip bujha hai
lekin baati so jaati hai
(haan mainne chhuukar dekha hai) - 2
mausam ki adalaa-badali mein

bin dastak ke aaye jo vo pyaar suna hai
bin bole man khole vo adhikaar suna hai
lamhon ki ungali thaam ke
yaadein aangan mein aa jaati hain
(haan mainne chhuukar dekha hai) - 2

thandha thandha rang buundon ka
mulaayam rang hai phuulon ka
chubhanevaale rang pahanakar
dulhan saj-dhaj ke jaati hai
haan mainne chhuukar
haan mainne dekha hai

Abhimaan (1973) - A remarkable movie from Amitabh's early career

Abhimaan was released in the year 1973, the year that saw Amitabh Bachchan and Jaya Bhaduri officially tie the knot and become husband and wife. In fact they got married just seven days prior to the filming of the song ‘Teri Bindiya Re”. For many industry watchers the plot of the film could have become a real life incident, had Jaya Bhaduri not put on the breaks on her career after her marriage. People still speculate as to whether real life would have imitated reel life had not the superstar’s wife sacrificed her career. However all that is conjecture and takes away from the breath taking sensitivity of this wonderful film.

Subir Kumar (Amitabh Bachchan) is a popular singer who rules over millions of hearts courtesy his songs. His dashing good looks and silken voice are especially irresistible to his legions of female supporters. Subir himself is a carefree young man who enjoys his stardom and his bachelorhood. Chandu (Asrani) is his manager cum best friend and someone keeps him rooted to reality. Subir goes to meet his aunt (Manju Mausi, Durga Khote) and there he meets Uma, whose golden voice enthrals him and whose earthy unaffected charm attracts him. He ends up falling in love with Uma and the two ties the knot.

Back in Bombay, Subir and Uma settle into domestic bliss and soon the husband decides to launch his wife as a professional singer. And that is the starting point of all problems. As Uma’s career takes off, Subir’s career begins to falter. Even as her career touches new highs, her marriage hits rock bottom as Subir is consumed by jealousy and guilt. He hits the bottle and soon things become so bitter that Uma moves back to her father’s place. There she discovers she is pregnant and waits for Subir to come and fetch her. He does not and she suffers a miscarriage that pushes her into depression.

Subir realises his mistake and comes to take her back home but she receives him without any happiness-like almost a piece of wood. Whether Subir is able to bring back Uma from her abyss; whether Uma sings again; and whether the couple reunite forms the climax of the film.

Abhimaan is considered by many to be one of the finest Hindi films. It scores on many fronts. Firstly Hrishikeh Mukherjee’s sensitive direction lends the film the right emotional note. S.D.Burman’s haunting melodies almost act like a character for the film, bringing out all the emotions experienced by the actors. Superb acting by the cast-be it Amitabh Bachchan, Asrani, Durga Khote-makes this film such a treat to watch. However the film is outstanding because of the way Jaya Bhaduri captures Uma through her silence and unspoken hurt.

Songs / lyrics from the movie:

1. Nadiya Kinare (link)

2. Teri Bindiya Re (link)

3. Meet Na Mila Re Man Ka (link)

4. Ab Toh Hai Tumse (link)

5. Tere Mere Milan (link)

6. Lootey Koi Man Ka Nagar (link)

7. Piya Bina (link)

Mr. Natwarlal (1979) - Starring Amitabh Bachchan and Rekha

Mr. Natwarlal, the film releases in 1979. Starring superstar Amitabh Bachchan and Rekha it features some superb song tracks and a very interesting story line. It also has Amitabh Bachchan crooning for the first time for any film of his and the number “Mere Paas Aao, Mere Doston” has continued to entertain kids and adults down the years. In fact the song even fetched him a Filmfare nomination as Best Playback Singer (Male) along side being nominated for the Best Actor Award for the same film.

The story of the film resolves around Natwar (title role played by Bachchan himself) who lives with his beloved older brother and caretaker, police officer Girdharilal (Ajit). He has been assigned the case of apprehending notorious gangster Vikram Singh ( Amjad Khan). But the wily criminal entraps the honest officer and gets him arrested, dismissed from employment and imprisoned. The young Natwar remains a silent spectator to his brother’s victimization and swears to take revenge. He grows up and creates a secret identity for himself, posing as a powerful and mysterious underworld figure named (eponymous) Mr. Natwarlal. He becomes a modern-day Robin Hood, who steals from the rich and bad to help the poor and good.

He is successful in locating Vikram Singh who resides in the hilly regions of North India. Accordingly he relocates himself to be in the same area as his enemy. He also finds himself falling in love with a local girl (Rekha) who reciprocates his feelings. However punishing Vikram Singh proves to be a difficult task as he is a formidable presence in the area. On top of that he has to convince the suspicious villagers that he is not the ‘bad’ guy and tackle a man-eating tiger. Whether he is able to ultimately avenge his brother’s ill fortune and bring Vikram Singh to his knees forms the climax of the film.



A typical Hindi masala film, Mr. Natwarlal, is nevertheless very entertaining. Superb acting by Amitabh Bachchan (as mentioned above, he received a Filmfare Best Actor Nomination) and the terrific on-screen chemistry between him and Rekha are the highlights of the film. Competent direction by Rakesh Kumar and good music by Rajesh Roshan makes this movie a complete entertainer.

Lyrics and videos of songs from the movie (Mr. Natwarlal):

1. Oonchi Oonchi Baton Se (link)

2. Qayamat Hai (link)

3. Pardesiya (link)

4. Tauba Tauba Kya Hoga (link)

5. Mere Paas Mere Aao (link)

Namak Haram - A fascinating movie starring Amitabh and Rajesh Khanna (1973)

Namak Haram released in the year 1973, a good two years after the path-breaking hit Anand. It had the same hit-making team of Hrishikesh Mukherjee (Director), Amitabh Bachchan and Rajesh Khanna (main heroes). Namak Haram addresses a burning issue of the day that of rising impoverishment of cotton mill workers of Bombay. Its tonality is more entrenched in the day-to-day concerns of industrial workers who toiled from dawn to dusk but earned only peanuts.

Somnath or Somu (Rajesh Khanna) lives in a shanty house with his widowed mom and unmarried sister, Sarla. His best pal is Calcutta-based business tycoon Damodar Maharaj’s only son and heir apparent Vikram or Vicky (Amitabh Bachchan). Theirs is an unlikely friendship for the two have very little in common. Vicky has to take over the reins of the company when his father suffers a heart attack and ends up having a confrontation with a senior employee and union leader of the factory, Bipinlal Pandey. This results in a strike. Vicky’s father, the ever astute businessman intervenes and asks his son to apologise to Bipilal to return things to normalcy. Vicky does so unwillingly and the strike is resolved.



However Vicky is unable to forget his humiliation and confides about this to his best friend, Somu. The two friends conspire to teach Bipinlal a lesson. As part of the plan, Somu accompanies Vicky to Calcutta, gets a job as a labourer in the mill and gets about befriending his fellow workers. He is able to get some monetary relief for injured workers and is soon elected as the union leader, displacing Bipinlal. The success of their plan sees the friends rejoicing. However Damodar is not too keen about this friendship as he sees Somu as a potential threat, who with his middle-class values can influence Vicky in the long run. Damodar starts a chain of events to create a wedge between the two friends that get out of control. The emotion-packed climax sees the death of one friend and the other going to jail, his act serving as both a penance and homage.

The movie scores on many fronts. First it is the superb direction of Hrishikesh Mukherjee whose sensitive delineation of a subject so complex that makes this film such an engaging watch. Then it is R.D.Burman’s soul stirring music. And finally it is the wonderful chemistry of the lead actors, Amitabh Bachchan and Rajesh Khanna, and their wonderful portrayal of the two characters Vicky and Somu that will leave the viewer spell bound. Rajesh Khanna deserves a special mention because he plays the part just right and is able to show the metamorphosis of Somu-from lackey of spoilt friend to a man willing to stake his life for his principles-that will raise a lump in your throat.

Videos of songs

Diya Jalte Hain




Nadiya Se Dariya




Main Shayar Badnaam




Lyrics from the movie Namak Haram:

Diye Jalte hain

Diye jalte hain, phool khilte hain, diye jalte hain, phool khilte hain
badi mushkil se, magar, duniya mein dost, milte hain, diye jalte hain

Jab jis waqt kisi ka, pyar juda hota hai, kuchh na poochho, yaron dil ka, haal bura hota hai,
Jab jis waqt kisi ka pyar juda hota hai, kuchh na poonchho yaron dil ka haal bura hota hai,
dil pe yadon ke jaise, teer chalte hain, ahanha
Diye jalte hain, phool khilte hain, diye jalte hain

Is rang roop pe dekho, hargiz naaz na karna, jaan bhi mange, yaar to dede na, naraz na karna,
rang ud jate hain, dhoop dhalte hain, hmhmhm
Diye jalte hain, phool khilte hain, diye jalte hain

Daulat aur jawani, ek din kho jaati hain, sach kahta hoon, saari duniya, dushman ho jaati hai,
umr bhar dost lekin saath chalte hain hmmhm
Diye jalte hain, phool khilte hain, badi mushkil se, magar, duniya mein dost milte hain
Diye jalte hain.

-----------
Main Shayar Badnaam

Main Shayar Badnam, Main Shayar Badnam Ho O Main Chala, Main Chala,
Mehfil Se Nakam, Ho O Main Chala, Main Chala, Main Shayar Badnam

Mere Ghar Se Tumko, Kuchh Saman Milega, Diwane Shayar Ka, Ek Diwan Milega,
Aur Ek Cheeze Milegi, Tuta Khali Jam, Ho O Main Chala Main Chala
Main Shayar Badnam

Sholo Pe Chalna Tha, Kanton Pe Sona Tha, Aur Abhi Jee Bhar Ke Kismat Pe Rona Tha,
Jane Aise Kitne, Bakki Chhod Ke Kaam, Ho O Main Chala, Main Chala
Main Shayar Badnam

Rasta Rok Rahi Hai, Thodi Jaan Hai Baki, Jane Tute Dil Mein, Kya Arman Hai Baki,
Jane Bhi De Ae Dil, Sabko Mera Salam, Ho O Main Chala, Main Chala
Main Shayar Badnam, Ho O Main Chala, Main Chala
Mehfil Se Nakam, Ho O Main Chala, Main Chala

------------
Nadiya se Dariya

Nadiya se dariya, dariya se sagar,
Sagar se gahera jam (2)
Ho ho ho jam me doob gayi yaro mere jeevan ki har shaam.
Nadiya se dariyaa

Jo na piye wo kya jane, pite hain kyun hum diwane yaar aaha,
Jabse humne pina sikha, jeena sikha marna sikha yaar aaha,
Ho hum jab yun nashemain dagmagane lag gaye,
Ho ho ho dil ki becheni ko aaya thoda sa aaram.
Nadiya se dariyaa

Mera kya main gum ka maara, nashe me aalam hai sara yaar aaha,
Kisi ko dolat ka nasha kahin muhobat ka nasha yaar aaha,
Ho kahe kar ai sharabi sab pukare ab mujhe,
Ho ho ho aur koyi tha, ye to nahi tha pahele mera naam.
Nadiya se dariyaa

Shaan - Starring Amitabh and Shashi Kapoor (released in 1980)

Shaan, released in the year 1980, almost four years after the blockbuster, Sholay. The common thread between these two films is the director, Ramesh Sippy. Great things were expected from the man who had given Indian cinema its mammoth blockbuster in the form of Sholay. Almost everybody who had seen Sholay was expecting a repeat performance.

DSP Shiv Kumar Sharma (Sunil Dutta) is an honest and diligent police officer who lives in Bombay (present day Mumbai) with his wife (Rakhi) and son. He also has two wayward brothers in Ravi (Sashi Kapoor) and Vijay (Amitabh Bachchan) who are petty crooks. The two of them spend most of their time indulging in schemes that are so wildly ridiculous that one feels that the whole purpose of these plots was not to make money but to have some fun. The two brothers meet their matches in a pair of women-the glamorous Parveen Babi and the somewhat gawky yet charming Bindiya Goswami- who are also good-hearted con artists.



The four crooks -- along with Bindiya's sneaky uncle -- form a team, sing some nice songs, and fall into a sweet double-dating sort of romance that perfectly compliments their thieving lifestyles. However the drama is introduced in the form of Shiv Kumar-the moralistic cop-cum-brother’s death at the hands of the film’s main villain, Shaakal(a very bald Kulbhushan Kharbanda). The brothers shocked by the sudden demise of their beloved brother, decide to shun all anti-social activities and also punish Shaakal. The villain smart enough to know that he has these two brothers braying for his blood employs Raakesh (Shatrughan Sinha) a sharp-shooter. He puts pressure on Rakesh by holding his wife hostage and believes he can force Rakesh to kill his enemies. The long drawn out climax sees the mother of all encounters that includes a tank full of crocodiles. In the end, good wins over evil and the wicked meet their just end.

By this time you must be wondering, but that is a perfectly sane “Bollywood” commercial story-line. And it is. Or rather it would have been, had Sippy not gone over board in his sub plots that take away from the main film rather than adding to it. The second weak link has to be Kulbhushan Kharbandda who even in his tonsured look fails to evoke enough menace or scare. But on the whole Shaan is definitely a worthwhile ‘time-pass’ film that has pleasant music and some wonderful acting by the inimitable duo of Amitabh Bachchan and Sashi Kapoor.

AWARDS WON:

1981-Won-Filmfare Awards- Best Cinematography- S.M.Anwar


Videos of Songs:

Pyar karnewale



Jaanu Meri Jaan



Yamma Yamma




Lyrics from the movie:

Jaanu Meri Jaan

Jaanuun Meri Jaan, Main Tere Qurbaan
Are, Main Teraa Tuu Merii Jaane Saaraa Hindustaan

Nazaron Se Na Tol Mujhe, Dil Se Kaam Le
Tuu Jisakaa Vo Tere Bin Kyo.N Kisiikaa Naam Le
Jaanuun Merii Jaan ...

Chhotii Sii Ik Baat Bane, Baat Se Daastaan
Chhodake Sab Baate.N Ha.Nsate Hai.N, Vohii Pyaar Kii Shaan
Jaanuu Merii Jaan ...

Gusse Se Hai Pyaar Badaa, Pyaar Se Aitabaar
Jab Aa Jaae Aa Jaanaa, Main Karuungaa Intazaar
Jaanuu Merii Jaan ...

Jaanun Merii Jaan, Main Tere Qurbaan
Main Terii Tuu Meraa Jaane Saaraa Hindustaan

------------
Pyaar Karnewaale

pyaar karanewaale, pyaar karate hain shaan se
jeete hain shaan se, marate hain shaan se

lete hain kisee kaa jo naam un ko hajaaro salaam
kabhee rukate nahee, kahee zukate nahee, chaahe kuchh bhee ho anjaam
yaar kee galee se gujarate hain shaan se

rastaa naheen aasaan denaa padataa hain imtihaan
ye hain dil kee lagee, ye naheen dillagee, aate hain kaee tufaann
wo doob ke fir ubharate hain shaan se

-----------
Yamma Yamma

(Yamma yamma, Yamma yamma, Yeh khubsurat sama,) ---2
(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahan) ---2
(Kab kya hojae kisko khaber, aa nachle jhumkar)...
(Yeh zindagi ek lamba safar, pal bhar ke sab hum safar).........
(ek raat ke mehmaan sab yahan, kal hum kahan tum kahan).........
(Haste huwe aisii shaan se, deewane jal jaenge)....

(Are jalti shama se milke gale, Parwane jal jaenge)....
(Reh jayga yado ka diyaa, Kal hum kahan tum kahan)...
(Yamma yamma, Yamma yamma, Yeh khubsurat sama,).....
(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahan)........

(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahaaaaaaaaaaaaan)........

Namak Halal - Another superb Amitabh Movie (1982)

Namak Halal released in 1982, was directed by Prakash Mehra, the man who gave Amitabh Bachchan Zanjeer and us a viewers, a superstar. Namak Halal went on to become one of the biggest hits of his career and of the year that it released. It bore his trademark style of story telling, interesting with lots of twists and turns, the right amount of emotional drama and a nice does of comedy. The film starred some of the biggest stars of that era who turned in superb performances like Amitabh Bachchan, Shashi Kapoor, Om Prakash and the dusky powerhouse of talent Smita Patil.

Young Arjun is brought up by his Daddu (paternal grandfather) Om Prakash after his father is killed in the line of duty, while trying to save the life of his employer. As he grows up, he is sent to the city by Om Prakash, in searh of a new job and a new life. In the city he meets up with Bhairon ( Ram P. Sethi) who helps him land a job at a five star hotel. The hotel is owned by Raja (Shashi Kapoor). In the course of his work he ends up saving the honour of a female employee, Poonam (Smita Patil) and the duo end up falling in love. Arjun Singh also discovers that the manager of the hotel (Ranjeet) and a host of shadowy bad guys are out to kill Raja. The whole thing has been planned in a way so as to point the finger of suspicion at Savitri Devi (Waheeda Rehman) Raja’s foster mother. The bad guys have enlisted the support of a cabaret singer Nisha (Parveen Babi) to get close to Raja but she ends up falling in love with him.



Arjun Singh smells a rat and at the same time his grandfather who has come down to the city tells him that Savitri Devi is his real mother who had taken on the responsibility of bringing up the orphaned Raja at her husband’s insistence. She had sent her own flesh and blood, Arjun away to the village so that she could fulfil her duties properly. This piece of news reaffirms and strengthens Arjun’s resolve to clear his mother’s name and save his employer’s life from the villains. Whether Arjun is able to save Raja’s life and whether Raja is able to recognise Savitri Devi’s sacrifice forms the climax of the film.

An out and out entertainer, Namak Halal stands out for Amitabh Bachchan’s superb acting. His Arjun Singh is a wonderful mixture of naiveté and street smartness. Just watch out for the “English is a phunny language” scene-truly wonderful. The rest of the cast do justice to the screenplay. A special mention must be made of Bappi Lahri’s music. He introduced techno beats to Indian film music via this film.

AWARDS WON

1983- Won-Filmfare-Best Male Playback Singer-Kishore Kumar-Pag Ghungroo


Videos of songs from the movie:

Aaj Rapat
http://www.youtube.com/watch?v=l-xpb2ZwFnQ




Ke Pag Ghungroo Baand
http://www.youtube.com/watch?v=cTvUrpSr9ck




Jawani Jaaneman
http://www.youtube.com/watch?v=f5bEkgKTZmw




Raat baaki, Baat baaki
http://www.youtube.com/watch?v=FVhIPVDxsPQ




Thodi Si Jo Pee Li Hai
http://www.youtube.com/watch?v=ofkL9rbUMEk




Lyrics from the movie Namak Halal:

Aaj Rapat
Arey Arey Arey Na Na Na
Aaj Rapat Jaayen Toh Hamein Na Uthaiyyo
Aaj Fisal Jaayen Toh Hamein Na Uthaiyyo
(Humein Jo Uthaiyyo Toh) - 2
Khud Bhi Rapat Jaiyyo Ha Khud Bhi Fisal Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo


(Barsaat Mein Thi Kaha Baat Aaisi
Pehli Baar Barsi Barsaat Aaisi) - 2
Kaisi Yeh Hawa Chali, Paani Mein
Aag Lagi, Jaane Kya Pyas Jagi Re
Bheega Yeh Tera Badan
Jagaaye Meethi Chubhan
Nashe Mein Zoome Ye Mann Re
Kaha Hu Main Mujhe Bhi Yeh Hosh Nahi
(Na Ha Ho Ho) - 2 (Aaj Behak Jaaye Toh Hosh Na Dilaiyyo) - 2
(Hosh Jo Dilaiyyo Toh) - 2 Khud Bhi Behak Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo

(Baadal Mein Bijli Baar Baar Chamke
Dil Mein Mere Aaj Pehli Baar Chamke) - 2
Haseena Dari Dari, Baahon Mein Simat Gayi
Seene E Lipat Gayi Re Tujhe Toh Aya Mazaa
Tujhe Toh Aayi Haseen, Meri Toh Jaan Fasi Re
Jaanejigar Kidhar Chali Nazar Churake
(Ha Ha Ho Ho) - 2 (Baat Ulajh Jaiyyo Toh Aaj Na Suljhaiyyo) - 2
(Baat Jo Suljhaiyyo Toh) - 2, Khud Bhi Ulajh Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo

(Badal Se Chham Chham Se Sharab
Barse Saawari Ghata Se Shabaab Barse) - 2
Boondon Ki Baji Payal, Ghata Ne Chhedi Gazal
Ye Raat Gayi Machal Re Dilon Ke Raaz Khule
Fizaa Mein Rang Ghule, Jawaa Dil Khulke Mile Re
Hona Tha Jo Hua Wahi Ab Darana Kya
(Ha Ha Ho Ho) - 2
(Aaj Doob Jaaye To Hame Na Bachaiyyo) - 2
(Humein Jo Bachaiyyo Toh) - 2, Khud Bhi Doob Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo
Aaj Fisal Jaayen Toh Hamein Na Uthaiyyo, (Ha Ha Ho Ho) - 2

------------
Jawani Jaaneman

Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh, aha
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya

Aayi door se dekho dilruba aisi turuturutu
Khaayi bezubaan dil ne chot yeh kaisi
Arre woh, haan haan, mili nazar
Arre yeh, haan haan, huwa asar
Nazar nazar mein yeh sama badal gaya
Chalaaya teer jo mujhi pe chal gaya
Ghazab huwa, yeh kya huwa, yeh kab huwa
Na janoon main na jaane woh, oho
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh, oho

Dil yeh pyaar mein kaise
Khota hai dekho, aha aha aha aha
Kaatil jaan-e-man kaise
Hota hai dekho
Arre woh, haan haan, mila sanam
Arre yeh, haan haan, huwa sitam
Woh dushman jaana dildaar ho gaya
Ke aaj tak bilkul use pyaar ho gaya
Ghazab huwa, yeh kya huwa, yeh kab huwa
Na janoon main na jaane woh, aha
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh

------------
Pag Ghungroo


Buzurgon ne
Buzurgon ne, farmaya ki pairon pe apne khade hoke dikhlaao
Phir yeh zamaana tumhaara hai
Zamaane ke sur taal ke saath chalte chale jaao
Phir har taraana tumhaara fasaana tumhaara hai
Arey to lo bhaiya hum
Apne pairon ke oopar khade ho gaye
Aur milali hai taal
Dabaalega daaton tale ungliyan,liyan
Yeh jahan dekhkar,dekhkar apni chaal
Wah wah wah wah
Dhanvad

Ki pag ghungroo
Ki pag ghungroo baandh meera naachi thi -2
Aur hum naachen bin ghungroo ke
Ki pag ghungroo baandh meera naachi thi
Woh teer bhalaa, kis kaam ka hai
Jo teer nishaaane se chooke chooke chooke re!
Ki pag ghungroo..

Aap andar se kuch aur
Bahar se kuch aur nazar aate hain
Bakhuda shakal se to chor nazar aate hain
Umar guzari hai saari chori mein
Saare sukh chain band jurm ki tijori mein

(Aap ka to lagta hai bas yahi sapna
Ram naam japna paraya maal apna) -2
Watan ka khaaya namak to namak halaal bano
Farz imaan ki zinda yahaan misaal bano
Paraya dhan parayi naar pe nazar mat dalo
Buri aadat hai yeh aadat abhi badal dalo
Kyonke yeh aadat to woh aag hai jo
Ik din apna ghar phoonke phoonke phoonke re!
Ki pag ghungroo..

Mausam-e-ishq mein machale huwe armaan hain hum
Dil ko lagta hai ke do jism ek jaan hai hum
Aisa lagta hai to lagne mein kuchh buraayi nahin
Dil yeh kehta hai aap apni hain paraayi nahin
Sange marmar ki hai, koi moorat ho tum
Badhi dilkash badhi, khubsoorat ho tum
Dil dil se milne ka koi mahoorat ho pyaase dilon ki zaroorat ho tum
Dil cheer ke dikhladoon maein dil mein yahin soorat haseen
Kya aapko lagta nahin hum hain mile pehle kahin
Kya desh hai kya jaat hai
Kya umra hai kya naam hai
Aji chhodhiye in baaton se humko bhala kya kaam hai
Aji suniye to
Hum aap milen to phir ho shuroo afsaane laila majnoo laila majnu ke
Ki pag ghungroo..

-----------
Raat Baaki

Raat baaki, baat baaki
hona hai jo ho jaane do
socho na dekho to
dekho haan janeja mujhe pyar se

raat baaki, baat baaki
hona hai jo ho jaane do….

Kashti jawan dil ki toofan se takra gai
manzil mohabbat ki ab to kareeb aa gai
aa dekhle hai kya maaza dil haar ke

Laawaris - Another Amitabh Bachchan potboiler (1981)

Laawaris came in the year 1981 and became synonymous with the song Mere Angne Mein Tumhara Kya Kaam Hai. It appears twice in the film, once rendered by Alka Yagnik (who received her first Filmfare nominations for this particular song) and once by the hero Amitabh Bachchan himself. It went on to become one of the landmark songs of his career. The film too was a super duper hit and notched up another success for the Prakash Mehra-Amitabh Bachchan pairing. The duo had made their mark with Zanjeer and considered by then to be one of the most bankable director-actor combination of Hindi commercial cinema.

Mehra stayed true to his forte and his style. Laawaris packed in a lot of emotional drama with the right amount of humour and of course hum-able scores. The story resolved around Hira ( Amitabh Bachchan), the illegitimate child of Seth Ranbir (Amjad Khan) and Rakhee, a singer. Disowned by Amjad Khan, Rakhee dies heartbroken and young Hira is brought up by an alcoholic beggar Gangu Ganpat (Sreeram Laagoo). Hira grows up believing he is the child of this useless man.



One day he rebels against his adopted father’s atrocious behaviour who then tells him the truth about his birth. He leaves his adoptive father and finds employment with Mahender Babu (Rajender) who unbeknownst to him is his half-brother. In the course of things he gets close to his biological father (Amjad Khan) and his half sister and the rest of the family. He also finds true love in the form of Mohini, a smouldering Zeenat Aman. Things however take a turn for worse when Ranjeet ends up impregnating the sister of another employee (Suresh Oberoi). The resolution of this turmoil and the Hira’s acceptance into the family by his father who gives him his name, (thus removing the tag of ‘illegitimate’) forms the climax of the story.

The film despite being typical masala, commercial Bollywood fare, is worth watching because of the superlative performances, especially by Amitabh Bachchan and Amjad Khan. As has been mentioned before the song ‘Mere Angne Mein became an instant hit and continues to be one of the most popular songs of Hindi films. Amitabh Bachchan continues to perform the said song in all his stage shows, which is a huge draw for audiences abroad. On the whole, Laawaris is a fine example of mainstream Hindi film- larger than life, dramatic, colourful and entertaining and most importantly devoid of lofty pretensions.

Videos of songs from the movie Laawaris:

Apni to Jaise Taise (link):



Mere Angne Mein (link)



Kab ke Bichchde (link)



Kahe paise Pe Itna (link)



Jiska koi Nahin (link)




Lyrics of songs from the movie "Laawaris":

Apni TO Jaise Taise

Apni to jaise taise
Thodi aise ya waise
Apni to jaise taise
Thodi aise ya waise
Kat jaayegi
Aapka kya hoga janaabe-aali
Aapka kya hoga

Apne aage na peeche
Na koi upar neeche
Apne aage na peeche
Na koi upar neeche
Ronewala
Na koi ronewali janaabe-aali
Aapka kya hoga

Aap bhi meri tarah insaan ki aaulad hain
Aap mooh mangi dua
Hum unsooni faryaad hain

Aap bhi meri tarah insaan ki aaulad hain
Aap mooh mangi dua
Hum unsooni faryaad hain
Woh jinhe sara zamana samjhe laawaris yahan
Aap jaise zaalimon ke zulm ki ijaat hain
Gaali huzur ki to
Lagti duaon jaisi
Gaali huzur ki to
Lagti duaon jaisi
Hum dua bhi de to lage hai gaali
Aapka kya hoga janaabe-aali
Aapka kya hoga hm

Aapke maathe se chhalke jo pasina bhi kahin
Aasma hilne lage aur kaap oothe yeh zameen
Aapka to yeh pasina khoon se bhi keemti
Aur apne khoon ki keemat yahan kuch bhi nahin
Apna to khoon paani
Jeena marna bemaani
Apna to khoon paani
Jeena marna bemaani
Waqt ki har ada hai apni dekhi bhali
Aapka kya hoga janaabe-aali
Aapka kya hoga

Haan apni to jaise taise
Thodi aise ya waise
Apni to jaise taise
Thodi aise ya waise
Kat jaayegi
Aapka kya hoga janaabe-aali
Aapka kya hoga

Apne aage na peeche
Na koi upar neeche
Apne aage na peeche
Na koi upar neeche
Ronewala
Na koi ronewali janaabe-aali
Aapka kya hoga

--------------

Jiska Koi Nahin

isakaa koee naheen usakaa to khudaa hain yaaro
mai naheen kahataa kitaabon mein likhaa hain yaaro

jisane paidaa kiyaa duniyaan mein wahee paalegaa
hum ko har mod pe, har julm se bachaa legaa
apane bando se kahaa, kab wo judaa hain yaaro

julm insaan kaa jab had se gujar jaataa hai
wo kisee aaur hee soorat mein paas aataa hai
anaginat rup mein wo hum se milaa hain yaaro

-------------------

Kab Ke Bichchde

Kab Ke Bichhade Huye Hum Aaj Kahaa Aa Ke Mile
Jaise Shammaa Se Kahee Lau Ye Zilamilaa Ke Mile

Kab Ke Bichhade Huye Hum Aaj Kahaa Aa Ke Mile
Jaise Saawan Se Kahee Pyaasee Ghataa Chhaa Ke Mile

Baad Muddat Ke Raat Mahakee Hai
Dil Dhadakataa Hai, Saans Bahakee Hai
Pyaar Chhalakaa Hai, Pyaaree Aankhon Se
Surkha Hothhon Pe Aag Dahakee Hai
Mahakee Hawaaon Me, Bahakee Hijaaon Me, Do Pyaase Dil Jo Mile
Jaise Mayakash Koee Saakee Se Dagamagaa Ke Mile

Door Shahanaaee Geet Gaatee Hai
Dil Ke Taaron Ko Chhed Jaatee Hai
Yoo Sapanon Ke Fool Yahaa Khilate Hai
Yoo Duwaa Dil Kee Rang Laatee Hai
Barason Ke Begaane, Ulaft Ke Diwaane, Anajaane Ayese Mile
Jaise Manachaahee Duwaan, Baraso Aajamaa Ke Mile

------------

Mere Angne Mein

Mere Angne Mein
(Mere Angne Mein Tumhara Kya Kam Hai) - 2
Joh Hai Naam Wala
Arre Joh Hai Naam Wala Wahi Toh Badnaam Hai
Mere Angne Mein Tumhara Kya Kam Hai

(Jiski Biwi Lambi Usska Bhi Bara Naam Hai) - 2
Kothe Se Lagado
Arre (Kothe Se Lagado Seerhi Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai

Jiski Biwi Moti Usska Bhi Bara Naam Hai
Jiski Biwi Moti, O Moti, O Moti, O Moti Moti Moti
Jiski Biwi Moti Uska Bhi Bara Naam Hai
Bistar Pe Litado
(Bistar Pe Litado Gaade Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai


(Jiski Biwi Kali Usska Bhi Bara Naam Hai) - 2
Aankhon Mein Basalo
(Aankhon Mein Basalo Surme Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai

(Jiski Biwi Gori Uska Bhi Bara Naam Hai) - 2
Kamre Mein Bithalo
(Kamre Mein Bithalo Bijli Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai

(Jiski Biwi Choti Usska Bhi Bara Naam Hai) - 2
God Mein Bithalo, Haan Haan Haan
(God Mein Bithalo Bache Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai

(Mere Angne Mein Tumhara Kya Kam Hai) - 2
Joh Hai Naam Wala
Arre Joh Hai Naam Wala Wahi Toh Badnaam Hai
Mere Angne Mein, Haan Mere Angne Mein
Haan Mere Angne Mein Tumhara Kya Kam Hai

-------------
Kahe Paise Pe Itna

Chaar paise kya mile
Kya mile bhai kya mile
Khud ko samajh baithe khuda
Woh khuda hi jaane ab hoga tera anjaam kya
Kahe paise pe
Kahe paise pe itna guroor kare hain
Kahe paise pe itna guroor kare hain
Yehi paisa to
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain

Sone chaandi ke
Unche mehalo mein
Dard zyada hai, chain thoda hai
Dard zyada hai, chain thoda hai
Is zamane mein, paise walon ne
Pyaar cheena hai, dil ko toda hai
Pyaar cheena hai, dil ko toda hai
Paise ki ehmiyat ko inkaar nahi hai
Paisa hi magar sab kuch sarkaar nahi hai
In ka insaan hai, paisa paisa hai
Dil humara bhi tere jaisa hai
Hai bhala paisa to bura bhi hai
Yeh zeher bhi hai, yeh nasha bhi hai
Yeh zeher bhi hai, yeh nasha bhi hai
Yeh nasha koyi
Yeh nasha koyi dhoka zuroor kare hain
Yehi paisa to haan
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain

Arre chale kahan
Yeh paison se kya kya tum yahan khreedoge
Dil khreedoge ya ke jaan khreedoge
Bazaaron mein pyaar kahan bikta hai
Dukaanon pe yaar kahan bikta hai
Phool bik jaate hai
Khushboo bikti nahi
Jism bik jaate hain
Rooh bikti nahi
Chain bikta nahi
Khwaab bikte nahi
Dil ke armaan betaab bikte nahi

Arre paise se kya kya tum yahan khreedoge
Dil khreedoge ya ke jaan khreedoge

Yeh in hawaon ka mol
Kya doge
Un ghataon ka mol
Kya doge
Arre in zameenon ka mol ho shayad
Aasmanon ka mol, kya doge
Yeh in hawaon ka mol
Kya doge
Un ghataon ka mol
Kya doge
Arre in zameenon ka mol ho shayad
Aasmanon ka mol, kya doge
Paas paisa hai to hai yeh duniya haseen
Duniya haseen
Ho zaroorat se zyada to iman-o-yaqeen
Iman-o-yaqeen
Yeh dimago mein
Yeh dimaago mein kasoor kare hain
Yehi paisa to
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain

Hero - The story of a criminal turned hero (1983)

Hero released in the year 1983, turned its male protagonist (Jackie Shroff) into an overnight star. Jackie had already made his debut (a rather unsuccessful one) in the film Swami Dada under the guidance of Dev Anand. But it needed maverick director Subhash Ghai’s Midas touch to catapult Shroff to the big league of fame and popularity.

In Hero, Ghai takes the time-tested track of star-struck lovers and makes a simple yet heart-warming story of a criminal turning over a new leaf under the influence of love. The movie’s main strength is its outstanding music courtesy Laxmikant-Pyarelal and Ghai’s sensitive handling of the love story. Of course the entire cast also does a commendable job. In the film Jaikishen, or Jackie Dada, as he is called in the film, is a criminal with a heart of gold. He has old scores to settle with the area’s Thakur and his son, a police officer. Pasha (the ever reliable Amrish Puri), a notorious criminal, has been imprisoned by the IG Police, Shrikanth Mathur (Shammi Kapoor). The evil Pasha swears to avenge himself and sends his favourite henchman, Jackie Dada to do this for him. The plan is to abduct Mathur's beloved daughter Radha (Meenakshi Sheshadri) and then bargain for Pasha’s release with the cops.



Jackie takes on the identity of a cop and under the pretext of saving Radha from the local goons abducts her. As fate would have it, the inevitable happens and the two opposites fall in love. Soon Radha comes to learn about Jackie’s true identity but instead of giving up on him, she chooses to repose her faith in this relationship. Determined to make an honest man out of Jackie, she convinces him to surrender o the cops. Jackie by this time is also convinced of his errant ways and is determined to do the right thing. He surrenders to the cops who imprison him for two years. Radha, finds a confidante in her brother Damodar (Sanjeev Kumar) and tells him all about her love for Jackie. In his bid to help Radha, Damodar asks his friend Johnny to pretend to be in love with Radha, thinking this would deter their father from getting her married off before Jaikishen is out of prison. Meanwhile, Jackie completes his term and starts working in a garage, in his bid to lead a life of honesty. But Shrikanth is not convinced of his honest intentions. In another twist, Damodar discovers that Johnny is a drug dealer. Around the same time, Pasha gets out of jail and kidnaps Radha to punish both Shrikanth and Jaikishen. Whether Jackie is able to save his true love and whether Shrikant finally accepts Jackie constitutes the climax of the film.

Songs and lyrics from the movie Hero:

1. Tu mera jaanu hai tu mera dilbar hai (link)

2. Pyar Karne Wale (link)

3. O Baby sing a song (link)

4. Nindiya se jagi bahar (link)

5. Lambi Judai (link)

Gadar Ek Prem Katha (2001) - An incredibly successful movie

The art of movie-making is inherently the art of story telling. The success (and therefore also the failure) of a film is primarily determined by the director’s ability to narrate a story well. The rest of the paraphernalia, read, music, dance, camera work, set design, costume design, sound…all of it is secondary. The immensely successful movie, Gadar-Ek Prem Katha, directed by Anil Sharma, is a superlative example of this simple fact. Many a movie has talked about love and many a movie has also talked about the Partition. So in that sense, Mr. Sharma is not telling a new story. However he has taken these two emotionally-charged elements and woven a wonderfully simple tale that leaves the viewer experience a whole gamut of emotions without being too heavy.

Gadar-Ek Prem Katha, starts off in pre-partition India. Sakeena (Amisha Patel’s soft beauty will take your breath away), a girl from a rich Muslim family is a student at a convent school in Shimla. Tara Singh (Sunny Deol, aptly cast) is a truck driver who fetches supplies to the school and nurtures a very innocent crush on her. A silly prank is the starting point of an unlikely friendship that develops between these two apparently diverse individuals. Then comes Partition and Sakeena’s family headed by Ahsraf Ali (Amrish Puri) depart for Lahore amidst growing tension between the two communities. The ensuing mindless violence that followed Partition is very sensibly captured and in one such incidence Sakeena gets left behind while her entire family boards the train to Pakistan.



Tara Singh rescues her from the clutches of sword wielding men and offers her the shelter and security of his home. After some time they marry and their love matures into a strong bond. The couple have a son and are blissfully happy. After a good seven odd years, Sakeena comes upon a picture of her father in the newspaper and she realises that her family is alive and well.

With the help of Tara Singh, Sakeena is able to re-establish contact with her father Ashraf Ali across the border. Ali is happy that his daughter is alive but is none too pleased that she is now married to a Sikh and also has a son. His devious plotting finds the sweet family torn apart-Sakeena under house arrest in Pakistan; Tara and their son waiting in India. As soon as Tara Singh is able to discover his father-in-law’s true intentions, he sets out for Pakistan to rescue his wife and bring her back home. He is supported in this endeavour by his faithful friend Darmiyan Singh and his little son. In Pakistan Tara has to face many trials and tribulations. Whether Tara is able to bring back his “Madam” (as he refers to Sakeena) forms the second half and the climax of the film.

Heartfelt acting, melodious songs and a simple narrative make this film immensely watch-able.

Awards won:

Winner:
Filmfare Best Action Award - Tinnu Verma
Filmfare Special Performance Award - Amisha Patel
Sansui Best Actress Award - Amisha Patel
Annual Filmgoers Awards - Best Actress - Amisha Patel

Songs from the movie:

1. Aan milo sajna (link)

2. Main Nikla Gaddi Leke (link)

3. Musaafir jaane wale (link)

4. Hum Juda Ho Gaye (link)

5. Udja Kale Kawan (link)

Dilwale Dulhania Le Jayenge (starring Shahrukh Khan and Kajol) (released in 1995)

Dilwale Dulhania Le Jayenge was a major hit film, early enough in Shahrukh's career that it gave him a big jump. The movie was an incredible success, remembered even today. It was also an a huge event in the career for director Aditya Chopra. The movie is also much appreciated by critics, marked among movies that are worth seeing in any top movie list. It also won a huge number of awards, almost a clean sweep of the popular awards:

Filmfare Awards:
1996 Filmfare Best Movie Award: Yash Chopra
1996 Filmfare Best Director Award: Aditya Chopra
1996 Filmfare Best Actor Award: Shahrukh Khan
1996 Filmfare Best Actress Award: Kajol
1996 Filmfare Best Supporting Actress Award: Farida Jalal
1996 Filmfare Best Comedian Award: Anupam Kher
1996 Filmfare Best Lyricist Award: Anand Bakshi, Tujhe Dekha
1996 Filmfare Best Screenplay Award: Aditya Chopra
1996 Filmfare Best Dialogue Award: Aditya Chopra, Javed Siddiqi
1996 Filmfare Best Male Playback Award: Udit Narayan, (Mehndi Lagake Rakhna)

The movie was also acclaimed for its music, with the music by Jatin Lalit and some great singing by Lata Mangeshkar and Udit Narayan. The shooting of the movie, in the scenic beauty of Switzerland, and then in the fields of Punjab were in the line of the movies by Yash Chopra, and supported by some excellent cinematography by Manmohan Singh.



The movie spans across 3 countries and 2 continents. The movie starts in England where aj Malhotra and Simran Kaur (Shahrukh Khan and Kajol respectively) are living in London, with Raj being like any normal London boy, drinking, out with friends, and so on, and spoiled by his father Anupam Kher. Simran has a domineering father, convenience store owner Chaudhry Baldev Singh (Amrish Puri), who is very conservative and would not really want his daughter to have all the freedom of a girl living in London. He would want his daughter to get married to a traditional Indian man, and finds a suitable arrangement with the son of his friends. Simran finally agrees to this, but wants to first travel with friends and see the world.
In the trip, Simran bumps into Raj, who is also on a trip. She does not like him, seeing him as a uncaring person, but there is a situation in which both of them have to depend on each other. They start loving each other, but have to separate at the end of the trip. When Baldev gets to know about this from Simran, he is very angry since he considers that Simran has broken his trust, and flies off to Punjab with the family for marriage. What does Raj do ? How does he manage to persuade Baldev and marry Simran ?

Songs and lyrics from the movie:

Dilwale Dulhania Le Jayenge – Ghar Aaja Pardesi (link)

Dilwale Dulhania Le Jayenge – Zara Sa Jhoom Loon Main (link)

Dilwale Dulhania Le Jayenge – Mere Khwabon Mein (link)

Dilwale Dulhania Le Jayenge – Ruk Ja O Dil Deewane (link)

Dilwale Dulhania Le Jayenge – Tujhe Dekha To (link)

Dilwale Dulhania Le Jayenge – Mehndi Laga Ke Rakhna (link)

Dilwale Dulhania Le Jayenge – Ho Gaya Hain Tujhko (link)

Kabhie Kabhie - A very sentimental movie

Kabhi Kabhie is a great movie, released in 1976, produced and Yash Chopra who has a number of romantic movies to his credit. Kabhi Kabhie is a part of that lore, with a mix of some great human emotions, superb romantic pairing, and of course, excellent music. The music was by Khayyam, with lyrics by Sahir Ludhianvi (and the music got both Khayyam and Sahir Ludhianvi awards) with the music being counted as one of the great musical notes of film music. The movie starred Waheeda Rehman, Shashi Kapoor, Amitabh Bachchan, Raakhee Gulzar, Neetu Singh and Rishi Kapoor. The movie also earned Yash Chopra a good amount of money, being a commercial success (and was the second such pairing of Yash Chopra with Amitabh and Shashi, Deewar being the first such movie).



Of course, Yash Chopra's movie also explores human relations that are on the edge of what society always used to accept in other movies, so he showcases widow re-marriage, relationships before marriage, and post marriage (watch Silsila for a perfect example of that). Kabhi Kabhie is the story of 2 different generations. The first generation is that of Amitabh Bachchan, and his relationship with Rakhee at college. However, their story cannot move ahead, and she married Shashi Kapoor in deference to the wishes of her parents. Amitabh also needs to move on, and he marries Waheeda Rehman, who is a widow and also has a child named Pinky (and Amitabh does not know about her past relationship). Pinky is adopted by another couple. Amitabh and Waheeda soon have a daughter called Sweetie.
The next generation is when the son of Rakhee and Shashi Kapoor, Rishi Kapoor, falls in love with Pinky, again at college and they decide to get married. Pinky (Neetu Singh) discovers that she is adopted, and wants to get Waheeda to acknowledge the relationship, while Waheeda is fearful of the reaction of Amitabh. At the same time, Sweetie also loves Rishi, and Amitabh would be all for this daughter's happiness. When does the secret finally come out ?

Songs and lyrics from the movie Kabhie Kabhie:

Kabhi Kabhi Mere Dil Mein (link)

Main Har Ek Pal Ka Shayar Hoon (link)

Main pal do pal ka shayar hoon (link)

Mere Ghar Aayi Ek Nanhi Pari (link)

Pyar Kar Liya To Kya (link)

Tere Chehere Se Nazar Nahin (link)

Hum Dil De Chuke Sanam - Drama about a triangle

What can one say about this movie ? I really liked this movie, although the huge number of songs got to me sometime in the middle. The movie is a sensitive portrayal of the triangle, with the girl in the middle, and you see how her emotions slowly change as she gets to know the person to whom she is married to. The movie was a big hit for Sanjay Leela Bhansali, since his earlier movie, Khamoshi, was a critical success, but did not do too well at the box office. The success of Hum Dil De Chukhe Hain Sanam propelled Sanjay Leela Bhansali into the big league, and encouraged him to make his mega opus, Devdas. HDDCS also gave a big boost to the career and reputation of its heroine, Aishwarya Rai. Before this, Aishwarya did not have a great reputation an a star who could emote well, and a role where she had an opportunity to show a range of emotions was something that she would have welcomed. The success of the movie gave her reputation a big boost, something that her male stars (Salman Khan and Ajay Devgun) did not get to the same extent.



The movie is about a unique triangle. Aishwarya lives in a joint family in the Rann of Kutch, one which is very musically inclined as her father is a famed classical musical Pandit, and at the same time, protective of their honour. Aishwarya is the favorite daughter of her father, who is strict otherwise. And then comes in Salman Khan to their mansion, to learn music from her father. He has come all the way from Italy for this purpose. Initially, Nandini (Aishwarya) does not like Salman, also because she had to give up her room for him, and they play a lot of pranks on each other.
But, as you would expect, soon they start to love each other, fairly deeply. For some time, this love is hidden, but at one point, her father, Pandit Darbar (Vikram Gokhale) finds out about this love affair. He is not the least bit supportive, and asks Salman to leave (his gift to his teacher), and orders Nandini to forget Salman, as she is to marry other. And then Nandini is married off to Vanraj (Ajay Devgun); Vanraj had seen Nandini at a function and fell in love with her. However, immediately after the marriage, Vanraj gets to know about the love that Nandini had for Sameer (Salman Khan) and promises to take her to Italy to be with Sameer (after the initial anger).
They arrive in Italy, and as you might expect, searching for a person in a different country is not easy; they run into various issues, getting robbed once, and Nandini gets shot during the attempt. Vanraj takes care of her when she is in hospital, and slowly Nandini starts to start seeing Vanraj for the caring and loving person he is.
Eventually they find Sameer through his mother (Helen), and when Salman finds out, he is overjoyed. It is at this time that Nandini has to decide, is she still in love with Sameer, or is she now conscious of her role as Vanraj's wife, and now in love with him ?

Awards won by the movie at the 2000 Filmfare Awards:
Best Movie - Hum Dil De Chuke Sanam
Best Director - Sanjay Leela Bhansali
Best Actress - Aishwarya Rai
Best Male Playback - Udit Narayan, "Chand Chupa Badal Mein"
Best Art Director - Nitin Chandrakant Desai
Best Cinematographer - Anil Mehta
Best Choreography - Saroj Khan, "Nimbooda"
Best Background Score - Anjan Biswas




Videos of songs from the movie:

Tadap Tadap (sung by Kay Kay)



Ankhon ki gustakhiyan maaf ho



Jhonka Hawa Ka



Dholi Taro Dhal



Hum Dil De Chuke Sanam (title song)



Nimbooda



Albela Sajan aayo Re



Man Mohini Teri Ada



Chaand Chupa Badal Mein



Lyrics:

Tadap Tadap

Bejaan Dil Ko
Bejaan Dil Ko
Bejaan Dil Ko Tere Ishq Ne Zinda Kiya
Phir Tere Ishq Ne Hi Is Dil Ko Tabah Kiya

Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Ajab Hai Ishq Yaara
Pal Do Pal Ki Khushiyaan
Gam Ke Khazaane Milte Hain
Milti Hai Tanhaiyaan
Kabhi Aansoon Kabhi Aahein
Kabhi Shikve Kabhi Naalein
Tera Chehra Nazar Aaye
Tera Chehra Nazar Aaye Mujhe Din Ke Ujaalon Mein
Teri Yaadein Tadpayein
Teri Yaadein Tadpayein Raaton Ke Andheron Mein
Tera Chehra Nazar Aaye
Machal Machalke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Agar Mile Khuda To
Poochhoonga Khudaya
Jism Mujhe Deke Mitti Ka
Sheeshay Sa Dil Kyon Banaya
Aur Us Pe Diya Fitrat
Ke Woh Karta Hai Mohabbat
Wah Re Wah Teri Kudrat
Wah Re Wah Teri Kudrat Us Pe De Diya Kismat
Kabhi Hai Milan Kabhi Furqat
Kabhi Hai Milan Kabhi Furqat Hai Yehi Kya Vo Mohabbat
Wah Re Wah Teri Kudrat
Sisak Sisakke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai
Mujhko Saza Di pyaar Ki Aisa Kya Gunaah Kiya
To Lut Gaye Haan Lut Gaye
To Lut Gaye Hum Teri Mohabbat Mein

-----------

Ankhon ki gustakhiyan maaf ho

Aankhon Ki Gustakhiyaan
Maaf Hon
O Aankhon Ki Gustakhiyaan
Maaf Hon
Ek Tuk Tumhein Dekhti Hain
Jo Baat Kehna Chaahe Zubaan Tumse Vo Ye Kehti Hain

Aankhon Ki Sharmohaya
Maaf Ho
Tumhein Dekhke Jhukti Hain
Uthi Aankhein Jo Baat Na Keh Sakin
Jhuki Aankhein Vo Kehti Hain

Aankhon Ki
Aankhon Ki
Gustakhiyaan
Maaf Hon

Kaajal Ka Ek Til Tumhare Labhon Pe Laga Loon
La la la..
Haan Chanda Aur Suraj Ki Nazron Se Tumko Bacha Loon
Hmmm..
Oh Palkhon Ki Chilman Mein Aao Main Tumko Chhupa Loon
Aa..
Khayaalon Ki Ye Shokhiyaan
Maaf Hon
Har Dam Tumhein Sochti Hain
Jab Hosh Mein Hota Hai Jahan Madhosh Ye Krti Hain

Aankhon Ki Sharmohaya
Maaf Ho

Ye Zindagi Aapki Hi Amaanat Rahegi
Ay Hey
Dil Mein Sada Aapki Hi Mohabbat Rahegi
Ay Hey
In Saanson Ko Aapki Hi Zaroorat Rahegi
Is Dil Ki Naadaniyaan
Maaf Hon
Ye Mere Kahan Sunti Hain
Ye Pal Pal Jo Hote Hain Bepal Sanam To sapne Naye Bunti Hain

Aankhon Ki
Aankhon Ki
Gustakhiyaan
Maaf Hon
Sharmohaya
Maaf Ho

----------

Jhokaa Hawa Ka

Jhonka Hawa Ka Aaj Bhi, Julfein Udaata Hoga Na,
Tera Dupatta Aaj Bhi Tere, Sar Se Sarakta Hoga Na,
Baalon Mein Tere Aaj Bhi, Phool Koi Sajta Hoga Na,
Thandi Hawayein Raaton Mein Tujhko, Thapkiyaan Deti Hongi Na
Chaand Ki Thandak Kwabon Mein Tujhko, Le Ke Toh Jaati Hogi Na,
Sooraj Ki Kirnen Subah Ko Teri Needien Udaati Hogi Na,
Mere Khayalon Mein Sanam, Khud Se hi Baatein Karti Hogi Na,
Main Dekhta Hoon Chup Chup Ke Tumko, Mehasoos Karti Hogi Na,
Jhonka Hawa Aaj Bhi Julfein Udaata Hoga Na

Tadeva Lagnam
Kagaz Pe Meri, Tasveer Jaisi Kuch Toh Banati Hogi Na,
Ulat Palat Ke, Dekh Ke Usko Jee Bhar Ke Hansti Hogi Na,
Hanste Hanste Aankhen Tumhari, Bhar Bhar Aati Hongien Na,
Mujhko Dhaka Tha, Dhoop Mein Jis Se, Woh Aanchal Bhigoti Hogi Na,
Saawan Ki Rimjhim Mera Tarana, Yaad Dilati Hogi Na,
Ik Ik Meri Baatein Tumko Yaad Toh Aati Hongein Na,
Yaad Toh Aati Hogi Na, Yaad Toh Aati Hogi Na,
Kya Tum Mere In Sab Sawalon Ka Kuch Toh Jawab Dogi Na

-----------

Dholi Taro Dhol

Hey kha na na na na khankhanat
hey ta na na na na tantanat
ay ja na na na na na janjanat
chha na na na na na na na
ji ji ji ji ji hey.. haa

Jhananana Jhanjhanat Jhanjhar Baaje Re Aaj
Tanananana Tantanat Manjeera Baaje
Ghananana Ghanghanat Gori Ke Kangana Aaj
Chhananana Chhanchhanat Paayal Sang Baaje
Sar Par Chunar Odhe Niklegi Aaj Raadhe
Lehra Lehrake Gopiyon Sang
Kaanha Bhi Peechhe Peechhe
Taang Koi Kheenche Kheenche
Murli Se Barsaaye Nasur Tarang
Dharti Aur Vo Gagan
Jhoomenge Sang Sang
Sabpe Chadhega Aaj Prem Rang
Rangeen Gulaal Hoga
Socho Kya Haal Hoga
Nachenge Prem Rogi Dum Duma Dum Dum
Dham Dham Datilal Datilal Dhidkit Dhidkit Dhilaal
Baaje Mirdang Dhana Dhan Dhan Dhana Dhan Baaje
Chham Chham Chham Chhamat Jhanjhar Jhamjhamat
Ghungroo Ghamghamat Chamak Cham Chamake
Hey Baaje Re Baaje Re Baaje Re Baaje Re
Dhol Baaje

Hey hey..
Hey Baaje Re Baaje Re Baaje Re
Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol
Ki Dham Dham Baaje Dhol
Ki Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol
To Dham Dham Baaje Dhol
Hey Hey Chhori Badi Anmol
Meethe Meethe Iske Bol
Aankhein Iski Gol Gol Gol Gol
To Dham Dham Baaje Dhol
Haan Haan Chhora Hai Natkhat
Bole Hai Patpat
Arre Chhede Mujhe Bole Aise Bol
To Dham Dham Baaje Dhol

Hey....
Baaje Re Baaje Re Baaje Re
Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol
To Dham Dham Baaje Dhol
To Dham Dham Dham Baaje Dhol

Rasiyo Ye Roop Taro Chhoo Loon Zara
Arre Na
Arre Haan
Arre Haan Haan Haan Haan
Hey...
Raat Ki Rani Jaise Roop Mera
Mehkasa Mehkasa
Mehkasa Mehkasa
Udegi Mahak Mujhe Chhoo Na Tu Kyon
Behkasa Bahkasa
Behkasa sa sa sa sa
Paas Aaja Meri Rani
Tu Ne Nahin Meri Maani
Karoonga Main Manmaani
Mat Kar Shaitani
Arre rererere..
Sarre rerere..
Pare rerere..
Ki Dholi Taro
Dhin Dhinak Dhin
Ki Dholi Taro
Dhin Dhinak Dhin
Ki Dholi Taro
Hey..
Dhol Baaje Dhol Baaje Dhol Baaje Dhol
Ki Dham Dham Baaje Dhol

Hey Hey Chhori Badi Anmol
Meethe Meethe Iske Bol
Aankhein Iski Gol Gol Gol Gol
To Dham Dham Baaje Dhol
Ho Ho Ho Chhora Hai Natkhat
Bole Hai Patpat
Chhede Mujhe Bole Aise Bol
To Dham Dham Baaje Dhol

Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol
Ki Dham Dham Baaje Dhol
Ki Dham Dham Dham Baaje Dhol

Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje
Dham Dham
Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje
Dham Dham
Hungama Hungama Ho Gaya Hai Hungama
Hungama Hungama Ma Ma Ma Ma Re..
Hungama Hungama Ho Gaya Hai Hungama
Hungama Hungama Ma Ma Ma Ma Re..
Dham Dham Dham Dhol Baaje
Hey Baaje
Dham Dham Dham Dhol Baaje
Hey Baaje Re Baaje
Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje
Dham Dham
Dham Dham
Dham Dham
Hey Dham Dham
Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje
Dham Dham
Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje
Dham Dham

------

Title Song of Hum Dil De Chuke Sanam

Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam
Oh Ho Ho
Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam

Ye Duniya Kare Sitamb
Tujhpe Mitnege Hum
Teri Kasam

Oh Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam
Teri Kasam

Umeedein Tumhin Se Hain Mere Sanam
Thaama Hai Tumhara Hi Ye Daaman
Ho Bhoolenge Kabhi Na Ab Tumhein Hum
Oh Bhoolenge Kabhi Na Ab Tumhein Hum
Oh Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam
Teri Kasam

Teri Yaadon Ke Saaye Mein Guzregi Ye Zindagi
Us Khuda Ke Baad To Pooja Hogi Bas Teri
Chaahe Jo Maanglo Sab Tumhara Hai
Chaahe Jo Maanglo Sab Tumhara Hai
Ho Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam

Ho Hum Dil De Chuke Sanam
Tere Ho Gaye Hain Hum
Teri Kasam
Teri Kasam .

------

Nimbooda

Ye Nimbooda
Ay Nimbooda
Ho Ho Oo Ho...
Dhinak Dhinak Dhinak Dhinta

Nimbooda Nimbooda Nimbooda
Nimbooda Nimbooda Nimbooda
Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Nimbooda Nimbooda Nimbooda
Nimbooda Nimbooda Nimbooda
Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do

Arre Layido Layido Laydo
Arre Layido Layido Laydo
Nimboo Layido
Ja Khet Se Hariyala Nimbooda Layido

Nimbooda Nimbooda Nimbooda
Nimbooda Nimbooda Nimbooda

Nimbooda Nimbooda Nimbooda
Nimbooda Nimbooda Nimbooda
Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do

Arre Layido Layido Laydo
Arre Layido Layido Laydo
Nimboo Layido
Ja Khet Se Hariyala Nimbooda Layido
Nimbooda Layido

Aa Nimboo Layido

Ah Ha

Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo
Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo
Arre Katto Katto Nimboo Tez
Chori Se Sar Pe Kaato
Phir Chhota Chhota Nimbooda Kya Jaadu
Karega Dekho
Ki Buri Nazar Vo
Khatti Hoyegi
Phir Char Raste Pe
Vo Utar Giregi

To Layido Layido Laydo
To Layido Layido Laydo
Nimboo Layido
Ja Ja Ja Khet Se Hariyala Nimbooda Layido
Nimbooda Layido

Nimboodaa Nimboodaa Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimbooda

Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Nimbooda Layido
Aa Nimboo Layi Layi Layi Layido

Itna Sa Hai Par Hai To Rasila
Chakha Tha Bada Ta Hai Chabila
Nimbooda
Iski Khushboo Se Bhi Lalcha Jaata Hai Ye Mann
Rakhde Zubaan Par Do Bas

Lekin Chaahat Mein Sajna Sajni Ko
Lagti Hai Ek Duje Ki Nazar
Tab Un Mein Aksar
Hoti Hai Meethi Takraar
Nimbooda Bole Hai Yehi Pyaar

Hurr..
To Layido Layido
Haan Layido Layido

Meri Suni Saheliyon Jaake Zara Layido
Chhota Nimbooda
Layido

Nimboodaa Nimboodaa Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimbooda

Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Nimbooda Layido
Haan Nimboo Layi Layi Layi Layido

Hey Nimbooda Nimbooda
Nimbooda Nimbooda Nimbooda
Nimboo Nimbooda Nimbooda
Nimboo Nimbooda

Nimboodaa Nimboodaa Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimboodaa Nimboodaa Nimboodaa
Nimbooda

Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Kaacha Kaacha Chhota Chhota Nimbooda Layi Do
Nimbooda Layido
Nimbooda Layido
Haan Nimboo Layi Layi Layi Layido

-----

Albela Sajan Aayo Re

albela sajan aayo ri
mora hatwar sukar aayo ri
albela sajan aayo ri
albela albela albela
albela alebela albela

jyot purao magal gau
sanann saanan
jyot purao magal gau
man rang ish payo ri

--------

Man Mohini Teri ada

Hey Mitti Pe Kheenchi Lakeerein Rab Ne
To Ye Tasveer Bani
Aag Hava Pani Ko Milaya
To Phir Ye Tasveer Saji

Hey Hasti Teri Dishaal
Kudrat Ka Tu Kamaal
Hey Man Mohini Teri Ada
Tujhe Jab Dekhle To Phir Ghata
Barse Jhar Jhar Jhar Jhar Sarar Sarar Sarar
Naache Chamak Chamak Vo
Bijli Deewani
Hai Bemisaal Tu
Kori Kori Anchhui
Tujh Mein Hai Kudrat Saari Khoyi
Tujh Mein Hai Kudrat Saari Khoyi Khoyi
Tujh Mein Hai Kudrat Saari Khoyi Khoyi

Tat ta..

Mitti Ki Hai Moorat Teri
Masoomiyat Fitrat Teri
Ye Saadapan
Ye Bholapan
Tu Mehki Mehki
Tu Lehki Lehki
Tu Chali Chali
Har Gali Gali
Tu Hava Ke Ghan Sang Sanana San
Tera Ang Ang
Jaise Jaltarang
Koi Leher Leher
Chali Teir Teir
Paani Ka Mel
Tere Tan Badan Jhar Jharar Jharar
Angaarey Jaisa
Tera Rom Rom Hai Dehka Dehka
Agni Ka Khel
Tu Agan Agan

Takir takir...

Zara Dhirak Dhirak Zara Lachak Lachak
Kabhi Matak Matak Kabhi Thumak Thumak
Khali Jhoom Jhoom Kabhi Ghoom Ghoom
Dharti Ko Choom Mach Dhoom Dhoom
Chanchal Badi Tu Natkhat Badi
Dehki Bahaar Ras Ki Fuhaar
Tere Teekhe Nain Tere Keshe Rain
Ye Balkhana Ye Itrana .

Tat tat ...

-------

Chand Chupa Badal Mein

Chand Chupa Badal Mein, Sharma Ke Meri Jaana ,
Seene Se Lag Ja Tu, Bal kha Ke Meri Jaana,
Gumsum Sa Hai, Gupchup Sa Hai
Madhosh Hai,Khamosh Hai,
Haan Ye Sama, Haan Ye Sama Kuch Aur Hai,
Han Han Han Chand Chupa(Repeat)

Nazdikiyan Badh Jaane De,
Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin,
Door Se Hi Tum Jee Bhar Ke Dekho, Tum Hi Kaho Kaise Door Se Dekhoon,
Chaand Ko Jaise Dekhta Chakor Hai,
Aye, Gumsum Sa Hai, Ye Sama Kuch Aur Hai
Ho Ho Ho, Chand Chupa Badal Mein(Repeat)

Aaja Re Aaja Re Chanda,
Ki Jab Tak Tu Na Aayega, Sajana Ke Chere To Dekhne Ye Man Tarsa Jayega,
Na Na Chanda Tu Nahin Aana , Tu Jo Aaya To,
Sanam Sharma Ke Kahin Chala Jaye Na, Aaja Re Aaja Re Chanda,
Tu Laakh Duayen Payega, Na Na Chanda Tu Nahin Aana, Varna Sanam Chala Jayega,

Aanchal Mein Tu Chup Jaane De, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin,
Julfon Mein Tum Kho Jaane Do, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin,
Pyaar To Naam Hai, Sabra Ka Humdam, Woh Bhala Bolo Kaise Karen Hum,
Sawan Ki Raah Jaise Dekhe Mor Hai,
He Rehne Bhi