RajKumar Santoshi is one of the most famous names in Bollywood, a direction who has been there for decades in the industry and has given a number of incredible hits; however, he also seems to be struggling with the current scene in Bollywood, making far fewer movies than during the 1990's when he was at his peak. He carries a lot of history of previous hits along with him, causing people to see his movie. Right from his association with Ardh Satya in 1982, and then making a mark as a director for movies such as Ghayal, Damini, Ghatak, Andaz Apna Apna, Khakee, he has been hitting hits more often than failures. When you remember a movie such as Damini which was a hard hitting attack on the prevalent system of law and justice, and how the power of the mighty can almost overcome the power of the law, a case such as the Jessica Lal case was made for him to show his power as a director, moving his audience to action.
Halla Bol was a movie released in 2008, directed by Rajkumar Santoshi and starring Ajay Devgun, Vidya Balan and Pankaj Kapur. The movie also showed a number of others stars in small cameos (no doubt leveraging the power of Rajkumar Santoshi based on his long history in Bollywood). So you have a story that seems to be inspired by the Jessica Lal case, but also shows the life of a film star who reached a high point through not seeing whatever was happening around him, and then saw something so shocking that it finally caused him to find his conscience and speak up about what he saw.
Halla Bol cannot be counted as one of Santoshi's best hits; when you have seen movies such as Ghayal or Damini or Ghatak, you really cannot put Halla Bol in the same league. It is still a good movie, although you wonder about why Vidya Balan took this role; and you come out of the movie with a realization that although Ajay Devgun was the lead star, if there was a role you would remember from the movie, it would be the role played by Pankaj Kapur. The movie is good in parts, especially near the end, but the first half does give a feeling of a slow buildup, and you can see similar speed and slow touches in other parts of the movie as well. The music of the movie was by Sukhwinder Singh, and you really don't see the music as matching the performance of the film, nothing really worth writing about.
From this point, the story of the movie is outlined, so if you don't want to know the story, don't go ahead from here.
The story shows a film star, Ashfaque (played by Ajay Devgun), a rags to riches story. He was a part of a street troupe, being run by Siddhu (Pankaj Kapur). Siddhu is a reformed dacoit, who is looking at his street plays as a way of highlighting important issues that the masses will see, and think about, and hopefully bring about some change (you know how difficult it is for that to really happen). But Ashfaque wants to rise high, and climbs the ladder to become a famous film star, with a new name, Sameer Khan. He is an accomplished actor, and is now settled with a wife Sneha (played by Vidya Balan).
However, to become successful, you do need to do make compromises, and he has made many; he becomes a part of the system, being a manipulator and part of the corrupt world, but one day, he gets a dose of reality when he is a witness of a horrible crime at a party, and that eventually brings him back to his senses. But can he take on the system and the powerful and get justice ?
When you get a successful film, there is a pressure to create a franchise, create more movies with the same set of actors and the director in the hope that viewers will also like this movie and make it successful. This has actually worked in many cases, with sequels of movies in Hollywood (Terminator, Pirates of the Carribean, Superman, Spiderman, etc) doing excellent business and providing riches to their creators. Of course there have been cases when the same success has not come to the next movie, but then there is no harm in trying. In the case of Bollywood, the concept of leveraging on the success of a previous movie is a pretty late one, only in the past decade that it has been seen. Golmaal indeed could be one of the first ones to make this a success, even though the sequels have no connection with the previous one in terms of story, but do have the same crew (director, and many actors and actresses being the same). Golmaal Returns was one such movie, which was released in 2008, in order to leverage the success of the earlier Golmaal (which was released in 2006).
Between the 2 movies, the director was the same (Rohit Shetty), and the main crew members were the same (Ajay Devgun, Tusshar Kapoor and Arshad Warsi). Sharman Joshi was no longer there in the sequel, and the heroine was also changed, with Kareena Kapoor brought in to enhance the star power, and some additional actors and actresses also brought in. The movie was a hit, even though critics were not particularly impressed by the movie - the humour in the original Golmaal seemed pretty genuine, while the humor in this one seemed a bit forced, written in to try and put more humour in the script, and leaving a slight jarring edge. But no matter, audiences loved it, and it was a hit. The songs were also liked, with the music being composed by Pritam, and one song 'Thar kar Le' being composed by Ashish Pandit (and the lyrics for the movie were by Sameer).
Now onto the story. I was not particularly fascinated by the story, since the attempt seemed to be to bring as many characters into the storyline and use some incredible coincidences to push the story forward. So, here goes (and if you have not seen the movie and want to keep your suspense, do not read ahead of this point).
Gopal (Devgun) and Ekta (Kareena Kapoor) are a couple with 2 siblings - Esha (Amrita Arora) is the sister of Gopal, and Lucky (Tusshar Kapoor, playing a mute) is the brother of Ekta. Ekta is an avid watcher of hindi serials (particularly the Balaji type serials) and is very suspicious of Gopal. Gopal keeps on warning her from time to time to not be so suspicious, since it would create problems for them.
Gopal works in a fishing company and has some periodic clashes with people in his company (not very serious though), especially when he believes that his colleague is instigating his wife against him. And then something happens which would cause the suspicion of Ekta to become reality. He is coming home from work, when he sees a girl being assaulted by some hoodlums and saves Meera (Celina Jaitley) from those goons. Unfortunately, due to some circumstances, they are forced to spend the night together on a yacht (although nothing happens between them).
Now, when Gopal reaches home the next morning, there is going to be trouble. Ekta, ever suspicious, wants to know where he was; Gopal obviously cannot tell her the truth, so he lies that he was with a friend of his. When Ekta pushes him for the name of the friend, Gopal comes up with a name 'Anthony Gonsalves', with a fictitious address. However, Ekta is very suspicious and sends of a letter to Anthony, and in the coincidence of a lifetime, there is actually a person called Anthony Gonsalves and an actual address and the letter is received.
One of Gopal's juniors, Laxam Prasad (Shreyas Talpade), who claims to be a great problem solver, then decides to take the place of Anthony to ensure that Ekta is not suspicious. Another coincidence, Laxman is also the boyfriend of Meera, and Meera has not told him about this incident. And then the big problem, where a dead man is found where Gopal had fought the goons, and this is the same person Gopal's office with whom he had a tiff. This brings inspector Madhav (played by Arshad Warsi) on the scene; Madhav is in love with Gopal's sister but has a running feud with Gopal and is incredibly happy that there is a chance for him to put Gopal in a difficult position.
Eventually, Madhav learns that Laxman is not Anthony, and when they tell him about Meera (and in the meantime, Ekta leaves Gopal when she learns that he told her a lie), he tells Gopal that he better bring Meera quickly to the station if he wants to save himself. Gopal and Laxam hire Munni to play the role of Meera, which she is willing to do for the money. However, her boyfriend, Vasuli, currently behind bars, is not happy at this. And then Munni is kidnapped by the murderer.
And then starts a whole trail of events to try and find Munni, in the meantime Vasuli kidnaps Meera since he wants his Munni back, and then finally Gopal learns that his boss was behind the murder since he was smuggling drugs under the guise of the fishing business, and his colleague was killed because he found out. After some more drama, there is a happy ending.
Kaminey was an interesting movie, released in the year 2009. Even the name was somewhat different from the existing names that are used for movies, and the script was even more interesting (and was actually bought from a Kenyan writer for 4000 dollars by Vishal Bhardwaj). When I walked into the movie hall, the movie seemed a bit slow in the beginning, but quickly gathered pace and became a must watch. The movie was directed by Vishal Bhardwaj, starred Shahid Kapoor in a double role, and also starred Priyanka Chopra in a role that she must have appreciated. The music for the movie was also given by Vishal Bhardwaj, and was well appreciated, especially for the hit song, called Dhan Te Nan, sung by Sukhwinder Singh, Vishal Dadlani. Lyrics for the movie were by Gulzar. The movie was nominated for a number of awards at the Filmfare awards, Apsara awards, and many others.
DVD for Kaminey on Amazon / Flipkart
The movie takes on the life of 2 identical twins, growing up as orphans in the city of Mumbai. The normal depiction of loving twins is very different, here these are 2 boys who cannot stand each other and stay away from each other. They both have some amount of speech problems, Charlie lisps in his speech, while Guddu stutters when under stress. They separated when they were young, because of the time when their father died; Guddu believes that Charlie did not get the money when their father needed it when they were young.
They are now leading separate lives, with Guddu working for an NGO in the area of AIDS, having an affair with Sweety (played by Priyanka); while Charlie works as a bookie at a horse racing arena, working for 3 Bengali brothers. He is a hard-nosed cynic, with money being the main motivator. He is very close the youngest of the 3 brothers, Mikhail (Chandan Roy Sanyal); it is with Charlie and Mikhail that the hit song Dhan Te Nan has been shot in a club. Trouble starts on 2 different fronts - Charlie goes after a jockey because of whom he loses all his money, even after being warned not to go after the jockey. In the same hotel, in a drug deal involving cops, 2 crooked cops kill 3 drug dealers and steal a guitar containing Rs. 10 crore worth of cocaine.
In the bedlam, Charlie steals the van containing the cocaine filled guitar and is over-joyed when he discovers that the guitar contains untold wealth. At around the same time, Sweetie tells Guddu that she is pregnant, something that is a shocker to Guddu, more so when Guddu gets to learn that Sweetie is actually the sister of prominent politician, Sunil Bhope. Bhope has the anti-outsider platform as his political vehicle, and is shocked when hears that his sister is getting married to a migrant from Uttar Pradesh. Bhope gets his men to disrupt the wedding and bring back Guddu and Sweety, but they manage to fight off and escape.
The rest of the movie is a swift series of events, with the guitar and the cocaine being the key ingredient, since everybody wants it. One brother is taken, being mistaken for the other. The whole movie explodes in an orgy of violence in the end, with the action taking place at Bhope's house, and all the people being involved in the fight.
Amitabh Bachchan and Vinod Khanna acted in a number of movies (a total of 6 movies) together in the 1970's, with Hera Pheri being one of them (Amar Akbar Anthony was the most famous of these). Hera Pheri was directed by Prakash Mehra, and starred Amitabh Bachchan, Vinod Khanna, Saira Banu, Sulakshana Pandit, Shreeram Lagoo and Asrani. The movie had one nomination for the Filmfare Award, with Vinod Khanna being nominated for Best Supporting Actor (although he did not win). The movie had some popular music by the music director duo of Kalyanji-Anandji, and the movie script was written by Satish Bhatnagar and Vijay Kaul.
The movie was popular, although it can get complicated. Like many other movies of that period, it showcases the hero (or heroes) as criminals, but good-hearted criminals. They are not terrorists, they don't go around shooting people with guns or something, but they steal jewelery from rich people, or they steal from rich houses, and so on.
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The story of this movie is based on the relationship between 2 friends, Ajay (Vinod Khanna) and vijay (a person by the name of Vijay cannot be anybody other than Amitabh Bachchan). Vijay saves Ajay when Ajay is going to jump in front of a train, and ever since then, they became the best of friends. Ajay was sold by his father to get money for his mother's illness, and then his foster parents died, so Ajay was rendered homeless; Vijay on the other hand is troubled by the story of his parents. His father was killed, and it was on that night that his mother turned mad, and he is looking for how to cure her (maybe getting the murderer would help in doing that).
The twist in the story is that the person who killed Vijay's father is actually Ajay's long lost father (the one who sold him away and now seeks him desperately, as much as he seeks to kill Vijay's mother (she witnessed the murder of her husband and is a witness)). In order to get medication for his mom, Vijay plays a con man who, along with Ajay, cons people to earn money. When Ajay finally finds his father, he changes sides and goes to his father, leaving Vijay. What happens next ?
When you think of great Hindi movies, one of the names that always comes to the front is the movie called Sholay, released in 1975. The movie seems like it was set in another age, it being now 35 years since it was released and became a huge hit; and is now a cult movie. If it comes on TV even now, you can be sure that there will be some people who will want to watch. And the movie created a set of characters who became incredibly famous, specifically the few characters of Gabbar (Amjad Khan), Thakur (Sanjeev Kumar), Jai (Amitabh Bachchan), Veeru (Dharmendra), and Basanti (Hema Malini), and the under-played role of Radha (played by Jaya Bachchan).
The movie took a chance, starring a newcomer in the pivotal role of the dacoit leader (Danny was the original choice, but he was unavailable, and hence a newcomer such as Amjad Khan was selected). The movie was based on a small idea by the prolific writer duo of Salim-Javed. And the outcome was a movie that broke all records, and became a cult movie known till today.
The movie was produced by G.P. Sippy and directed by his son Ramesh Sippy. Music for the film was given by RD Burman, with the lyrics provided by Anand Bakshi. During direction, the movie went over-budget, since the director wanted to be perfect in the shooting, and many of the shots took many takes and many days. The movie also had real-life relations between the stars, with Amitabh and Jaya getting married 4 months before shooting of the movie started, and Dharmendra romancing Hema Malini at that time. The movie took a period of 2.5 years to make. The movie also had an effect on tourism, with the location of Ramanagaram (a rocky terrain), a village near Bangalore, Karnataka being the shooting site, and being known later as the location where Sholay was shot.
The movie was based on the concept of revenge, where a local dacoit terrorises the village, and also takes revenge on the family of the local thakur. The Thakur in turn hires 2 small-time but brave crooks to come in to fight the dacoit and his gang, and this is what they do, but with some sadness, as one of the 2 loses his life in the end.
The movie takes these 2 small time crooks (Jai and Veeru) in a jail. They are remembered by an ex-policeman, the Thakur, when he is looking for somebody who can help him fight the dacoits (led by Gabbar). He had apprehended them, and then see how brave they were when they fought off dacoits who were trying to rob a train. He meets them, and offers them a large amount of money if they can get rid of Gabbar and his gang. Gabbar is a violent and brutal dacoit leader who is terrorising the villages.
In the first confrontation, three men from Gabbar's gang come to get supplies from the villagers, something that they do without any issue in the past. Now, however, they face a fight from Jai and Veeru and have to go back without any supplies; at which Gabbar cannot stand the sight of his men being humiliated in front of the village and shoots them after some drama (in a scene that was much appreciated). The next major attack is on Holi, during which Jai and Veeru are pinned down and are looking for Thakur to throw a gun towards them, but he does not cooperate. Later his story is revealed, where he had arrested Gabbar some time back, and then Gabbar killed all his family except for one daughter-in-law Radha (Jaya Bhaduri). And in another confrontation, Gabbar cut off both his hands leaving him without any hands.
So, the situation continues, with Jai and Veeru staying in the village, and getting fond of Radha and Basanti respectively. Gabbar has cut off the village from the outside, but they fight back by killing some of his men. And then the final confrontation, where the fight with Gabbar and his men take place, in which Jai finally dies.
Some interesting scenes from the movie:
Where Jai talks to Basanti's mausi and turns her against Veeru, and Veeru on the water tank:
Scene from the jail early in the movie with Asrani:
Bombay to Goa is one of the earlier movies of Amitabh Bachchan, and hence, at those times, there were roles that were not written solely for him, but since he was a young and upcoming actor, the movie did showcase him; with the movie "Bombay to Goa" being meant to launch the brother of Mehmood, Anwar Ali, and also showcase the talent of Amitabh Bachchan.
The movie is mostly about a bus journey, taken by a young girl where she is seeking to escape the clutches of a man looking to kill her (he has already taken money from her and also killed his own partner for the same money). The bus journey provides her (and the viewers) with a lot of adventure, and also makes her more mature.
The movie was produced by NC Sippy and directed by S. Ramanathan; and stars Amitabh Bachchan, Shatrughan Sinha, Aruna Irani and Mehmood. The music for the movie was given by R.D.Burman.
Mala's picture appears in a magazine, submitted by 2 friends of Mala (Sharma (Shatrughan Sinha), and Verma (Manmohan)); however her parents are very surprised and astonished to see these photos, and plan to marry her off to the son of their friend. However, Mala is certainly not ready to marry somebody whom she does not know and dreams of a film career. She does not understand the attitude of her parents, takes a lot of money from her parents without their knowing, and runs away from home.
She hands the money over to Sharma and Verma; and seeing this much money, their intention changes and they fight among themselves for the money, with Sharma killing Verma. Mala sees this, and is now running for her life from Sharma and tries to escape on a bus that is on the way to Goa. However, Sharma soon finds her and then enters Ravikumar (Amitabh Bachchan) who wants to save Mala. Eventually Mala starts to trust Ravikumar. The movie becomes very interesting due to the various assorted passengers on the bus, representing a cross section of people from all over India, with Mehmood playing the role of the conductor of the bus, and his brother, Anwar Ali, playing the driver Rajesh.
Reshma Aur Shera was one of the earlier movies of Amitabh Bachchan, at a time when he was not the established superstar. The movie is an account of betrayal, love, murder, honour, set against the backdrop of the sands and harshness of Rajasthan. The movie was essentially the creation of Sunil Dutt, who also produced and directed the movie.
The movie was well liked by critics, and was nominated for some international (although it did not win too many). Some of the awards it was nominated for include:
- The Golden Bear at the Berlin International Film Festival
- Academy Award for Best Foreign Language Film (Oscars)
The movie was written by S. Ali Raza, with some beautiful music by Jaidev (for which he won the 1972 National Film Award for Best Music Direction (his first award for music)).
The movie is about the feud between 2 families, and in a story that has been seen many times, where the children of both families are in love. The eldest son of Sagat Singh, Shera (Sunil Dutt) is not the more violent and revenge seeking son, trying to make peace. He is very strongly attracted to the daughter Reshma (Waheeda Rehman) of his father's rival, and she also falls in love with him when she sees how he can be strong for peace rather than for more revenge.
And yet there is a third element, the younger son of Sagat Sing, the mute Chotu (Amitabh Bachchan, who plays the role of a skilled shooter, also heavily influenced by his father). Eventually Chotu goes against the wishes of his brother in terms of not having violence and going in for peace and influenced by his father who wants Chotu to shoot the rival and his son both. And they both die; this causes Shera to hunt for his own brother to kill him. What happens next ?
How many people are there who would not have heard of this movie ? Yaadon Ki Baarat is one incredible movie, full of masala, full of some great music, with a murder, and then the quest for revenge on somebody whom the children of the killed cannot even identify, and then you have the capers of a thief (who works with somebody who is actually the killer), and you have a very enjoyable movie. And when you add a delectable Zeenat Aman, you get a really incredible movie.
The movie was made by Nasir Hussain, who produced and directed the movie. The movie starred some of the bigger stars, and some of the not so large ones, with the cast comprising of Dharmendra, Zeenat Aman, Vijay Arora, Tariq, and Neetu Singh.
The movie had some great songs, with 'Chura Liya Hain Tumne' being a song that is remembered and played even now, and music was provided by RD Burman. The script for the movie was provided by the famous pair of Javed Akhtar and Salim Khan. One lesser know fact about the movie was that it starred Aamir Khan as a cute young boy (the youngest of the 3 children shown in the movie).
The movie is a classic story about siblings separated early, when they are very young, and who meet later in life (and then realize much later that they are brothers). An artist, who defies a gang, is killed by them with the young children of the couple witnessing the murder. When running away, they get separated. They all have different life styles, with the eldest becoming a skilled burglar, the second one being a normal (not wealthy) person, and the youngest one becoming a singer. All they remember is a childhood song called 'Yaadon Ki Baarat'.
They do meet up several times but cannot associate any relationship between them; and go through various relationships (with the middle one played by Vijay Arora falling in love with Zeenat Aman after pretending to be a rich man, when his secret is out, Zeenat is shocked at the deception). The main story however is that of Shankar, the eldest one, played by Dharmendra, who is trying to find the murdered of his parents, and eventually realizes that the one whom he works for is the murderer.
Aks released in the year 2001 and is a supernatural thriller. It has as its central theme the age old conflict between good and evil. The film starred Amitabh Bachhan, Nandita Das and Manoj Bajpai. Directed by debutant director Rakesh Omprakash Mehra, it received a lot of critical appreciation but did not fare well at the box office. The supernatural theme of the film and the struggle between the evil and good is somewhat ambiguously portrayed. The audience found it difficult to accept and appreciate the lead character’s internal struggles.
Manu (Amitabh Bachchan) is an honest cop. He is hot on the pursuit of Raghavan (Manoj Bajpai), a dreaded killer. Manu tracks him down to Budapest but is unable to prevent Raghavan from killing the Indian Defence Minister and stealing a valuable floppy that has important information that could affect the very destiny of the nation. Manu is able to arrest the killer and he even tries to force Raghavan to divulge the details of the floppy, but the latter remains mum. Raghavan is sentenced to death. Raghavan tries to escape but he is shot down by Manu.
Soon, the very people who were involved with Raghavan’s sentencing start dieing mysteriously, one by one. At the same time Supriya (Nandita Das), Manu’s wife notices subtle changes in his demeanour. Initially she is pleased but one night when Manu forces himself on her, she is convinced that things are not right. Similarly Arjun Singh, Manu’s friend also notices the changes in him. As the body counts keep rising, the finger of suspicion keeps pointing at Manu. Slowly it is revealed that Raghavan’s spirit has taken control ofManu’s body and soul. As a result Manu finds himself drawn to Raghavan’s girlfriend (Raveena Tandon), a bar dancer. The honest inspector is thus caught in a vicious internal turmoil where the good and the evil struggle to take complete control.
The climax sees Manu and Raghavan engage in a fatal encounter where the former tries to save his soul and his conscience from the devil. At the end Raghavan is finally vanquished and Manu is able to regain his sense of being and of right and wrong. The film is worth watching for Amitabh Bachchan’s performance alone. As the tormented man caught between the right and wrong, he puts in a finely nuanced performance. Manoj Bajpai as the diabolical Raghavan is a delight to watch. Anu Malik’s music is very good as well. Rakyesh Omprakash Mehra does a competent enough job as a first time director.
AWARDS WON
Won
Filmfare Award
Best Actor - Critics Amitabh Bachchan
Best Background Score Ranjit Barot
Screen Awards
Best Actor in a Negative Role Manoj Bajpai
Best Supporting Actress Raveen Tandon
CAST AND CREW
Directed by Rakeysh Omprakash Mehra
Produced by Amitabh Bachchan, Jhamu Sughand
Written by Renzil D'Silva, Rakeysh Omprakash Mehra, Kamlesh Pandey
Starring Amitabh Bachchan, Raveena Tandon, Manoj Bajpai, Nandita Das
Music by Anu Malik, Ranjit Barot
Cinematography Kiran Deohans
Editing by P.S. Bharthi
VIDEOS OF SONGS
Yeh Raat
http://www.youtube.com/watch?v=4DUKybsasDQ
Banda Yeh Bindas Hai
http://www.youtube.com/watch?v=p7jFvxfMMrY
Aaja Gufaon Mein Aa
http://www.youtube.com/watch?v=ajrI4YtlcSQ
LYRICS
Aaja gufaon mein
Singers: KK, Vasundhara Das
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Chehre Pe Chehra Chadta Hai Chehra
Chehra Badalta Hai Chehra Hi Chalta Hai
Chehre Pe Chehra Chadta Hai Chehra
Chehra Badalta Hai Chehra Hi Chalta Hai
Chehra Siya Kar Le Chehra Siya Kar Le
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Saase Ubal Ne De Taariki Badne De
Ruhe Andheron Mein Jalti Hai Jal Ne De
Jalti Hai Jalti Hai Jal Ne De Jalti Hai Jal Ne De
Saase Ubal Ne De Taariki Badne De
Ruhe Andheron Mein Jalti Hai Jal Ne De
Mujhse Nibah Kar Le Mujhse Nibah Kar Le
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
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Banda Yeh Bindas Hai
Singer: KK
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Na Na Na Na Na Na Na Na
Na Na Na Na Na Na Na Na
Banda Hai Yeh Bindas Hai Yeh
Banda Hai Yeh Bindas Hai Yeh
Bhawra Hai Bhawra Hai Yeh Lo Bhi Hai
Hushiyaar Hai
Do Do Makote Iske Do Bhaari Talwar Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Bhawra Hai Bhawra Hai Yeh Lo Bhi Hai
Hushiyaar Hai
Do Do Makote Iske Do Bhaari Talwar Hai
Champa Chameli Genda Sab Ras Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Kya Bura Aur Kya Kharaab Hai
Hai Sirf Jeena Hisaab Hai
Jaadu Hai Sar Chadega
Aur Jo Utregi Sharab Hai
Banda Yeh Bindas Hai
Kya Bura Aur Kya Kharaab Hai
Hai Sirf Jeena Hisaab Hai
Jaadu Hai Sar Chadega
Aur Jo Utregi Sharab Hai
Champa Chameli Genda Sab Ras Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
----------------------
Hum Bhool Gaye
Singer: Chitra
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Umeed Bhi Ajnabee Lagti Hai
Aur Dard Paraya Lagta Hai
Umeed Bhi Ajnabee Lagti Hai
Aur Dard Paraya Lagta Hai
Aaine Mein Jisko Dekha Tha
Bichda Hua Saaya Lagta Hai
Aaine Mein Jisko Dekha Tha
Bichda Hua Saaya Lagta Hai
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Na Jaane Khana Chhod Aaye Hai
Woh Shaks Jise Hum Jaante The
Na Jaane Khana Chhod Aaye Hai
Woh Shaks Jise Hum Jaante The
Aahat Bhi Sunaye Deti Nahin
Parchayi Se Hum Pehchaante The
Aahat Bhi Sunaye Deti Nahin
Parchayi Se Hum Pehchaante The
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
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Raat Aati Hai
singer: Shubha Mudgal
Raat Aati Hai Chali Jaati Hai Harjai Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Shyam Hote Hi Jala Deti Hai Palko Pe Diye
Shyam Hote Hi Jala Deti Hai Palko Pe Diye
Raat Se Pooche Koyi Kiske Liye Kiski Liye
Koyi Aahat Bhi Nahin Aur Koyi Aata Bhi Nahin
Raks Karti Hai Jo Shabh Bar Meri Tanhaayi Hai
Raks Karti Hai Jo Shabh Bar Meri Tanhaayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Raat Se Pooche Koyi Kiski Kahani Hogi
Raat Se Pooche Koyi Kiski Kahani Hogi
Zakhm Bharte Nahin Chot Purani Hogi
Dard Seene Mein Chhupa Rakha Hai Shayad Koyi
Koyi Zewar Hai Kisi Ghum Ka Chura Laayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
-----------------------
Rabba Rabba
Singers: Vasundhara Das, Sukhwinder Singh
MALE--
Piya
--FEMALE--
(Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba) - 2
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
--MALE--
(Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba) - 2
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba - 2
--MALE--
Piya, piya, piya paapiya
--FEMALE--
Piya paapiya, diya, gham diya
Aa rula de mujhe, aazma le mujhe
--MALE--
Piya paapiya, diya gham diya
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
--MALE--
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
Piya, piya, piya paapiya
--FEMALE--
Aa kabhi tu bhi aa, aa kabhi taras kha
Pyaasi hai jaan meri, mausamein baras jaa
--MALE--
Piya paapiya, diya gham diya
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
--MALE--
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
Dhum tanana tana...
Piya, o piya piya piya
Piya piya, piya piya, piya piya
Ho paapiya, paapiya, paapiya, o
Hat Jaao Ravan Maarungi Baan
Ram Ke Paas Hai Teer Kamaan Teer Kamaan
Hat Jaao Ravan Maarungi Baan
Ram Ke Paas Hai Teer Kamaan Teer Kamaan
Ravan Ke Paas Hai Gyaan Hi Gyaan
Ravan Hai Tujh Se Bada Vidwaan Bada Vidwaan
Lanka Mein Ja Ja Ke Danka Bajaiyo
Are Ja Apne Ghar Mein Tu Sheki Dikhaiyo
Jaanti Nahin Tu Are Are Sorry Sorry
Jaanta Nahin Tu Ravan Ka Dab Daba
Tod Ke Rak Dega Duniya Ka Dabba
Chutki Mein Tujhko Masal Denge Ram
Chutki Mein Tujhko Masal Denge Ram
Edhi Ke Niche Kuchal Denge Ram Kuchal Denge Ram
Bolti Bahut Hai Tu Ram Ki Bachchi
Bolti Bahut Hai Tu Ram Ki Bachchi
Haran Dekha Ke Le Jaaunga Sachchi
Haran Dekha Ke Le Jaaunga Sachchi
Phir Dekhenge Jab Aayega Hanumaan
Aye Ravan Hai Ravan Bol Na Zyaada,
Hasti Hai Kya Teri Paaltu Piyada
Pooch Mein Aag Laga Ke, Teri Sone Ki Lanka Jala Dongi
Are Gi Nahi Ga Ga Ga Okay, Sone Ki Lanka Jala Donga
Sita Ko Bandi Banaya Hai Tune, Ram Ko Jaake Bata Donga
Are Sagar Kaise Paar Karega, Pani Mein Gir Kar Doob Marega
Are Lanka Bharat Baat Diya Hai, Phone Ka Taar Bhi Kaat Diya Hai
Phone Ka Taar Bhi Kaat Diya Hai
Hanuman Hanuman Hanuman Hanuman
Hanuman Bhaiya E-Mail Kardo, Hanuman Bhaiya E-Mail Kardo
Ram Ko Meri Jaldi Khabar Do, Jaldi Khabar Do
Ravan Hey Ravan Yudh Ho Jaye, Aah Ho Jaye Ho Jaye
Paapiyun Se Duniya Shudh Ho Jaye
Are Lanka Ka Danka Bajta Rahega
Jab Tak Ram Hai Ravan Rahenga, Jab Tak Ram Hai Ravan Rahenga
Jab Tak Ram Hai Ravan Rahenga, Jab Tak Ram Hai Ravan Rahenga
Ravan Rahenga Ravan Rahenga, Ravan Rahenga Ravan Rahenga
Are Bhai Ravan Rahega Yaar, Ram Ke Roop Hazaron Hai Ravan
Raghupati Ragav Patit Paawan , Patit Paawan
Ram Ke Roop Hazaron Hai Ravan
Raghupati Ragav Patit Paawan, Patit Paawan
-----------------------
Yeh Raat
Singer: Anupama
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Yeh Kali Zehrili Raat
Palke Jhapakti Yeh Raat
Saap Si Sarakti Raat
Kali Kali Kali Yeh Raat
Veeraana Veeraana Hai Veeraana
Dil Ko Lakh Basa Le Yeh Deewana
Veeraana Veeraana Hai Veeraana
Dil Ko Lakh Basa Le Yeh Deewana
Ujhdi Ujhdi Rehte Hai Dil Saari
Veeraano Se Basta Hai Veeraana
San Karke Marti Hai Boom Karti Hai Kali Kodyali Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Abhi Abhi Raat Badi Tezaabi
Gir Na Jaye Haath Se Chand Rakabi
Abhi Abhi Raat Badi Tezaabi
Gir Na Jaye Haath Se Chand Rakabi
Doob Rahe Hai Sare Gul Kinare
Umad Umad Ke Raat Aayi Sailaabi
Kholti Badan Par Bolti Badan Par
Jalti Ubalti Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Yeh Kali Zehrili Raat
Palke Jhapakti Yeh Raat
Saap Si Sarakti Raat
Kali Kodyali Yeh Raat
Hero released in the year 1983, turned its male protagonist (Jackie Shroff) into an overnight star. Jackie had already made his debut (a rather unsuccessful one) in the film Swami Dada under the guidance of Dev Anand. But it needed maverick director Subhash Ghai’s Midas touch to catapult Shroff to the big league of fame and popularity.
In Hero, Ghai takes the time-tested track of star-struck lovers and makes a simple yet heart-warming story of a criminal turning over a new leaf under the influence of love. The movie’s main strength is its outstanding music courtesy Laxmikant-Pyarelal and Ghai’s sensitive handling of the love story. Of course the entire cast also does a commendable job. In the film Jaikishen, or Jackie Dada, as he is called in the film, is a criminal with a heart of gold. He has old scores to settle with the area’s Thakur and his son, a police officer. Pasha (the ever reliable Amrish Puri), a notorious criminal, has been imprisoned by the IG Police, Shrikanth Mathur (Shammi Kapoor). The evil Pasha swears to avenge himself and sends his favourite henchman, Jackie Dada to do this for him. The plan is to abduct Mathur's beloved daughter Radha (Meenakshi Sheshadri) and then bargain for Pasha’s release with the cops.
Jackie takes on the identity of a cop and under the pretext of saving Radha from the local goons abducts her. As fate would have it, the inevitable happens and the two opposites fall in love. Soon Radha comes to learn about Jackie’s true identity but instead of giving up on him, she chooses to repose her faith in this relationship. Determined to make an honest man out of Jackie, she convinces him to surrender o the cops. Jackie by this time is also convinced of his errant ways and is determined to do the right thing. He surrenders to the cops who imprison him for two years. Radha, finds a confidante in her brother Damodar (Sanjeev Kumar) and tells him all about her love for Jackie. In his bid to help Radha, Damodar asks his friend Johnny to pretend to be in love with Radha, thinking this would deter their father from getting her married off before Jaikishen is out of prison. Meanwhile, Jackie completes his term and starts working in a garage, in his bid to lead a life of honesty. But Shrikanth is not convinced of his honest intentions. In another twist, Damodar discovers that Johnny is a drug dealer. Around the same time, Pasha gets out of jail and kidnaps Radha to punish both Shrikanth and Jaikishen. Whether Jackie is able to save his true love and whether Shrikant finally accepts Jackie constitutes the climax of the film.
Dus is a fast-paced action thriller starring a number of Bollywood stars Sanjay Dutt, Sunil Shetty, Abhishek Bachchan, Shilpa Shetty, Pankaj Kapoor, Esha Deol and Zayed Khan. The movie was released in 2005, and was a decent hit (costing around Rs. 20 crore, and earned a revenue of Rs. 43 crore). The movie was directed by Anubhav Sinha, with production by Nitin Manmohan and Sohail Maklai. Music was by Vishal-Shekhar, and Ranjit Barot. The movie was fairly long, being around 2 hours & 20 minutes. Music for the film became quite popular, and the title song of 'Dus Bahane' was a hit. The movie also had a twist, in that one of the popular heroes was sacrificed at the climax of the movie, something that a lot of movies avoid. The movie is about the effort of the Anti Terrorist Cell (working somewhat similar to what you would expect the RAW to function, but without all the glamour that the movie depicts) to stop a massive bombing of which it does not have much information, and for which there are only 10 days left. Sanjay Dutt is the head of this organization, with the name of Siddhant Dheer. Along with him, his younger brother Shashank Dheer (Abhishek Bachchan), Aditya Singh (Zayed Khan), Aditi Kumar (Shilpa Shetty) are the others in the organization. Neha (Esha Deol) is an agent in Canada who starts the entire process, by reporting the existence of a plan being spear-headed by Jambwal, about whom they do not have any information, and whose identity they do not know.
The movie attempts to play the game of multiple double-crossing, about people betraying each other, about people not being who they claim to be. Because the ATS does not know the identity of Jambwal, they cannot even confirm that if they catch a person, whether that person is Jambwal or not. And this happens when they catch Mehendi (Pankaj Kapoor), an agent of Jambwal who is terrified of Jambwal. They are trying to interrogate him to find out more Jambwal, but they land in more problems. The car provided to them by Neha is rigged to explode if it slows down (English movie Speed?), so who is Neha. Zayed Khan is a bomb expert who can detect if a bomb is planted, and what are the chances of defusing it in time. They are further trying to not reveal their plan to the Canadian police, even though the plan involves the terrorists bombing a stadium where a match is ongoing, so as to attack the Indian Prime Minister who will be there to attend the match (on May 10th). They uncover traitors in their midst, although each of these traitors extract a cost. The action peaks in the end, as they are at the stadium where there are multiple bombs planted, and their mission is to get the bombs away without loss of life (with the bombs being constructed of C4, a military explosive (where did terrorists get C4 from?)). The movie is a much watchable movie, be sure to watch (although the logic can sometimes fail).
Videos of songs from the movie:
Dus Bahane (Sung by KK, Shaan)
Deedar De (Sung by Sunidhi Chauhan)
Chham Se (Sung by Sonu Nigam, Shaan, Babul Supriyo, Sunidhi Chauhan, Sapna Mukherjee)
Lyrics from the movie Dus:
Dus Bahane: Here Now Here Now, Everybody Put Your Hands Up In The Air Now Here Now Here Now Everybody Put Your Hands Up In The Air Uski Aankhon Mein Baatein, Baaton Mein Jadoo ( Say Here Now Here Now )-2 Uski Aankhon Mein Baatein, Baaton Mein Jadoo Jadoo Mein Kho Gaye Hum Hogaye Beqabu I Looked At You, You Looked At Me,Aur Hogayi Mushkil And You Became My Destiny Tuhi Meri Manzil ( Dus Bahane Karke Legaye Dil Legaye Dil Dus Bahane Karke Legaye Dil )-2
Here Now Here Now, Everybody Put Your Hands Up In The Air Now Here Now Here Now Everybody Put Your Hands Up In The Air Yeh Dil Topehle Aisa Nahin Tha Kisne Behkaya Aisa Sapna Dikhaya Kyun Yeh Aankhein Meri Dekhe Ussi Ko Soche Bina Hi Usse Apna Banaya Kyun Jeena To Marne Se Ab Hai Kahi Mushkil Khudko Jo Khoya To Woh Hogaya Haasil ( Dus Bahane Karke Legaye Dil Legaye Dil Dus Bahane Karke Legaye Dil )-2
Here Now Here Now, Everybody Put Your Hands Up In The Air Now Here Now Here Now Everybody Put Your Hands Up In The Air Kisne Kisiko Haske Bulaya Baatein Banake Koi Jadooo Sa Chalaya Tha Bas Dekha Dekhi Dil Se Hui Thi Duniya Bhulake Koi Aaise Dil Pe Chaya Tha Kiske Bin Kya Hoga Yeh Kh Sake Na Dil Khudko Yeh Samjhana Ab Ho Gaya Mushkil ( Dus Bahane Karke Legaye Dil Legaye Dil Dus Bahane Karke Legaye Dil )-2
Uski Aankhon Mein Baatein, Baaton Mein Jadoo Jadoo Mein Kho Gaye Hum Hogaye Beqabu I Looked At You, You Looked At Me,Aur Hogayi Mushkil And You Became My Destiny Tuhi Meri Manzil Dus Bahane Karke Legaye Dil Legaye Dil Dus Bahane Karke Legaye Dil (dus Bahane Karke Legaye Dil Legaye Dil Dus Bahane Karke Legaye Dil) - 2
------------ Deedar De
Hain Ishq Toh Ishq Toh - 2 Hain Ishq Toh Ishq Toh Gale Se Laga Le - 2 Ek Jhalak Ko Ankh Taras Gayi - 3 Aa Saamne Aur Tham Le Teri Aamanat Yaar Main Deedar De Deedar De Deedar De Deedar Le Deedar De - 2 Hain Ishq Toh Ishq Toh Gale Se Laga Le
(Abhi Koi Armaan Rang Na Laya Abhi Koi Dil Ko Chal Nahi Paya) - 2 Abhi Koi Aankhon Mein Sapna Nahi Hain Abhi Koi Jadooo Chal Nahi Paaya Tu Pyar Ki Yeh Kashtiyan Kar De Jara Ve Paar Re Deedar De Deedar De Deedar De Deedar Le Deedar De - 4
(Abhi Koi Dil Main Jashn Hua Hain Abhi Koi Taza Zakhm Mila Hain) - 2 Abhi Khamoshi Bhi Khamosh Si Hain Ke Koi Mujhko Soch Raha Hain Bechainiya, Betaabiyan Karne Lagi Singar Ve Deedar De Deedar De Deedar De Deedar Le Deedar De - 4 Hain Ishq Toh Ishq Toh Gale Se Laga Le - 2 Ek Jhalak Ko Ankh Taras Gayi - 3 Aa Saamne Aur Tham Le Teri Aamanat Yaar Main Deedar De Eedar De Deedar De Deedar Le Deedar De – 2
------------
Chham Se
dil kutch kehta hain lab kutch kehtey hain behke behke se hum hote hain jo kehna chahe woh keh bhi jaye aaise lamhe toh kam hote hain pyar mein koi nayi baat nahi yeh aaisa jo ho jaye dhunde nigaahein jab har pal usko apna dil kho jaye aankhon mein kyon chehra uska thodasa dhundhlaye re cham se woh aa jaye cham se aa jaye cham se woh aa jaye man pe cha jaye cham se woh aa jaye cham se aa jaye
mausam ka har andaz bhi teri adaa ban gaya chahat ka yeh ehsaas bhi teri wafa ban gaya tera chehra aankhon mein tera pehra khwaabo mein kabhi dil ki raaho mein yeh hota hain ho jaaye de cham se woh aa jaye cham se aa jaye cham se woh aa jaye man pe cha jaye cham se woh aa jaye cham se aa jaye
jaayegi jab tu deke judaai bhi tanha si hogi dilki tanhai bhi ehsaas tere dil ka aankhon semeri chalka betaab hoke jab uski hi yaad mein dil ghabraye re cham se
dil kutch kehta hain lab kutch kehtey hain behke behke se hum hote hain jo kehna chahe woh keh bhi jaye aaise lamhe toh kam hote hain pyar mein koi nayi baat nahi yeh aaisa jo ho jaye dhunde nigaahein jab har pal usko apna dil kho jaye aankhon mein kyon chehra uska thodasa dhundhlaye re cham se woh aa jaye cham se aa jaye cham se woh aa jaye man pe cha jaye
Dhoom 2 was released in 2006, as a much awaited sequel after the success of Dhoom (2004). The movie was directed by Sanjay Gadhvi (who had earlier directed Tere Liye (2000), Mere Yaar Ki Shaadi Hai (2002), and Dhoom (2004)), and after the success of Dhoom, he was the natural choice for shooting this movie as well. The movie had a tough initial act to catch, since the original Dhoom had fast paced action in terms of bike action, as well as the glamour quotient. So, in Dhoom 2, they had to improve on both the glam as well as on the action scenes - so you had Aishwarya Rai and Bipasha Basu as the hot female leads along with Abhishek Bachchan, Hrithik Roshan, and Uday Chopra; the action was also accelerated with cliff shots, landing on a train, and numerous other action sequences.
The movie was also a bit controversial since a kiss scene between Aishwarya and Hrithik was removed, since Aishwarya was becoming a part of the Bachchan household. Besides this however, there were some specialties in the movie, with more focus on the dashing villain, Hrithik rather than on Abhishek (there was speculation on why Abhishek settled for a much lower role). The movie had some great songs by Pritam, with lyrics by Sameer.
The movie follows the same track as the earlier Dhoom, with the police inspector chasing a thief who seems to disappear into thin air, and keeps on cocking a snook at the police. In this movie, the thief is played by a Mr. A (Hrithik Roshan) as he is in the habit of leaving a 'A' symbol after each robbery. There is a great action scene where he steals a beautiful English crown by sky diving onto a train that is in the Namibian desert. As usual, he is pursued by ACP Jai Dixit, who is accompanied by his Sub Inspector Ali Akbar (Uday Chopra), and by his former classmate ACP Shonali Bose (Bipasha Basu). And then there is the entry of Sunheri (Aishwarya Rai), who wants to get close to Mr. A as his fan, but who is actually working for the police. Mr. A trains her, and takes her along for another robbery in Brazil, but there Hrithik discovers that Sunheri is working against him, and threatens her. She is in love with him by that time, and ends up turning over to his side. In the end, even though their robbery is a success, they are not able to escape, and in a daring cliff confrontation, there is a staged death of Mr. A. In the end, they show Mr. A and Sunheri together in a restaurant, where ACP Jai also walks in.
Videos of songs from the Movie, Dhoom 2
Crazy Kiya Rai (Aishwarya is hot) (sung by Sunidhi Chauhan)
Dil Laga Na (Sung by Sukhbir, Soham Chakraborty, Jolly Mukherjee, Mahalaxmi Iyer, Suzanne D'Mello)
My name is Ali (Sung by Sonu Nigam, Bipasha Basu)
Touch me (Sung by K K, Alisha Chinoy)
Dhoom again (Sung by Vishal Dadlani, Dominique Cerejo)
Kiss between Hrithik and Aishwarya Rai in Dhoom 2 (censored later)
Lyrics of songs from the movie:
Crazy Kiya Re
chori chori kiyaa re, dil ye dil liyaa re - 2 jaadu se jaadu kiyaa……kiyaa re jaagi soyi rahoon, khoyi khoyi rahoon, uski yaadon mein, uske khwaabon mein jhoome jiyaa re………crazy kiyaa re
naa usko pataa, naa uski khataa main uspe mar gayi, zaraa usko bataa, dheere dheere ikraar mein, kabhi kabhi intezaar mein , uske hi pyaar mein………jhoome jiyaa re…crazy kiyaa re
main yahaan bhi gayi, main wahaan bhi gayi, sochaa pal pal use, main jahaan bhi gayi din ho yaa raat ho woh mere saath ho jab uski baat ho…jhoome jiyaa re……crazy kiyaa re
chori chori kiyaa re, dil ye dil liyaa re - 2 jaadu se jaadu kiyaa……kiyaa re jaagi soyi rahoon, khoyi khoyi rahoon, uski yaadon mein, uske khwaabon mein jhoome jiyaa re………crazy kiyaa re
-----------------
My Name is Ali
Tu tururu… tar up tu… Tura tura barap tu… taruptu… Excuse me to please Tu tururu… tar up tu… Tura tura barap tu… taruptu…
My name is ali Sun zara manchali Dil chura ke mera Tu kahaan chali Excuse me to please Mujhe neend ab na aaye Meri jaan chali na jaaye Tune dil mein to machadi khalbali Excuse me to please Excuse me to please Excuse me to please Excuse me to please Excuse me to please
Tu tururu… tar up tu… Tura tura barap tu… taruptu…
Bandda What? Main seedha saadha Says who? Mujhe nahin pata Ae dilruba Yeh ho raha hai kya Jaadu tera jab chaaye Pagal yeh mujko banaaye Kaisi aag mere seeney mein jail Excuse me to please Excuse me to please Excuse me to please Excuse me to please Excuse me to please
Tu tururu… tar up tu… Tura tura barap tu… taruptu…
Tu hai Yes Meri tammanna Cool Main tere pyar mein Khumaar mein Sanam yun kho gaya Teri har ada behkaaye Kaise yeh dil samjhaaye Sari raat bekarari mein dhali Excuse me to please Excuse me to please Excuse me to please Excuse me to please
My name is ali Sun zara manchali Dil chura ke mera Tu kahaan chali Excuse me to please Mujhe neend ab na aaye Meri jaan chali na jaaye Tune dil mein to machadi khalbali Excuse me to please Excuse me to please Excuse me to please Excuse me to please Excuse me to please
---------------
Dil Laga Naa
(dil lagaa all I want to do it what dil jalaa i wanna dhoom dhoom dhoom what) - 2
(dil lagaa naa dil jala se dil jala jaayegaa ishq kar naa ishq hi tujhe tadpaayegaa) - 2 koi ye maane naa koi ye jaane naa maine toh jaanaa hai ishq leta hai jaan (dhoom dhoom just take my life dhoom dhoom just break my heart dhoom dhoom just tear apart) - 2 aa lele tu meri jaan
yeh ishq hai rab ki duaa yeh ishq to sabko huaa yeh junoon hai nashaa hai sukoon hai mazaa hai diloon ki sadaa hai yeh tu jaan le oh yeh love hai forever yeh love choote never yeh love for you dilbar meri maan le
koi ye maane naa koi ye jaane naa maine toh jaanaa hai ishq leta hai jaan dhoom dhoom just take my life dhoom dhoom just break my heart dhoom dhoom just tear apart aa lele tu meri jaan
kisko pataa yeh pal naa ho jo aaj hai kal naa ho oh yeh love takes you higher yeh love hai desire yeh love to hai fire yeh love takes you far yeh jalaa de, mita de vafaa de, dagaa de yeh hai ek sazaa koi ye maane naa koi ye jaane naa maine toh jaanaa hai ishq leta hai jaan dhoom dhoom just take my life dhoom dhoom just break my heart dhoom dhoom just tear apart aa lele tu meri jaan
dil lagaaa dil jalaa - 2
(dil lagaa naa dil jala se dil jala jaayegaa ishq kar naa ishq hi tujhe tadpaayegaa) - 2 koi ye maane naa koi ye jaane naa maine toh jaanaa hai ishq leta hai jaan (dhoom dhoom just take my life dhoom dhoom just break my heart dhoom dhoom just tear apart) - 2 aa lele tu meri jaan
-----------
Touch Me
teekhi teekhi teri akhiyaan, chhooke chhooke behkati hai, dekh dekh naa yun mujhko, hosh hosh le jaati hai, deewaanaa dil kahin kho jaaye naa, humse khafa koi ho jaye naa touch me don’t touch me don’t touch me soniyaa - 2
chhod chhod meri raahon ko, taubaa taubaa dar lagtaa hai, aisi vaisi teri baaton se, ishq vishk saa jagtaa hai, deewaanaa dil kahin kho jaaye naa, humse khataa koi ho jaaye naa touch me don’t touch me don’t touch me soniyaa - 2
roke naa ruke, mere yeh kadam tute naa kahin, jaanaa har kasam rehne de zaraa, thodaa paas laa paagalpan kare mann hai manchalaa deewaanaa dil kahin kho jaaye na, humse khafaa koi ho jaaye naa touch me don’t touch me don’t touch me soniyaa - 2
naa main hosh mein, naa tu hosh mein behke naa kahin dono josh mein sine mein kahin sholaa saa jale yaaraa ishq pe kiskaa bas chale deewaanaa dil kahin kho jaaye naa, humse khataa koi ho jaaye naa touch me don’t touch me don’t touch me soniyaa - 2
teekhi teekhi teri akhiyaan, chhooke chhooke behkati hai, dekh dekh naa yun mujhko, hosh hosh le jaati hai, chhod chhod meri raahon ko, taubaa taubaa dar lagtaa hai, aisi vaisi teri baaton se, ishq vishk saa jagtaa hai, deewaanaa dil kahin kho jaaye na, humse khataa koi ho jaaye naa touch me don’t touch me don’t touch me soniyaa
Damini was a movie released in 1993, styled as the movie made about a courageous woman. At that time, it was common knowledge that Rajkumar Santoshi was extremely enamored of Meenakshi Seshadri, and this movie was a show of his dedication. It was a woman oriented film, a role that Meenakshi Seshadri had literally never got in her career; and the movie turned out to be a great movie. The movie starred, besides, Meenakshi, Rishi Kapoor (as her husband who is stuck in the moral land where he has to choose between his wife and his family), Sunny Deol (as the drunkard lawyer who is impressed by Damini and recovers to fight for her), Amrish Puri (as the lawyer fighting against Damini) and Kulbhushan Kharbanda (as her father-in-law who turns against her when she starts her fight for justice). The movie had some great music by Nadeem Shravan and was produced by the combination of Aly Morani, Karim Morani and Bunty Soorma. The movie also earned Sunny Deol an award for his performance as Best Actor (Filmafare and National Award) in a supporting role. And of course, some of the dialogs in the movie that were spoken by Sunny Deol enhanced his reputation as a he-man; sample these:
* "Yeh Dhai kilo ka haath jab kisi pe padta hai na aadmi uthta nai uth jata hai.." * "Tum kabhi chidiyaghar gaye ho pinjare mein band sher pe bache bhi mungfalian faenkte hai khuli zameen par sher ka saamna karoge to mard hone ki galatfahmi door ho jayegi " * "tareeqh per thareeqh ..tareeqh per tareeqh..tareeqh per tareeqh..milti hai to sirf tareeqh" * "judge order order kahta rahega aur tum pitte rahoge"
The movie is about the love between Rishi Kapoor (who is the son of a wealthy family), and Damini (Meenakshi) who is from a much poorer family. Rishi sees Meenakshi giving a performance, and falls in love with her. He woos her, and finally marries her, even though his family is not happy with his choice. Things are fine, till the day of Holi when Damini sees the maid Urmi being raped on the terrace by the younger son of the family along with friends. She is shocked, and eventually decides to reveal the truth, even though it would mean jail for her brother-in-law and disgrace for the family. Rishi Kapoor is morally struck by this, since his family cannot understand why Damini would do this, and put pressure on him to get his wife to withdraw her testimony. However, Damini is not willing to withdraw, and the family (along with the lawyer Amrish Puri) get her declared as insane and committed to an asylum. In danger over there, Damini runs away and runs into a drunk and out of work lawyer, Sunny Deol, who saves her from the hoodlums who are chasing her. He is impressed by her story, and decides to fight her case, leading to several confrontations with Amrish Puri. In the end, Rishi Kapoor supports her in court, and several of the family members are convicted for the rape and for trying to subvert justice, along with Amrish Puri.
Videos of songs from the movie:
Damini - Tandava Dance
Dialog - Taarikh pe taarikh
Dialog - between Sunny and Amrish (Dhai kilo ka Haath; Judge order order karta rahega)
Jabse Tumko Dekha Hain Sanam
Gawah Hain Chand Taare
Lyrics from the movie Damini:
Bin Saajan Jhoola Jhuloon (Sung by Sadhana Sargam Kumar Sanu)
--FEMALE-- Aa aa aa aa, aa aa aa - 2 (Bin saajan jhoola jhuloon Main vaada kaise bhooloon) - 2 Jee karta hai yeh mera main udke gagan ko chhoo loon --MALE-- (Main pankh lagaake aaya Saawan ka mausam laaya) - 2 Pyaar mere maine tujhe apne dil mein basaaya --FEMALE-- Bin saajan jhoola jhuloon Main vaada kaise bhooloon (Harpal tere pyaar ko tarse mera dil Door mere aankhon se hai sapnon ki manzil) - 2 Itne akeli hoon main, yaadon ki saheli hoon main Ab to ek paheli hoon main, aaja --MALE-- (Main pankh lagaake aaya Saawan ka mausam laaya) - 2 Pyaar mere maine tujhe apne dil mein basaaya --FEMALE-- Bin saajan jhoola jhuloon Main vaada kaise bhooloon Jee karta hai yeh mera main udke gagan ko chhoo loon --MALE-- Main pankh lagaake aaya Saawan ka mausam laaya Pyaar mere maine tujhe apne dil mein basaaya --FEMALE-- Bin saajan jhoola jhuloon Main vaada kaise bhooloon --MALE-- Tadpe kitne saal tak, aur na ab tadpa Kehti hai yeh dooriyaan, seene se lag jaa --FEMALE-- Tera rasta dekhte rehte the yeh nain Tu na jaane saajna kaise kate din re --MALE-- Ho, phoolon pe jawaani aayi, rut kya suhaani aayi Nayi zindagaani laayi, na jaa --FEMALE-- (Bin saajan jhoola jhuloon Main vaada kaise bhooloon) - 2 Jee karta hai yeh mera main udke gagan ko chhoo loon --MALE-- Main pankh lagaake aaya Saawan ka mausam laaya Pyaar mere maine tujhe apne dil mein basaaya --FEMALE-- Bin saajan jhoola jhuloon Main vaada kaise bhooloon Jee karta hai yeh mera main udke gagan ko chhoo loon --MALE-- Main pankh lagaake aaya Saawan ka mausam laaya Pyaar mere maine tujhe apne dil mein basaaya
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Jabse Tumko Dekha Hai Sanam Lyrics
jab se tum ko dekhaa hain sanam kyaa kahe kitane hain bechain jab se tum ko chaahaa hain sanam kyaa kahe kitane hain bechain
pahalee najar mein kiyaa ayesaa jaadoo, naa hosh hai, naa hain dil pe mere kaaboo ye soch ke ghabaraoo, aashik naa ban jaaoo jab se tum ko maangaa hain sanam nind hain naa muze kahee chain
toone churaalee meree nind saaree, kitanee sataaye muze bekaraaree teree yaad jo aatee hai, koee dard jagaatee hai jab se tum ko paayaa hain sanam dekhoo sapane din rain
Indian movies had seldom seen movies like these - a high voltage running chase between some smart thieves and a great policeman who pursues them to the bitter end. If a movie can be scripted and directed to be slick, it can be fairly impressive, and Dhoom was that. Don't expect any great script, any major story or message, but if you want an action flick that is fast and furious, then this is a movie certainly worth watching. Obviously, none of the characters of the movie are known for their excellent emoting abilities, but then they were not expected to do so. So, throw in some great action sequences, skin show, and fast songs, and you can have a movie that is bound to be a hit, and so Dhoom was (one measure of a movie being a hit is that there is a sequel soon, and so Dhoom2 came out just 2 years later).
The movie was produced by Aditya Chopra (Yash Raj films being the banner), and directed by Sanjay Gadhvi. The music was by Pritam, lyrics by Sameer, with the story being penned by Vijay Krishna Acharya. The movie won a few awards, with John Abraham winning awards for the negative role (although to give John an acting award takes some courage) # 2005: IIFA Best Villain Award - John Abraham # 2005: Zee Cine Award for Best Actor in a Negative Role - Johan Abraham The movie is about the cat and mouse battle between the gang led by John Abraham, who start stealing from banks, without leaving traces for the police to investigate (and catch them). They use high powered bikes to evade the police when required, and make their getaways in a trace. They also lead a normal life as employees of a pizza outlet, and try to make their life as normal as possible (a good scene in the movie is when John Abraham throws the new flashy car of a gang member off a cliff as it would call attention to sudden riches). Enter the ACP Jai Dixit (Abhishek Bachchan), married to Sweetie (Rimmii Sen). He has a mission to run these thieves down, and towards this purpose, recruits a racer and bike mechanic Ali (Uday Chopra). Ali has a girlfriend Sheena (Esha Deol in a major skin showing role that made her into a glamour doll), but unknown to him, she is also a member of Abraham's gang. Jai has, at the same time, managed to get Ali into the gang as his spy, so that he can eventually track them down and catch them. Does he suceed in the end ? What happens to Ali ? Watch the movie (either on TV whenever it appears, or on DVD) and get a thrill.
Videos of songs from the movie:
Dhoom Dhoom (by Tata Young)
Dilbara
Shikdum
Salaame
Esha Deol in a bikini in the movie Dhoom
Lyrics from the movie Dhoom:
Dhoom Machale (Sung by Sunidhi chauhan):
Ishq ishq karna hai kar le Ishq ishq mein jee le mar le Ishq ishq hai sab se pyaara Ishq ishq karna hai kar le Ishq ishq mein jee le mar le Ishq ishq na ho dobaara Ishq hi to zindagi hai Ishq hi to har khushi hai Ishq mein khud ko bhulaake jhoom Dhoom machaale dhoom machaale dhoom - 4 (Hota hai kya ishq hota hai kya Deewaanon se poochh le Yeh machalte hain kyoon Hanske jalte hain kyoon Parwaanon se poochh le) - 2 Ishq ke din chaar pyaare Ishq ho ek baar pyaare Ishq ki parchhaaiyon ko choom Dhoom machaale dhoom machaale dhoom - 4 (Tanha koi kabhi jee na sake Sab ko yahan hai pata Bekhabar ajnabi mere dil ne jo ki Tu bhi kar le haseen voh khata) -2 Ishq mein har pal maza hai Ishq dhadkan ka nasha hai Ishq ki galiyon mein aake ghoom Dhoom machaale dhoom machaale dhoom -4 You want more? Are you sure? Okay, one two three four Ishq ishq karna hai kar le Ishq ishq mein jee le mar le Ishq ishq hai sab se pyaara Ishq ishq karna hai kar le Ishq ishq mein jee le mar le Ishq ishq na ho dobaara Hana, hshq hi to zindagi hai Ishq hi to har khushi hai Ishq mein khud ko bhulaake jhoom Dhoom machaale Dhoom machaale dhoom machaale dhoom -3
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Dhoom Dhoom (English) (Sung by Tata Young)
Dhoom dhoom come and light my fire Dhoom dhoom let me take you higher Dhoom dhoom wanna feel that burnin' Dhoom dhoom it' s a wild emotion Dhoom dhoom passion and devotion Dhoom dhoom now the wheels are turnin' Move your body close to mine now Let me feel your love divine now Together we' ll explode and we' ll go Boom boom boom boom Dhoom machaale dhoom machaale dhoom -4
Dhoom dhoom am gonna make you sweat now Dhoom dhoom let' s get all wet now Dhoom dhoom gotta get down on it Dhoom dhoom till the early morning Dhoom dhoom until the dawning Dhoom dhoom I know that you want it Shake your body down to the ground Once you go there' s no turnin' round Tonight we gonna make the world go Boom boom boom boom Dhoom machaale dhoom machaale dhoom -4
This burning inside you know you just cannot hide So don' t fight the feeling just let your body decide Where you get down on the road It' s a wild overload Ridin' higher than you ever did before Dhoom dhoom let your body do the talkin' Dhoom dhoom I wanna keep on rockin' Dhoom dhoom I want it twenty four seven Dhoom dhoom get the rhythm of the beat now Dhoom dhoom feel the fire and the heat now Dhoom dhoom take a trip to heaven I wanna feel the wind in my hair now Spread the power everywhere now Feel the magic just go zip zap zoom… Dhoom machaale Dhoom machaale dhoom machaale dhoom -4
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Dilbara (Sung by ABHIJEET, SOWMAYA RAO)
Abhijeet: ( Dilbara Eh Dilbara, Apun Ki Tu, Apan Tera -2 Tujhse Dil Lagaaun, Main Bhi Family Banaaun Ab Yehi Toh Bas Iraada Hai Mera )-2
Abhijeet: Saala Hai, Na Koyi Saali Hai, Kholi Hai Magar Woh Khaali Hai
Chorus: Rum Raagta Rigiri Raagta -3 Rum
Abhijeet: Saala Hai, Na Koyi Saali Hai, Kholi Hai Magar Woh Khaali Hai Sapna Hai, Na Koyi Apna Hai, Na Ghar Waali Hai Tu Akeli, Main Akela, Boondon Ka Laga Hai Mela Aake Mera Ghar Basa Zara Dilbara Eh Dilbara, Apun Ki Tu, Apan Tera -2
Sowmya: Lagta Hai Koyi Diwaana Tu, Karta Hai Haseen Bahaana Tu
Abhijeet: Rum Raagta Rigiri Raagta -3 Rum
Sowmya: Lagta Hai Koyi Diwaana Tu, Karta Hai Haseen Bahaana Tu Kaise Main Tujhe Ye Dil De Doon, Hai Anjaana Tu Kal Tujhe Bataaungi Main, Faisla Sunaaungi Main Sochne Dein Mujhko Bhi Zara
Male Voice: Me gusto mucho bailar bailar, quiero samba quiero salsa Me gusto mucho bailar bailar, quiero samba quiero rumba
Chorus: Fiesta, latina, it' s driving wild, come salsa with me, it' s party time -2
Kunal: (Dekho diwaanon, kya mast mast hai sama Jo hai, abhi hai, ye waqt waqt phir kahaan) -2 Nayi raat hogi, nayi baat hogi Naye kal ko aao kare ham kare ham kare
With Chorus: Salaame, salaame, salaame kar le salaame -2
Vasundhara: Dekho diwaanon, kya mast mast hai sama Jo hai, abhi hai, ye waqt waqt phir kahaan Nayi raat hogi, nayi baat hogi Naye kal ko aao kare ham kare ham kare
With Chorus: Salaame, salaame, salaame kar le salaame -2
Chorus: Me gusto mucho bailar bailar, quiero samba quiero salsa Me gusto mucho bailar bailar, quiero samba quiero rumba La la laai, la la laai…
Kunal: Behka nasheela nasheela sama Ab hosh mein ham kahaan
Vasundhara: Thhokar mein apni hai saara jahaan Ham toh abhi hai jawaan
Kunal: Jab tak jawaani hai, tab tak kahaani hai Kehna mera maan le
Vasundhara: Do din ki masti hai, do din ki hasti hai Sach kya hai pehchaan le
Kunal: Nayi raat hogi, nayi baat hogi Naye kal ko aao kare ham kare ham kare
Both: Salaame, salaame, salaame kar le salaame -2
Chorus: Fiesta latina, it' s driving wild, come salsa with me, it' s party time -2
Vasundhara: Saare zamaane se ham bekhabar Ham pe na koyi asar
Kunal: Jaane rukega kahaan aur kidhar Awaargi ka safar
Vasundhara: Ham toh diwaane hain, kab se begaane hain Jo chaahein ham woh kare
Kunal: Koyi sune kuchh bhi, koyi kahe kuchh bhi Ham na kissi se darre
Vasundhara: Nayi raat hogi, nayi baat hogi Naye kal ko aao kare ham kare ham kare
Both: Salaame, salaame, salaame kar le salaame -4
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Shikdum (Sung by SHAAN, SHREYA GHOSHAL)
Shaan: (Koyi nahin hai kamre mein, kya haseen mila hai pal Aaj sharaarat karne do, kaam baaki karenge kal) -2
Shreya: Jaao baaba jaao, aise na behkaao Hosh mein aa jaao, paagal na bano tum
Shaan: Dilbar shikdum shikdum -8
Shaan: Khidkiyaan kahen, parde gira do Is tarha se na, mujhko saza do
Shreya: Chhod do mujhe, jaane bhi do na Hai qasam tumhein, yun zid karo na Shaan: Kaise ye majboori, kis liye hai doori Shreya: Ho bade diwaane, hai mujhko ye maaloom Shaan: Dilbar shikdum shikdum -8
Shaan: Na sataao tum yun muskuraake Choom lo sanam, baahon mein aake
Shreya: Achcha lo chalo, haari main haari Maan li sabhi baatein tumhaari
Shaan: Baaton hi baaton mein, pal guzar na jaayein
Shreya: Aao ek duje mein, ho jaayein kahin gum
Shaan: Dilbar shikdum shikdum -8
Shreya: (Koyi nahin hai kamre mein, kya haseen mila hai pal Aaj sharaarat karne do, kaam baaki karenge kal) -2
Shaan: Jaao baaba jaao, aise na behkaao Hosh mein aa jaao, paagal na bano tum