Showing posts with label Dharmendra. Show all posts
Showing posts with label Dharmendra. Show all posts

Saturday, September 4, 2010

Sholay (1975) - One of the greatest Indian movie hits of all time

When you think of great Hindi movies, one of the names that always comes to the front is the movie called Sholay, released in 1975. The movie seems like it was set in another age, it being now 35 years since it was released and became a huge hit; and is now a cult movie. If it comes on TV even now, you can be sure that there will be some people who will want to watch. And the movie created a set of characters who became incredibly famous, specifically the few characters of Gabbar (Amjad Khan), Thakur (Sanjeev Kumar), Jai (Amitabh Bachchan), Veeru (Dharmendra), and Basanti (Hema Malini), and the under-played role of Radha (played by Jaya Bachchan).
The movie took a chance, starring a newcomer in the pivotal role of the dacoit leader (Danny was the original choice, but he was unavailable, and hence a newcomer such as Amjad Khan was selected). The movie was based on a small idea by the prolific writer duo of Salim-Javed. And the outcome was a movie that broke all records, and became a cult movie known till today.



The movie was produced by G.P. Sippy and directed by his son Ramesh Sippy. Music for the film was given by RD Burman, with the lyrics provided by Anand Bakshi. During direction, the movie went over-budget, since the director wanted to be perfect in the shooting, and many of the shots took many takes and many days. The movie also had real-life relations between the stars, with Amitabh and Jaya getting married 4 months before shooting of the movie started, and Dharmendra romancing Hema Malini at that time. The movie took a period of 2.5 years to make. The movie also had an effect on tourism, with the location of Ramanagaram (a rocky terrain), a village near Bangalore, Karnataka being the shooting site, and being known later as the location where Sholay was shot.
The movie was based on the concept of revenge, where a local dacoit terrorises the village, and also takes revenge on the family of the local thakur. The Thakur in turn hires 2 small-time but brave crooks to come in to fight the dacoit and his gang, and this is what they do, but with some sadness, as one of the 2 loses his life in the end.
The movie takes these 2 small time crooks (Jai and Veeru) in a jail. They are remembered by an ex-policeman, the Thakur, when he is looking for somebody who can help him fight the dacoits (led by Gabbar). He had apprehended them, and then see how brave they were when they fought off dacoits who were trying to rob a train. He meets them, and offers them a large amount of money if they can get rid of Gabbar and his gang. Gabbar is a violent and brutal dacoit leader who is terrorising the villages.
In the first confrontation, three men from Gabbar's gang come to get supplies from the villagers, something that they do without any issue in the past. Now, however, they face a fight from Jai and Veeru and have to go back without any supplies; at which Gabbar cannot stand the sight of his men being humiliated in front of the village and shoots them after some drama (in a scene that was much appreciated). The next major attack is on Holi, during which Jai and Veeru are pinned down and are looking for Thakur to throw a gun towards them, but he does not cooperate. Later his story is revealed, where he had arrested Gabbar some time back, and then Gabbar killed all his family except for one daughter-in-law Radha (Jaya Bhaduri). And in another confrontation, Gabbar cut off both his hands leaving him without any hands.
So, the situation continues, with Jai and Veeru staying in the village, and getting fond of Radha and Basanti respectively. Gabbar has cut off the village from the outside, but they fight back by killing some of his men. And then the final confrontation, where the fight with Gabbar and his men take place, in which Jai finally dies.

Sholay (1975) - One of the greatest Indian movie hits of all time

Some interesting scenes from the movie:

Where Jai talks to Basanti's mausi and turns her against Veeru, and Veeru on the water tank:



Scene from the jail early in the movie with Asrani:

Wednesday, June 2, 2010

Guddi (1971) - the movie that made Jaya Bachchan famous and known as an accomplished actor

Guddi was a movie released in 1971, produced and directed by Hrishikesh Mukherjee (who made a number of famous movies during the 70's) and was written by Gulzar. However, the movie is best famous for giving Jaya Bachchan, then a young and upcoming actress, a canvas for her to show her acting skills and fortunately for her, the movie did well and was praised (thus leading to a lot of praise for Jaya Bachchan). The movie also starred Dharmendra, Utpal Dutt, and had a number of other starts such as Amitabh Bachchan, Om Prakash and Pran making guest appearances in the movie; this was also because the movie was also about a big star and his work in Bollywood, so a lot of details about Bollywood were shown in the movie. In fact, some other stars such as Biswajeet, Rajesh Khanna, Vinod Khanna, Ashok Kumar, Dilip Kumar, Naveen Nischol, Om Prakash, Pran, Shashikala and Mala Sinha played cameo roles in the movie.
The movie also had some good music with songs such as "Bole Re Papihara" and "Humko Man Ki Shakti Dena" (sung by Vani Jairam) becoming very famous for their classical background. The music for the film was given by Vasant Desai.



The movie is about the concept of being attracted by the on-screen personality of a star, based on what the star plays as characters, instead of knowing the real life of the star (and where the character of the star could be very different from the characters played). In this case, Kusum (Jaya Bachchan) is a schoolgirl who develops an incredible crush for the movie star Dharmendra; she lives with her family; but when she visits Mumbai, that is when the crush that she has for Dharmendra really reveals itself.
At that time, her sister-in-law's brother, Navin (Bengali film actor Samit Bhanja) falls in love with her, but when she is so much after Dharmendra, it is impossible that she could even listen to anybody else. Navin takes help from his own uncle, Utpal Dutt, who also knows Dharmendra, and they resolve to show Kusum the difference between the reel life and real life (taking help from Dharmendra for this).

Guddi (1971) - the movie that made Jaya Bachchan famous and known as an accomplished actor

Monday, May 24, 2010

Yaadon Ki Baarat (1973) - A story of revenge, with some incredible songs, starring Dharmendra and Zeenat Aman

How many people are there who would not have heard of this movie ? Yaadon Ki Baarat is one incredible movie, full of masala, full of some great music, with a murder, and then the quest for revenge on somebody whom the children of the killed cannot even identify, and then you have the capers of a thief (who works with somebody who is actually the killer), and you have a very enjoyable movie. And when you add a delectable Zeenat Aman, you get a really incredible movie.
The movie was made by Nasir Hussain, who produced and directed the movie. The movie starred some of the bigger stars, and some of the not so large ones, with the cast comprising of Dharmendra, Zeenat Aman, Vijay Arora, Tariq, and Neetu Singh.
The movie had some great songs, with 'Chura Liya Hain Tumne' being a song that is remembered and played even now, and music was provided by RD Burman. The script for the movie was provided by the famous pair of Javed Akhtar and Salim Khan. One lesser know fact about the movie was that it starred Aamir Khan as a cute young boy (the youngest of the 3 children shown in the movie).



The movie is a classic story about siblings separated early, when they are very young, and who meet later in life (and then realize much later that they are brothers). An artist, who defies a gang, is killed by them with the young children of the couple witnessing the murder. When running away, they get separated. They all have different life styles, with the eldest becoming a skilled burglar, the second one being a normal (not wealthy) person, and the youngest one becoming a singer. All they remember is a childhood song called 'Yaadon Ki Baarat'.
They do meet up several times but cannot associate any relationship between them; and go through various relationships (with the middle one played by Vijay Arora falling in love with Zeenat Aman after pretending to be a rich man, when his secret is out, Zeenat is shocked at the deception). The main story however is that of Shankar, the eldest one, played by Dharmendra, who is trying to find the murdered of his parents, and eventually realizes that the one whom he works for is the murderer.

Yaadon Ki Baarat (1973) - A story of revenge, with some incredible songs, starring Dharmendra and Zeenat Aman

Thursday, February 11, 2010

Chupke Chupke (1975) - comedy super-movie starring Amitabh and Dharmendra

Chupke Chupke released in the year 1975 and was a remake of the hit Bengali movie Chhadmabeshi (Disguiser). It starred the leading stars of that era like Dharmendra, Sharmila Tagore, Amitabh Bachchan, Jaya Bachchan, Om Prakash, David, Asrani and Keshto Mukherjee. The movie was directed by Hrishikesh Mukherjee and had S.D.Burman composing music for the film. Chupke Chupke till date remains one of the best comedy films made in Hindi cinema.

Professor Parimal Tripathi (Dharmendra) is a botany professor who by chance meets and falls in love with Sulekha Chaturvedi (Sharmila Tagore) during a women's college botany excursion. Parimal takes on the disguise of the caretaker of a bungalow in which Sulekha comes to stay along with her college friends and teacher. It is she who is able to find out about Parimal’s true identity and two get married after a whirlwind romance. Parimal is fond of practical jokes and is unable to resist the temptation of playing out one on Sulekha’s brother-in-law (Jijaji, Raghavenra eanacted by Om Prakash) whom she worships as her ideal.

Jijaji is in need of a trusted driver/chauffeur and writes to his brother-in-law and Sulekha’s brother Haripat (David) to send him a reliable person from his place. Parimal comes up with the idea of going to Jijaji’s place dressed as a driver. Sulekha is confident that her beloved Jijaji will see through Parimal’s disguise and challenges him to fool her Jijaji. Parimal takes up the challenge sportingly and sets out for Allahabad in the guise of a driver. He becomes Pyaremohan Alahabadi a man who speaks ‘shudh’ (pure, undiluted) Hindi. Sulekha too joins in the fun after a couple of days. Meanwhile Pyaremohan has Jijaji in a tizzy with his incessant questions on English grammar and has the well known lawyer running for cover.

Soon they convince Jijaji that Sulekha is unhappy in her marriage and has feelings for Pyaremohan. To add more drama they bring in Sukumar Sinha (Amitabh Bachchan), a Professor of English, to pose as Parimal, just as the duo (Sulekha and Parimal) go into hiding. Parimal's long-time friend P K Srivastava (Asrani) is also party to the prank. His sister-in-law Vasudha (Jaya Bachchan) suspects fake 'Parimal' - Sukumar Sinha - of infidelity to his wife when he tries to get close to her. Sukumar falls in love with Vasudha who at first believed he was Parimal, but Sukumar reveals to her the real drama behind all this mix-up of situations. The climax sees Sukumar and Vasudha marrying in a temple while Jijaji is finally able to see through Pyaremohan disguise and recognise him as the real Parimal.

The film is a laugh riot and is a situational comedy. Dharmendra as Parimal, Om Prakash as Jijai and Amitabh Bachchan as Sukumar put in terrific performances. Hrishikesh Mukherjee’s direction is light and right and S.D. Burman composes some wonderful numbers especially Ab Ke Sajan.


CAST AND CREW

Directed by Hrishikesh Mukherjee
Produced by Hrishikesh Mukherjee, N.C. Sippy
Written by Shakeel Chandra, Upendranath Ganguly, Gulzar, D.N. Mukherjee, Biren Tripathy
Starring Dharmendra, Sharmila Tagore, Amitabh Bachchan, Jaya Bachchan, Om Prakash, Asrani
Music by Sachin Dev Burman
Lyrics Anand Bakshi
Cinematography Jaywant Pathare
Editing by Subhash Gupta, Pandit Shridhar Mishra