U Me Aur Hum is a romantic movie, although one with a difference. The movie takes a look at what love means, and how does love deal with a case where a person loses their memory, cannot even remember basic details, and what that does to the person who is living with them. The movie was the first movie made by Ajay Devgn as a director, and was also the last one. The movie did okay the box office, but gained more through word of mouth where people liked the story. Critics however had a mixed tale; they liked the story, they liked the performances, but found the direction and the progress of the movie somewhat weak, with the movie getting slow in certain parts. The music for the film won some praise, but nothing outstanding, with music by Vishal Bharadwaj, and lyrics by Munna Dhiman. Some of the other actors in the movie besides Ajay Devgun and Kajol were Karan Khanna, Isha Shervani, Sumeet Raghavan, and Divya Dutta.
The story of the movie is being done as a flashback, where a middle aged Ajay Devgn is on a cruise ship. His son is with him and likes another lady. Ajay pushes him to go talk to her, and his son asks him to first go and find an old lady to charm, and as a result, Ajay goes to an old lady and starts telling his story, with this story drawing in more crowds all around them. The story is from 25 years back, from a cruise again, where Ajay is enjoying a cruise with his friends. One of the couples with him are having some tension in their marriage.
At the bar, Ajay meets Kajol and falls for her. In the morning, when they meet, out of his booze, Ajay tells her that he still loves her. She does not tell him yes, so he pursues her by trying to find what she likes. He even manages to read her diary and from this learns that she wanted to dance. So he learns enough that he can give her training in dancing, and this makes the position better. However, she finds out that he had seen her diary and is upset. However, he still believes that things will work out the way he wanted.
He calls his friends over, and they learn to their surprise that she accepted his efforts and they finally got married. But their romantic life suddenly starts getting into problems - she starts forgetting things. When such incidents happen, they consult and find out that she has a disease, Alzheimer's, and her current pregnancy will cause more problems. He manages to handle the situation, but after the baby is born, he has to worry that if she forgets who the baby is, this can cause harm to the baby. He decides that it is best if she is put in a place that handles people with such problems, although this decision hurts him a lot.
But, then does he get her back ? Watch the movie to find out.
Rohit Shetty is now counted as one of the most successful Directors, with the tag of the most money making movie in Bollywood in his pocket (through the release of Chennai Express - the quality of the movie is not up for discussion in this post). He has been making movies which are over the top, with cars flying all over the place; when a person is hit, he can go flying for long distanes, almost to the extent of behaving like you would expect in a cartoonish movie. However, this film somehow did not carry the Rohit Shetty traditional feel, and did not so well at the box movie (which may be why Rohit Shetty has been making all his movies post Sunday as over the top, and most of them have been known only as entertainers, but painful for critics to review). The movie starred his traditional stars - Ajay Devgn and Arshad Warsi, and also starred Ayesha Takia and Irfan Khan. Music was by a whole host of music directions, with almost every song having a separate music director, but the songs were not particularly impressive - which is the story of the movie (nothing was really that impressive). The movie is actually a remake of a 2005 Telugu film.
So what is the story all about ? It seems like you have heard of this one before. A girl has a strange disease, whereby she can forget entirely what she been doing, even for as large a time as a full day. And somebody is murdered, and the girl cannot even remember what happened. In fact, initially she does not even realize that she is missing a whole Sunday from her life. This girl is Sehar (played by Ayesha Takia). She stays with another girl called Ritu, and one day, almost forcefully, Ritu takes Sehar out to a local club - because Sehar tends to forget where she has been, she prefers not to socialize like this.
Her mother wants Sehar to link up with a policeman, ACP Rajveer Randhawa (played by Ajay Devgn), who is a typical cop in the sense that he can be corrupt when he wants to be. His mother and Sehar's mother know each other and want both of them to get married, but Sehar has rejected the idea since she got to know about the corrupt ways of Rajveer. After the club, Sehar wakes up in her flat, but soon realizes that something is wrong - that she is missing something. She meets a couple of strange characters - one is a taxi driver and one is a struggling actor. After some discussion with Rajveer, they come to the conclusion that she given something in the club because of which she totally went out and forgot what happened on Sunday.
Slowly, Rajveer finds out that Sehar is related in some way to a murder of another girl that happened, and that the taxi driver had left Sehar near where the girl was murdered, and surprisingly the corrupt cop did a quick investigation and finally caught the guy who had murdered his own cheating girl-friend and then later killed the one with whom she was having an affair. Because Sehar was nearby, he thought that she had witnessed the murder, and was after her for that reason. Finally Rajveer manages to solve everything.
RajKumar Santoshi is one of the most famous names in Bollywood, a direction who has been there for decades in the industry and has given a number of incredible hits; however, he also seems to be struggling with the current scene in Bollywood, making far fewer movies than during the 1990's when he was at his peak. He carries a lot of history of previous hits along with him, causing people to see his movie. Right from his association with Ardh Satya in 1982, and then making a mark as a director for movies such as Ghayal, Damini, Ghatak, Andaz Apna Apna, Khakee, he has been hitting hits more often than failures. When you remember a movie such as Damini which was a hard hitting attack on the prevalent system of law and justice, and how the power of the mighty can almost overcome the power of the law, a case such as the Jessica Lal case was made for him to show his power as a director, moving his audience to action.
Halla Bol was a movie released in 2008, directed by Rajkumar Santoshi and starring Ajay Devgun, Vidya Balan and Pankaj Kapur. The movie also showed a number of others stars in small cameos (no doubt leveraging the power of Rajkumar Santoshi based on his long history in Bollywood). So you have a story that seems to be inspired by the Jessica Lal case, but also shows the life of a film star who reached a high point through not seeing whatever was happening around him, and then saw something so shocking that it finally caused him to find his conscience and speak up about what he saw.
Halla Bol cannot be counted as one of Santoshi's best hits; when you have seen movies such as Ghayal or Damini or Ghatak, you really cannot put Halla Bol in the same league. It is still a good movie, although you wonder about why Vidya Balan took this role; and you come out of the movie with a realization that although Ajay Devgun was the lead star, if there was a role you would remember from the movie, it would be the role played by Pankaj Kapur. The movie is good in parts, especially near the end, but the first half does give a feeling of a slow buildup, and you can see similar speed and slow touches in other parts of the movie as well. The music of the movie was by Sukhwinder Singh, and you really don't see the music as matching the performance of the film, nothing really worth writing about.
From this point, the story of the movie is outlined, so if you don't want to know the story, don't go ahead from here.
The story shows a film star, Ashfaque (played by Ajay Devgun), a rags to riches story. He was a part of a street troupe, being run by Siddhu (Pankaj Kapur). Siddhu is a reformed dacoit, who is looking at his street plays as a way of highlighting important issues that the masses will see, and think about, and hopefully bring about some change (you know how difficult it is for that to really happen). But Ashfaque wants to rise high, and climbs the ladder to become a famous film star, with a new name, Sameer Khan. He is an accomplished actor, and is now settled with a wife Sneha (played by Vidya Balan).
However, to become successful, you do need to do make compromises, and he has made many; he becomes a part of the system, being a manipulator and part of the corrupt world, but one day, he gets a dose of reality when he is a witness of a horrible crime at a party, and that eventually brings him back to his senses. But can he take on the system and the powerful and get justice ?
When you get a successful film, there is a pressure to create a franchise, create more movies with the same set of actors and the director in the hope that viewers will also like this movie and make it successful. This has actually worked in many cases, with sequels of movies in Hollywood (Terminator, Pirates of the Carribean, Superman, Spiderman, etc) doing excellent business and providing riches to their creators. Of course there have been cases when the same success has not come to the next movie, but then there is no harm in trying. In the case of Bollywood, the concept of leveraging on the success of a previous movie is a pretty late one, only in the past decade that it has been seen. Golmaal indeed could be one of the first ones to make this a success, even though the sequels have no connection with the previous one in terms of story, but do have the same crew (director, and many actors and actresses being the same). Golmaal Returns was one such movie, which was released in 2008, in order to leverage the success of the earlier Golmaal (which was released in 2006).
Between the 2 movies, the director was the same (Rohit Shetty), and the main crew members were the same (Ajay Devgun, Tusshar Kapoor and Arshad Warsi). Sharman Joshi was no longer there in the sequel, and the heroine was also changed, with Kareena Kapoor brought in to enhance the star power, and some additional actors and actresses also brought in. The movie was a hit, even though critics were not particularly impressed by the movie - the humour in the original Golmaal seemed pretty genuine, while the humor in this one seemed a bit forced, written in to try and put more humour in the script, and leaving a slight jarring edge. But no matter, audiences loved it, and it was a hit. The songs were also liked, with the music being composed by Pritam, and one song 'Thar kar Le' being composed by Ashish Pandit (and the lyrics for the movie were by Sameer).
Now onto the story. I was not particularly fascinated by the story, since the attempt seemed to be to bring as many characters into the storyline and use some incredible coincidences to push the story forward. So, here goes (and if you have not seen the movie and want to keep your suspense, do not read ahead of this point).
Gopal (Devgun) and Ekta (Kareena Kapoor) are a couple with 2 siblings - Esha (Amrita Arora) is the sister of Gopal, and Lucky (Tusshar Kapoor, playing a mute) is the brother of Ekta. Ekta is an avid watcher of hindi serials (particularly the Balaji type serials) and is very suspicious of Gopal. Gopal keeps on warning her from time to time to not be so suspicious, since it would create problems for them.
Gopal works in a fishing company and has some periodic clashes with people in his company (not very serious though), especially when he believes that his colleague is instigating his wife against him. And then something happens which would cause the suspicion of Ekta to become reality. He is coming home from work, when he sees a girl being assaulted by some hoodlums and saves Meera (Celina Jaitley) from those goons. Unfortunately, due to some circumstances, they are forced to spend the night together on a yacht (although nothing happens between them).
Now, when Gopal reaches home the next morning, there is going to be trouble. Ekta, ever suspicious, wants to know where he was; Gopal obviously cannot tell her the truth, so he lies that he was with a friend of his. When Ekta pushes him for the name of the friend, Gopal comes up with a name 'Anthony Gonsalves', with a fictitious address. However, Ekta is very suspicious and sends of a letter to Anthony, and in the coincidence of a lifetime, there is actually a person called Anthony Gonsalves and an actual address and the letter is received.
One of Gopal's juniors, Laxam Prasad (Shreyas Talpade), who claims to be a great problem solver, then decides to take the place of Anthony to ensure that Ekta is not suspicious. Another coincidence, Laxman is also the boyfriend of Meera, and Meera has not told him about this incident. And then the big problem, where a dead man is found where Gopal had fought the goons, and this is the same person Gopal's office with whom he had a tiff. This brings inspector Madhav (played by Arshad Warsi) on the scene; Madhav is in love with Gopal's sister but has a running feud with Gopal and is incredibly happy that there is a chance for him to put Gopal in a difficult position.
Eventually, Madhav learns that Laxman is not Anthony, and when they tell him about Meera (and in the meantime, Ekta leaves Gopal when she learns that he told her a lie), he tells Gopal that he better bring Meera quickly to the station if he wants to save himself. Gopal and Laxam hire Munni to play the role of Meera, which she is willing to do for the money. However, her boyfriend, Vasuli, currently behind bars, is not happy at this. And then Munni is kidnapped by the murderer.
And then starts a whole trail of events to try and find Munni, in the meantime Vasuli kidnaps Meera since he wants his Munni back, and then finally Gopal learns that his boss was behind the murder since he was smuggling drugs under the guise of the fishing business, and his colleague was killed because he found out. After some more drama, there is a happy ending.
What can one say about this movie ? I really liked this movie, although the huge number of songs got to me sometime in the middle. The movie is a sensitive portrayal of the triangle, with the girl in the middle, and you see how her emotions slowly change as she gets to know the person to whom she is married to. The movie was a big hit for Sanjay Leela Bhansali, since his earlier movie, Khamoshi, was a critical success, but did not do too well at the box office. The success of Hum Dil De Chukhe Hain Sanam propelled Sanjay Leela Bhansali into the big league, and encouraged him to make his mega opus, Devdas. HDDCS also gave a big boost to the career and reputation of its heroine, Aishwarya Rai. Before this, Aishwarya did not have a great reputation an a star who could emote well, and a role where she had an opportunity to show a range of emotions was something that she would have welcomed. The success of the movie gave her reputation a big boost, something that her male stars (Salman Khan and Ajay Devgun) did not get to the same extent.
The movie is about a unique triangle. Aishwarya lives in a joint family in the Rann of Kutch, one which is very musically inclined as her father is a famed classical musical Pandit, and at the same time, protective of their honour. Aishwarya is the favorite daughter of her father, who is strict otherwise. And then comes in Salman Khan to their mansion, to learn music from her father. He has come all the way from Italy for this purpose. Initially, Nandini (Aishwarya) does not like Salman, also because she had to give up her room for him, and they play a lot of pranks on each other. But, as you would expect, soon they start to love each other, fairly deeply. For some time, this love is hidden, but at one point, her father, Pandit Darbar (Vikram Gokhale) finds out about this love affair. He is not the least bit supportive, and asks Salman to leave (his gift to his teacher), and orders Nandini to forget Salman, as she is to marry other. And then Nandini is married off to Vanraj (Ajay Devgun); Vanraj had seen Nandini at a function and fell in love with her. However, immediately after the marriage, Vanraj gets to know about the love that Nandini had for Sameer (Salman Khan) and promises to take her to Italy to be with Sameer (after the initial anger). They arrive in Italy, and as you might expect, searching for a person in a different country is not easy; they run into various issues, getting robbed once, and Nandini gets shot during the attempt. Vanraj takes care of her when she is in hospital, and slowly Nandini starts to start seeing Vanraj for the caring and loving person he is. Eventually they find Sameer through his mother (Helen), and when Salman finds out, he is overjoyed. It is at this time that Nandini has to decide, is she still in love with Sameer, or is she now conscious of her role as Vanraj's wife, and now in love with him ?
Awards won by the movie at the 2000 Filmfare Awards: Best Movie - Hum Dil De Chuke Sanam Best Director - Sanjay Leela Bhansali Best Actress - Aishwarya Rai Best Male Playback - Udit Narayan, "Chand Chupa Badal Mein" Best Art Director - Nitin Chandrakant Desai Best Cinematographer - Anil Mehta Best Choreography - Saroj Khan, "Nimbooda" Best Background Score - Anjan Biswas
Videos of songs from the movie:
Tadap Tadap (sung by Kay Kay)
Ankhon ki gustakhiyan maaf ho
Jhonka Hawa Ka
Dholi Taro Dhal
Hum Dil De Chuke Sanam (title song)
Nimbooda
Albela Sajan aayo Re
Man Mohini Teri Ada
Chaand Chupa Badal Mein
Lyrics:
Tadap Tadap
Bejaan Dil Ko Bejaan Dil Ko Bejaan Dil Ko Tere Ishq Ne Zinda Kiya Phir Tere Ishq Ne Hi Is Dil Ko Tabah Kiya
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Ajab Hai Ishq Yaara Pal Do Pal Ki Khushiyaan Gam Ke Khazaane Milte Hain Milti Hai Tanhaiyaan Kabhi Aansoon Kabhi Aahein Kabhi Shikve Kabhi Naalein Tera Chehra Nazar Aaye Tera Chehra Nazar Aaye Mujhe Din Ke Ujaalon Mein Teri Yaadein Tadpayein Teri Yaadein Tadpayein Raaton Ke Andheron Mein Tera Chehra Nazar Aaye Machal Machalke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Agar Mile Khuda To Poochhoonga Khudaya Jism Mujhe Deke Mitti Ka Sheeshay Sa Dil Kyon Banaya Aur Us Pe Diya Fitrat Ke Woh Karta Hai Mohabbat Wah Re Wah Teri Kudrat Wah Re Wah Teri Kudrat Us Pe De Diya Kismat Kabhi Hai Milan Kabhi Furqat Kabhi Hai Milan Kabhi Furqat Hai Yehi Kya Vo Mohabbat Wah Re Wah Teri Kudrat Sisak Sisakke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di Pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
Tadap Tadapke Is Dil Se Aah Nikalti Rahi Hai Mujhko Saza Di pyaar Ki Aisa Kya Gunaah Kiya To Lut Gaye Haan Lut Gaye To Lut Gaye Hum Teri Mohabbat Mein
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Ankhon ki gustakhiyan maaf ho
Aankhon Ki Gustakhiyaan Maaf Hon O Aankhon Ki Gustakhiyaan Maaf Hon Ek Tuk Tumhein Dekhti Hain Jo Baat Kehna Chaahe Zubaan Tumse Vo Ye Kehti Hain
Aankhon Ki Sharmohaya Maaf Ho Tumhein Dekhke Jhukti Hain Uthi Aankhein Jo Baat Na Keh Sakin Jhuki Aankhein Vo Kehti Hain
Aankhon Ki Aankhon Ki Gustakhiyaan Maaf Hon
Kaajal Ka Ek Til Tumhare Labhon Pe Laga Loon La la la.. Haan Chanda Aur Suraj Ki Nazron Se Tumko Bacha Loon Hmmm.. Oh Palkhon Ki Chilman Mein Aao Main Tumko Chhupa Loon Aa.. Khayaalon Ki Ye Shokhiyaan Maaf Hon Har Dam Tumhein Sochti Hain Jab Hosh Mein Hota Hai Jahan Madhosh Ye Krti Hain
Aankhon Ki Sharmohaya Maaf Ho
Ye Zindagi Aapki Hi Amaanat Rahegi Ay Hey Dil Mein Sada Aapki Hi Mohabbat Rahegi Ay Hey In Saanson Ko Aapki Hi Zaroorat Rahegi Is Dil Ki Naadaniyaan Maaf Hon Ye Mere Kahan Sunti Hain Ye Pal Pal Jo Hote Hain Bepal Sanam To sapne Naye Bunti Hain
Aankhon Ki Aankhon Ki Gustakhiyaan Maaf Hon Sharmohaya Maaf Ho
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Jhokaa Hawa Ka
Jhonka Hawa Ka Aaj Bhi, Julfein Udaata Hoga Na, Tera Dupatta Aaj Bhi Tere, Sar Se Sarakta Hoga Na, Baalon Mein Tere Aaj Bhi, Phool Koi Sajta Hoga Na, Thandi Hawayein Raaton Mein Tujhko, Thapkiyaan Deti Hongi Na Chaand Ki Thandak Kwabon Mein Tujhko, Le Ke Toh Jaati Hogi Na, Sooraj Ki Kirnen Subah Ko Teri Needien Udaati Hogi Na, Mere Khayalon Mein Sanam, Khud Se hi Baatein Karti Hogi Na, Main Dekhta Hoon Chup Chup Ke Tumko, Mehasoos Karti Hogi Na, Jhonka Hawa Aaj Bhi Julfein Udaata Hoga Na
Tadeva Lagnam Kagaz Pe Meri, Tasveer Jaisi Kuch Toh Banati Hogi Na, Ulat Palat Ke, Dekh Ke Usko Jee Bhar Ke Hansti Hogi Na, Hanste Hanste Aankhen Tumhari, Bhar Bhar Aati Hongien Na, Mujhko Dhaka Tha, Dhoop Mein Jis Se, Woh Aanchal Bhigoti Hogi Na, Saawan Ki Rimjhim Mera Tarana, Yaad Dilati Hogi Na, Ik Ik Meri Baatein Tumko Yaad Toh Aati Hongein Na, Yaad Toh Aati Hogi Na, Yaad Toh Aati Hogi Na, Kya Tum Mere In Sab Sawalon Ka Kuch Toh Jawab Dogi Na
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Dholi Taro Dhol
Hey kha na na na na khankhanat hey ta na na na na tantanat ay ja na na na na na janjanat chha na na na na na na na ji ji ji ji ji hey.. haa
Jhananana Jhanjhanat Jhanjhar Baaje Re Aaj Tanananana Tantanat Manjeera Baaje Ghananana Ghanghanat Gori Ke Kangana Aaj Chhananana Chhanchhanat Paayal Sang Baaje Sar Par Chunar Odhe Niklegi Aaj Raadhe Lehra Lehrake Gopiyon Sang Kaanha Bhi Peechhe Peechhe Taang Koi Kheenche Kheenche Murli Se Barsaaye Nasur Tarang Dharti Aur Vo Gagan Jhoomenge Sang Sang Sabpe Chadhega Aaj Prem Rang Rangeen Gulaal Hoga Socho Kya Haal Hoga Nachenge Prem Rogi Dum Duma Dum Dum Dham Dham Datilal Datilal Dhidkit Dhidkit Dhilaal Baaje Mirdang Dhana Dhan Dhan Dhana Dhan Baaje Chham Chham Chham Chhamat Jhanjhar Jhamjhamat Ghungroo Ghamghamat Chamak Cham Chamake Hey Baaje Re Baaje Re Baaje Re Baaje Re Dhol Baaje
Hey hey.. Hey Baaje Re Baaje Re Baaje Re Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol Ki Dholi Taro Dhol Baaje Dhol Baaje Dhol Baaje Dhol To Dham Dham Baaje Dhol Hey Hey Chhori Badi Anmol Meethe Meethe Iske Bol Aankhein Iski Gol Gol Gol Gol To Dham Dham Baaje Dhol Haan Haan Chhora Hai Natkhat Bole Hai Patpat Arre Chhede Mujhe Bole Aise Bol To Dham Dham Baaje Dhol
Hey.... Baaje Re Baaje Re Baaje Re Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol To Dham Dham Baaje Dhol To Dham Dham Dham Baaje Dhol
Rasiyo Ye Roop Taro Chhoo Loon Zara Arre Na Arre Haan Arre Haan Haan Haan Haan Hey... Raat Ki Rani Jaise Roop Mera Mehkasa Mehkasa Mehkasa Mehkasa Udegi Mahak Mujhe Chhoo Na Tu Kyon Behkasa Bahkasa Behkasa sa sa sa sa Paas Aaja Meri Rani Tu Ne Nahin Meri Maani Karoonga Main Manmaani Mat Kar Shaitani Arre rererere.. Sarre rerere.. Pare rerere.. Ki Dholi Taro Dhin Dhinak Dhin Ki Dholi Taro Dhin Dhinak Dhin Ki Dholi Taro Hey.. Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol
Hey Hey Chhori Badi Anmol Meethe Meethe Iske Bol Aankhein Iski Gol Gol Gol Gol To Dham Dham Baaje Dhol Ho Ho Ho Chhora Hai Natkhat Bole Hai Patpat Chhede Mujhe Bole Aise Bol To Dham Dham Baaje Dhol
Dham Dham Dhol Baaje Dhol Baaje Dhol Baaje Dhol Ki Dham Dham Baaje Dhol Ki Dham Dham Dham Baaje Dhol
Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Hungama Hungama Ho Gaya Hai Hungama Hungama Hungama Ma Ma Ma Ma Re.. Hungama Hungama Ho Gaya Hai Hungama Hungama Hungama Ma Ma Ma Ma Re.. Dham Dham Dham Dhol Baaje Hey Baaje Dham Dham Dham Dhol Baaje Hey Baaje Re Baaje Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dham Hey Dham Dham Hey Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham Dham Dham Dham Dhol Baaje Baaje Re Dhol Baaje Dham Dham
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Title Song of Hum Dil De Chuke Sanam
Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Oh Ho Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam
Ye Duniya Kare Sitamb Tujhpe Mitnege Hum Teri Kasam
Oh Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam
Umeedein Tumhin Se Hain Mere Sanam Thaama Hai Tumhara Hi Ye Daaman Ho Bhoolenge Kabhi Na Ab Tumhein Hum Oh Bhoolenge Kabhi Na Ab Tumhein Hum Oh Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam
Teri Yaadon Ke Saaye Mein Guzregi Ye Zindagi Us Khuda Ke Baad To Pooja Hogi Bas Teri Chaahe Jo Maanglo Sab Tumhara Hai Chaahe Jo Maanglo Sab Tumhara Hai Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam
Ho Hum Dil De Chuke Sanam Tere Ho Gaye Hain Hum Teri Kasam Teri Kasam .
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Nimbooda
Ye Nimbooda Ay Nimbooda Ho Ho Oo Ho... Dhinak Dhinak Dhinak Dhinta
Arre Layido Layido Laydo Arre Layido Layido Laydo Nimboo Layido Ja Khet Se Hariyala Nimbooda Layido Nimbooda Layido
Aa Nimboo Layido
Ah Ha
Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo Deewanon Ki Buri Nazar Se Bachna Ho To Sunlo Arre Katto Katto Nimboo Tez Chori Se Sar Pe Kaato Phir Chhota Chhota Nimbooda Kya Jaadu Karega Dekho Ki Buri Nazar Vo Khatti Hoyegi Phir Char Raste Pe Vo Utar Giregi
To Layido Layido Laydo To Layido Layido Laydo Nimboo Layido Ja Ja Ja Khet Se Hariyala Nimbooda Layido Nimbooda Layido
Arre Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Kaacha Kaacha Chhota Chhota Nimbooda Layi Do Nimbooda Layido Nimbooda Layido Haan Nimboo Layi Layi Layi Layido
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Albela Sajan Aayo Re
albela sajan aayo ri mora hatwar sukar aayo ri albela sajan aayo ri albela albela albela albela alebela albela
jyot purao magal gau sanann saanan jyot purao magal gau man rang ish payo ri
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Man Mohini Teri ada
Hey Mitti Pe Kheenchi Lakeerein Rab Ne To Ye Tasveer Bani Aag Hava Pani Ko Milaya To Phir Ye Tasveer Saji
Hey Hasti Teri Dishaal Kudrat Ka Tu Kamaal Hey Man Mohini Teri Ada Tujhe Jab Dekhle To Phir Ghata Barse Jhar Jhar Jhar Jhar Sarar Sarar Sarar Naache Chamak Chamak Vo Bijli Deewani Hai Bemisaal Tu Kori Kori Anchhui Tujh Mein Hai Kudrat Saari Khoyi Tujh Mein Hai Kudrat Saari Khoyi Khoyi Tujh Mein Hai Kudrat Saari Khoyi Khoyi
Tat ta..
Mitti Ki Hai Moorat Teri Masoomiyat Fitrat Teri Ye Saadapan Ye Bholapan Tu Mehki Mehki Tu Lehki Lehki Tu Chali Chali Har Gali Gali Tu Hava Ke Ghan Sang Sanana San Tera Ang Ang Jaise Jaltarang Koi Leher Leher Chali Teir Teir Paani Ka Mel Tere Tan Badan Jhar Jharar Jharar Angaarey Jaisa Tera Rom Rom Hai Dehka Dehka Agni Ka Khel Tu Agan Agan
Takir takir...
Zara Dhirak Dhirak Zara Lachak Lachak Kabhi Matak Matak Kabhi Thumak Thumak Khali Jhoom Jhoom Kabhi Ghoom Ghoom Dharti Ko Choom Mach Dhoom Dhoom Chanchal Badi Tu Natkhat Badi Dehki Bahaar Ras Ki Fuhaar Tere Teekhe Nain Tere Keshe Rain Ye Balkhana Ye Itrana .
Tat tat ...
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Chand Chupa Badal Mein
Chand Chupa Badal Mein, Sharma Ke Meri Jaana , Seene Se Lag Ja Tu, Bal kha Ke Meri Jaana, Gumsum Sa Hai, Gupchup Sa Hai Madhosh Hai,Khamosh Hai, Haan Ye Sama, Haan Ye Sama Kuch Aur Hai, Han Han Han Chand Chupa(Repeat)
Nazdikiyan Badh Jaane De, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Door Se Hi Tum Jee Bhar Ke Dekho, Tum Hi Kaho Kaise Door Se Dekhoon, Chaand Ko Jaise Dekhta Chakor Hai, Aye, Gumsum Sa Hai, Ye Sama Kuch Aur Hai Ho Ho Ho, Chand Chupa Badal Mein(Repeat)
Aaja Re Aaja Re Chanda, Ki Jab Tak Tu Na Aayega, Sajana Ke Chere To Dekhne Ye Man Tarsa Jayega, Na Na Chanda Tu Nahin Aana , Tu Jo Aaya To, Sanam Sharma Ke Kahin Chala Jaye Na, Aaja Re Aaja Re Chanda, Tu Laakh Duayen Payega, Na Na Chanda Tu Nahin Aana, Varna Sanam Chala Jayega,
Aanchal Mein Tu Chup Jaane De, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Julfon Mein Tum Kho Jaane Do, Arre Nahin Baba Nahin, Abhi Nahin Nahin Nahin, Pyaar To Naam Hai, Sabra Ka Humdam, Woh Bhala Bolo Kaise Karen Hum, Sawan Ki Raah Jaise Dekhe Mor Hai, He Rehne Bhi
+-+A+tearjerker+starring+Ajay+Devgn,+Kajol,+Divya+Dutta,+Isha+Shervani,+and+others.jpg "U Me Aur Hum (released in 2008) - A tearjerker starring Ajay Devgn, Kajol, Divya Dutta, Isha Shervani, and others")
+-+A+tearjerker+starring+Ajay+Devgn,+Kajol,+Divya+Dutta,+Isha+Shervani,+and+others.jpg "U Me Aur Hum (released in 2008) - A tearjerker starring Ajay Devgn, Kajol, Divya Dutta, Isha Shervani, and others")
- the quality of the movie is not up for discussion in this post). He has been making movies which are over the top, with cars flying all over the place; when a person is hit, he can go flying for long distanes, almost to the extent of behaving like you would expect in a cartoonish movie. However, this film somehow did not carry the Rohit Shetty traditional feel, and did not so well at the box movie (which may be why Rohit Shetty has been making all his movies post Sunday as over the top, and most of them have been known only as entertainers, but painful for critics to review). The movie starred his traditional stars - Ajay Devgn and Arshad Warsi, and also starred Ayesha Takia and Irfan Khan. Music was by a whole host of music directions, with almost every song having a separate music director, but the songs were not particularly impressive - which is the story of the movie (nothing was really that impressive). The movie is actually a remake of a 2005 Telugu film.+-+Starring+Ajay+Devgn,+Ayesha+Takia,+Arshad+Warsi+and+Irfan+Khan.jpg)
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