When you get a successful film, there is a pressure to create a franchise, create more movies with the same set of actors and the director in the hope that viewers will also like this movie and make it successful. This has actually worked in many cases, with sequels of movies in Hollywood (Terminator, Pirates of the Carribean, Superman, Spiderman, etc) doing excellent business and providing riches to their creators. Of course there have been cases when the same success has not come to the next movie, but then there is no harm in trying. In the case of Bollywood, the concept of leveraging on the success of a previous movie is a pretty late one, only in the past decade that it has been seen. Golmaal indeed could be one of the first ones to make this a success, even though the sequels have no connection with the previous one in terms of story, but do have the same crew (director, and many actors and actresses being the same). Golmaal Returns was one such movie, which was released in 2008, in order to leverage the success of the earlier Golmaal (which was released in 2006).
Between the 2 movies, the director was the same (Rohit Shetty), and the main crew members were the same (Ajay Devgun, Tusshar Kapoor and Arshad Warsi). Sharman Joshi was no longer there in the sequel, and the heroine was also changed, with Kareena Kapoor brought in to enhance the star power, and some additional actors and actresses also brought in. The movie was a hit, even though critics were not particularly impressed by the movie - the humour in the original Golmaal seemed pretty genuine, while the humor in this one seemed a bit forced, written in to try and put more humour in the script, and leaving a slight jarring edge. But no matter, audiences loved it, and it was a hit. The songs were also liked, with the music being composed by Pritam, and one song 'Thar kar Le' being composed by Ashish Pandit (and the lyrics for the movie were by Sameer).
Now onto the story. I was not particularly fascinated by the story, since the attempt seemed to be to bring as many characters into the storyline and use some incredible coincidences to push the story forward. So, here goes (and if you have not seen the movie and want to keep your suspense, do not read ahead of this point).
Gopal (Devgun) and Ekta (Kareena Kapoor) are a couple with 2 siblings - Esha (Amrita Arora) is the sister of Gopal, and Lucky (Tusshar Kapoor, playing a mute) is the brother of Ekta. Ekta is an avid watcher of hindi serials (particularly the Balaji type serials) and is very suspicious of Gopal. Gopal keeps on warning her from time to time to not be so suspicious, since it would create problems for them.
Gopal works in a fishing company and has some periodic clashes with people in his company (not very serious though), especially when he believes that his colleague is instigating his wife against him. And then something happens which would cause the suspicion of Ekta to become reality. He is coming home from work, when he sees a girl being assaulted by some hoodlums and saves Meera (Celina Jaitley) from those goons. Unfortunately, due to some circumstances, they are forced to spend the night together on a yacht (although nothing happens between them).
Now, when Gopal reaches home the next morning, there is going to be trouble. Ekta, ever suspicious, wants to know where he was; Gopal obviously cannot tell her the truth, so he lies that he was with a friend of his. When Ekta pushes him for the name of the friend, Gopal comes up with a name 'Anthony Gonsalves', with a fictitious address. However, Ekta is very suspicious and sends of a letter to Anthony, and in the coincidence of a lifetime, there is actually a person called Anthony Gonsalves and an actual address and the letter is received.
One of Gopal's juniors, Laxam Prasad (Shreyas Talpade), who claims to be a great problem solver, then decides to take the place of Anthony to ensure that Ekta is not suspicious. Another coincidence, Laxman is also the boyfriend of Meera, and Meera has not told him about this incident. And then the big problem, where a dead man is found where Gopal had fought the goons, and this is the same person Gopal's office with whom he had a tiff. This brings inspector Madhav (played by Arshad Warsi) on the scene; Madhav is in love with Gopal's sister but has a running feud with Gopal and is incredibly happy that there is a chance for him to put Gopal in a difficult position.
Eventually, Madhav learns that Laxman is not Anthony, and when they tell him about Meera (and in the meantime, Ekta leaves Gopal when she learns that he told her a lie), he tells Gopal that he better bring Meera quickly to the station if he wants to save himself. Gopal and Laxam hire Munni to play the role of Meera, which she is willing to do for the money. However, her boyfriend, Vasuli, currently behind bars, is not happy at this. And then Munni is kidnapped by the murderer.
And then starts a whole trail of events to try and find Munni, in the meantime Vasuli kidnaps Meera since he wants his Munni back, and then finally Gopal learns that his boss was behind the murder since he was smuggling drugs under the guise of the fishing business, and his colleague was killed because he found out. After some more drama, there is a happy ending.
Aks released in the year 2001 and is a supernatural thriller. It has as its central theme the age old conflict between good and evil. The film starred Amitabh Bachhan, Nandita Das and Manoj Bajpai. Directed by debutant director Rakesh Omprakash Mehra, it received a lot of critical appreciation but did not fare well at the box office. The supernatural theme of the film and the struggle between the evil and good is somewhat ambiguously portrayed. The audience found it difficult to accept and appreciate the lead character’s internal struggles.
Manu (Amitabh Bachchan) is an honest cop. He is hot on the pursuit of Raghavan (Manoj Bajpai), a dreaded killer. Manu tracks him down to Budapest but is unable to prevent Raghavan from killing the Indian Defence Minister and stealing a valuable floppy that has important information that could affect the very destiny of the nation. Manu is able to arrest the killer and he even tries to force Raghavan to divulge the details of the floppy, but the latter remains mum. Raghavan is sentenced to death. Raghavan tries to escape but he is shot down by Manu.
Soon, the very people who were involved with Raghavan’s sentencing start dieing mysteriously, one by one. At the same time Supriya (Nandita Das), Manu’s wife notices subtle changes in his demeanour. Initially she is pleased but one night when Manu forces himself on her, she is convinced that things are not right. Similarly Arjun Singh, Manu’s friend also notices the changes in him. As the body counts keep rising, the finger of suspicion keeps pointing at Manu. Slowly it is revealed that Raghavan’s spirit has taken control ofManu’s body and soul. As a result Manu finds himself drawn to Raghavan’s girlfriend (Raveena Tandon), a bar dancer. The honest inspector is thus caught in a vicious internal turmoil where the good and the evil struggle to take complete control.
The climax sees Manu and Raghavan engage in a fatal encounter where the former tries to save his soul and his conscience from the devil. At the end Raghavan is finally vanquished and Manu is able to regain his sense of being and of right and wrong. The film is worth watching for Amitabh Bachchan’s performance alone. As the tormented man caught between the right and wrong, he puts in a finely nuanced performance. Manoj Bajpai as the diabolical Raghavan is a delight to watch. Anu Malik’s music is very good as well. Rakyesh Omprakash Mehra does a competent enough job as a first time director.
AWARDS WON
Won
Filmfare Award
Best Actor - Critics Amitabh Bachchan
Best Background Score Ranjit Barot
Screen Awards
Best Actor in a Negative Role Manoj Bajpai
Best Supporting Actress Raveen Tandon
CAST AND CREW
Directed by Rakeysh Omprakash Mehra
Produced by Amitabh Bachchan, Jhamu Sughand
Written by Renzil D'Silva, Rakeysh Omprakash Mehra, Kamlesh Pandey
Starring Amitabh Bachchan, Raveena Tandon, Manoj Bajpai, Nandita Das
Music by Anu Malik, Ranjit Barot
Cinematography Kiran Deohans
Editing by P.S. Bharthi
VIDEOS OF SONGS
Yeh Raat
http://www.youtube.com/watch?v=4DUKybsasDQ
Banda Yeh Bindas Hai
http://www.youtube.com/watch?v=p7jFvxfMMrY
Aaja Gufaon Mein Aa
http://www.youtube.com/watch?v=ajrI4YtlcSQ
LYRICS
Aaja gufaon mein
Singers: KK, Vasundhara Das
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Chehre Pe Chehra Chadta Hai Chehra
Chehra Badalta Hai Chehra Hi Chalta Hai
Chehre Pe Chehra Chadta Hai Chehra
Chehra Badalta Hai Chehra Hi Chalta Hai
Chehra Siya Kar Le Chehra Siya Kar Le
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Saase Ubal Ne De Taariki Badne De
Ruhe Andheron Mein Jalti Hai Jal Ne De
Jalti Hai Jalti Hai Jal Ne De Jalti Hai Jal Ne De
Saase Ubal Ne De Taariki Badne De
Ruhe Andheron Mein Jalti Hai Jal Ne De
Mujhse Nibah Kar Le Mujhse Nibah Kar Le
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gunaah Kar Le
Aaja Gunaah Kar Le
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
Aaja Gufaon Mein Aa
---------------------
Banda Yeh Bindas Hai
Singer: KK
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Na Na Na Na Na Na Na Na
Na Na Na Na Na Na Na Na
Banda Hai Yeh Bindas Hai Yeh
Banda Hai Yeh Bindas Hai Yeh
Bhawra Hai Bhawra Hai Yeh Lo Bhi Hai
Hushiyaar Hai
Do Do Makote Iske Do Bhaari Talwar Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Bhawra Hai Bhawra Hai Yeh Lo Bhi Hai
Hushiyaar Hai
Do Do Makote Iske Do Bhaari Talwar Hai
Champa Chameli Genda Sab Ras Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Kya Bura Aur Kya Kharaab Hai
Hai Sirf Jeena Hisaab Hai
Jaadu Hai Sar Chadega
Aur Jo Utregi Sharab Hai
Banda Yeh Bindas Hai
Kya Bura Aur Kya Kharaab Hai
Hai Sirf Jeena Hisaab Hai
Jaadu Hai Sar Chadega
Aur Jo Utregi Sharab Hai
Champa Chameli Genda Sab Ras Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
Banda Yeh Bindas Hai
Banda Yeh Bindas Hai Banda Yeh Bindas Hai
Ras Peene Ki Pyaas Hai
----------------------
Hum Bhool Gaye
Singer: Chitra
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Umeed Bhi Ajnabee Lagti Hai
Aur Dard Paraya Lagta Hai
Umeed Bhi Ajnabee Lagti Hai
Aur Dard Paraya Lagta Hai
Aaine Mein Jisko Dekha Tha
Bichda Hua Saaya Lagta Hai
Aaine Mein Jisko Dekha Tha
Bichda Hua Saaya Lagta Hai
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Na Jaane Khana Chhod Aaye Hai
Woh Shaks Jise Hum Jaante The
Na Jaane Khana Chhod Aaye Hai
Woh Shaks Jise Hum Jaante The
Aahat Bhi Sunaye Deti Nahin
Parchayi Se Hum Pehchaante The
Aahat Bhi Sunaye Deti Nahin
Parchayi Se Hum Pehchaante The
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
Woh Cheez Jise Dil Kehte The
Woh Cheez Jise Dil Kehte Hain
Hum Bhool Gaye Hain Rak Ke Kahin
---------------------
Raat Aati Hai
singer: Shubha Mudgal
Raat Aati Hai Chali Jaati Hai Harjai Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Shyam Hote Hi Jala Deti Hai Palko Pe Diye
Shyam Hote Hi Jala Deti Hai Palko Pe Diye
Raat Se Pooche Koyi Kiske Liye Kiski Liye
Koyi Aahat Bhi Nahin Aur Koyi Aata Bhi Nahin
Raks Karti Hai Jo Shabh Bar Meri Tanhaayi Hai
Raks Karti Hai Jo Shabh Bar Meri Tanhaayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Raat Se Pooche Koyi Kiski Kahani Hogi
Raat Se Pooche Koyi Kiski Kahani Hogi
Zakhm Bharte Nahin Chot Purani Hogi
Dard Seene Mein Chhupa Rakha Hai Shayad Koyi
Koyi Zewar Hai Kisi Ghum Ka Chura Laayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
Phir Mere Ghar Mein Dabe Paaon Chali Aayi Hai
Raat Aati Hai Chali Jaati Hai Harjai Hai
-----------------------
Rabba Rabba
Singers: Vasundhara Das, Sukhwinder Singh
MALE--
Piya
--FEMALE--
(Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba) - 2
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
--MALE--
(Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba) - 2
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba - 2
--MALE--
Piya, piya, piya paapiya
--FEMALE--
Piya paapiya, diya, gham diya
Aa rula de mujhe, aazma le mujhe
--MALE--
Piya paapiya, diya gham diya
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
--MALE--
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
Piya, piya, piya paapiya
--FEMALE--
Aa kabhi tu bhi aa, aa kabhi taras kha
Pyaasi hai jaan meri, mausamein baras jaa
--MALE--
Piya paapiya, diya gham diya
--FEMALE--
Saari duniya ke hai sang hi main akeli
Rabba rabba rabba rabba rabba rabba rabba rabba
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
--MALE--
Ve yaara da koi naiyyo
Rabba rabba rabba rabba, rabba rabba rabba rabba
Dhum tanana tana...
Piya, o piya piya piya
Piya piya, piya piya, piya piya
Ho paapiya, paapiya, paapiya, o
Hat Jaao Ravan Maarungi Baan
Ram Ke Paas Hai Teer Kamaan Teer Kamaan
Hat Jaao Ravan Maarungi Baan
Ram Ke Paas Hai Teer Kamaan Teer Kamaan
Ravan Ke Paas Hai Gyaan Hi Gyaan
Ravan Hai Tujh Se Bada Vidwaan Bada Vidwaan
Lanka Mein Ja Ja Ke Danka Bajaiyo
Are Ja Apne Ghar Mein Tu Sheki Dikhaiyo
Jaanti Nahin Tu Are Are Sorry Sorry
Jaanta Nahin Tu Ravan Ka Dab Daba
Tod Ke Rak Dega Duniya Ka Dabba
Chutki Mein Tujhko Masal Denge Ram
Chutki Mein Tujhko Masal Denge Ram
Edhi Ke Niche Kuchal Denge Ram Kuchal Denge Ram
Bolti Bahut Hai Tu Ram Ki Bachchi
Bolti Bahut Hai Tu Ram Ki Bachchi
Haran Dekha Ke Le Jaaunga Sachchi
Haran Dekha Ke Le Jaaunga Sachchi
Phir Dekhenge Jab Aayega Hanumaan
Aye Ravan Hai Ravan Bol Na Zyaada,
Hasti Hai Kya Teri Paaltu Piyada
Pooch Mein Aag Laga Ke, Teri Sone Ki Lanka Jala Dongi
Are Gi Nahi Ga Ga Ga Okay, Sone Ki Lanka Jala Donga
Sita Ko Bandi Banaya Hai Tune, Ram Ko Jaake Bata Donga
Are Sagar Kaise Paar Karega, Pani Mein Gir Kar Doob Marega
Are Lanka Bharat Baat Diya Hai, Phone Ka Taar Bhi Kaat Diya Hai
Phone Ka Taar Bhi Kaat Diya Hai
Hanuman Hanuman Hanuman Hanuman
Hanuman Bhaiya E-Mail Kardo, Hanuman Bhaiya E-Mail Kardo
Ram Ko Meri Jaldi Khabar Do, Jaldi Khabar Do
Ravan Hey Ravan Yudh Ho Jaye, Aah Ho Jaye Ho Jaye
Paapiyun Se Duniya Shudh Ho Jaye
Are Lanka Ka Danka Bajta Rahega
Jab Tak Ram Hai Ravan Rahenga, Jab Tak Ram Hai Ravan Rahenga
Jab Tak Ram Hai Ravan Rahenga, Jab Tak Ram Hai Ravan Rahenga
Ravan Rahenga Ravan Rahenga, Ravan Rahenga Ravan Rahenga
Are Bhai Ravan Rahega Yaar, Ram Ke Roop Hazaron Hai Ravan
Raghupati Ragav Patit Paawan , Patit Paawan
Ram Ke Roop Hazaron Hai Ravan
Raghupati Ragav Patit Paawan, Patit Paawan
-----------------------
Yeh Raat
Singer: Anupama
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Yeh Kali Zehrili Raat
Palke Jhapakti Yeh Raat
Saap Si Sarakti Raat
Kali Kali Kali Yeh Raat
Veeraana Veeraana Hai Veeraana
Dil Ko Lakh Basa Le Yeh Deewana
Veeraana Veeraana Hai Veeraana
Dil Ko Lakh Basa Le Yeh Deewana
Ujhdi Ujhdi Rehte Hai Dil Saari
Veeraano Se Basta Hai Veeraana
San Karke Marti Hai Boom Karti Hai Kali Kodyali Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Abhi Abhi Raat Badi Tezaabi
Gir Na Jaye Haath Se Chand Rakabi
Abhi Abhi Raat Badi Tezaabi
Gir Na Jaye Haath Se Chand Rakabi
Doob Rahe Hai Sare Gul Kinare
Umad Umad Ke Raat Aayi Sailaabi
Kholti Badan Par Bolti Badan Par
Jalti Ubalti Raat
Yeh Raat Yeh Raat
Jali Ki Chipkali Raat
Yeh Raat
Kadi Aur Kombdi Ki Raat
Yeh Raat
Na Ugli Hi Jaye Na Nigli Hi Jaye
Yeh Kali Zehrili Raat
Pal Pal Balkhaati Pal Pal Uljaati
Palke Jhapakti Yeh Raat
Sannate Ki Sij Pe Soye
Saap Si Sarakti Raat
Yeh Raat Yeh Raat
Yeh Kali Zehrili Raat
Palke Jhapakti Yeh Raat
Saap Si Sarakti Raat
Kali Kodyali Yeh Raat
Aankhen released in the year 2002 and was a heist movie but with a twist. Based on a Gujarati play ‘ Andhalo Pato’ it had some of the leading names of Bollywood like, Amitabh Bachchan, Akshay Kumar, Paresh Rawal, Arjun Rampal and Sushmita Sen in leading roles. Directed by Vipul Amrutlal Shah, the movie was appreciated by one and all for its unique plot. It went on to become a huge commercial hit and garnered a lot of critical appreciation as well.
An obsessive temperamental bank manager Vijay Singh Rajput (Amitabh Bachchan) loses his job after he manhandles a bank clerk caught embezzling money. Embittered at losing his job he plots revenge on the bank by carrying out a heist. He comes up with a brilliant idea of training three blind men, Vishwas (Askhay Kumar), Ilyas (Paresh Rawal) and Arjun (Arjun Rampal), to carry out the robbery once he realises that the visually handicapped can be trained to do anything. He decides that their handicap (blindness) is the best alibi that one can come up and one that will save his skin as well.
He forces Neha, a teacher at a blind school, to train these three individuals. Neha is forced to carry out Vijay’s bidding as he has kidnapped her younger brother. Neha trains Vishwas, Ilyas and Arjun to overcome their blindness and act as ‘normal’ people. By elaborate and careful planning, she prepares the three men to carry out the heist without a glitch. The bank robbery is a success and the trio are able to run away to safety with the jewels. However there is only a small problem- Ilyas’s face is exposed, that is caught on the closed circuit cameras and that help the police to launch a massive man-hunt.
Meanwhile Vishwas and Arjun return to Neha convinced that she is not the main culprit behind the crime and are determined to get to the truth. They advice Ilyas to hide the jewels and they return to the training centre. At the centre Neha is used by Rajput to extort information from the duo, failing which she is killed of by him. Soon it is just Rajput and Vishwas and Arjun who have to duel with him. As soon as Iliyas returns Rajput tortures him so that he will reveal the hiding place of the jewels. Iliyas dies and the police turn up. In the argument that follows, Rajput lets it slip that he orchestrated the entire thing. The film has two alternate endings. The first one sees Rajput behind bars, while Arjun and Vishwas are celebrating their victor. The other one has Rajput bribing the cop to get out of jail. In the last scene Akshay Kumar and Arjun Rampal are sitting in a train (waiting for it to depart) and Mr Rajput is standing on the platform with a smile on his face.
CAST AND CREW
Directed by Vipul Amrutlal Shah
Produced by Gaurang Doshi
Written by Shobhana Desai, Aatish Kapadia, Vipul Amrutlal Shah
Starring Amitabh Bachchan, Akshay Kumar, Sushmita Sen, Arjun Rampal, Paresh Rawal,
Music by Jatin-Lalit, Aadesh Shrivastav
Lyrics Prasoon Joshi, Nitin Raikar
Cinematography Ashok Mehta
Editing by Shirish Kunder
VIDEOS OF SONGS
Chalka Chalka
http://www.youtube.com/watch?v=JPUL_E5g0CQ
Gustakhiyan Hai
http://www.youtube.com/watch?v=mRK1zDST89Y
Kuch Kasme Hai Jawa
http://www.youtube.com/watch?v=IkNpeDJel-g
Phatela Jeb Sil jayega
http://www.youtube.com/watch?v=v1AoayX2vE4
LYRICS
Gustakhiyan Hain, Betabiyan Hain
Singers: AADESH SHRIVASTAVA & VASUNDARA
Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan
Hosh Uda Do, Sab Kuchh Bhula Do, Todo Yeh Khamoshiyan
Yeh Dhadkan Ki Raftaar Hai, Yeh Saason Ka Angaar Hai
Yeh Ishq Sulagne Do Zara, Yeh Chaahat Ka Iqraar Hai
Jaane Jaan Oh Jaane Jaan...
Aawara Armaan Hai, Yeh Dil Ka Aelaan Hai,
Jaan Tujh Pe Qurbaan Hai, Jaanejaan...
Aawara Armaan Hai, Yeh Dil Ka Aelaan Hai,
Jaan Tujh Pe Qurbaan Hai, Jaanejaan...
Ek Hulchul Si Hone Lagi, Maein Jannat Mein Khone Lagi
Mujhko Baahon Mein Thaam Lo, Phir Na Rukne Ka Naam Lo
Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan...
Deewarein Sab Tod Do, Mausam Ka Rukh Modh Do
Har Kashti Ko Chhod Do, Jaanejaan Jaanejaan...
Deewarein Sab Tod Do, Mausam Ka Rukh Modh Do
Har Kashti Ko Chhod Do, Jaanejaan Jaanejaan...
Maein Hoon Teri Aagosh Mein, Kuchh Hosh Mein Kuchh Josh Mein
Kuchh Sholay Hain Kuchh Hai Jalan, Kuchh Behke Behke Hain Kadam
Gustakhiyan Hain, Betabiyan Hain, Chaayi Hain Madhoshiyan...
Hasti Mita Do, Masti Luta Do, Chhodo Bhi Yeh Dooriyaan
Yeh Ishq Sulagne Do Zara, Yeh Chaahat Ka Iqraar Hai
Jaane Jaan Oh Jaane Jaan
-------------
Kuch Kasme
Singers: SONU NIGAM, ALKA YAGNIK
Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kaisa Hai Yeh Asar Jaadoo Hai Dekho Har Kahin
Kuch Dil Mein Pyaas Hai Aur Tu Bhi Paas Hai
Woh Jhuk Kar Aasmaan Lagta Hai Chume Yeh Zameen
Jab Kahin Chalte Hai Yeh Pyaar Ki Hawa
Yeh Dil Wahin Panchhi Ban Ke Udta Hai
Aur Kya Hota Hai Is Pyaar Mein Bata
Yeh Ishq Ka Toofan Kaise Thamta Hai
Chaayi Bekhudi Yeh Kaisi Dilkashi
Chaahat Ki Har Ada Kitni Dekho Hai Shabnami
Kuch Dil Mein Pyaas Hai
Dil Hi To Samje Hai Jo Dil Ki Hai Zubaan
Na Samja Hai Na Samjhega Jahaan
Doob Ke Mohabbat Mein Kuch To Paayenge
Sahil Pe Moti Hote Hain Kahan
Kuch Rishte Hai Naye Kuch Baatein Ankahi
Baarish Hai Pyaar Ki Bheeghegi Aaj Dil Ki Zameen
Kuch Kasme Hai Jawaan Kuch Vaade Hai Haseen
Kaisa Hai Yeh Asar Jaadoo Hai Dekho Har Kahin
Phatela jeb sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta
Phatela jeb sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta
Khaane ka hai chicken curry, usko mangta pati hari
Jeb main tere dus rupiya, peele cutting khaale bhajiya
Khaane ka hai chicken curry, usko mangta pati hari
Jeb main tere dus rupiya, peele cutting khaale bhajiya
Kismat pe, rone ka nahin, calender badalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Nitin Tension kaayko lene ka
Sahi bolta sahi bolta
Aaj to hai andhera, kal hoga ujaala
Arre apni diwaali hogi, kisi aur ka hoga diwaala
Kal dekh lenga paisa, hoga goni bhar kar
Income tax officer, toh haath dhoke hi peechhe pad jaayega ha ha ha!
Phatela jab sil jaayega, jo chaahega mil jaayega
Tere bhi din aayenge chhote, achcha khaasa hil jaayega
Rukne ka nahin, thakne ka nahin, life mein chalte rehne ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta
Phatela jeb sil jaayega, jo chaahe mil jaayega
Arre boltaaej pakda baap line mein aa, line mein aa
Kyun ka kyun ka!
Tere bhi din aayenge chhote, achcha khaasa hil jaanyega
Rukne ka nahin thakne ka nahin life mein chalte rehne ka
Life mein chalte rehne ka hey! life mein chalte rehna ka
Arre bheja kyun sarka ne ka
Sahi bolta sahi bolta
Tension kaayko lene ka
Sahi bolta sahi bolta -4
----------------------
Nazron Ne Teri
Singers: UDIT NARAYAN, KAVITA KRISHNAMURTHY
Nazron Ne Teri Jab Dil Ko Chua
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Tera Dil Hum Chura Le Gaye Dil Ban Ke Hum Aagaye
Tera Dil Hum Chura Le Gaye Deewane Kya Jaane Tu Deewangi Meri
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Dil To Churaya Tumne Hamara Is Dil Ka Tum Kya Karoge
Humne Bhi Dekho Aisa Kiya Jo Phir Tum Bhi Aahen Bharoge
Dekho Isse Na Shararat Kaho Dil Ki Zaroorat Kaho
Dekho Isse Na Shararat Kaho Aajao Baahon Mein Chaane Do Yeh Bekhudhi
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Jab Se Mile Tum Aise Khile Hum Phoolon Ki Neende Ki Udi Hai
Rishta Yeh Kaisa Saason Se Saasein Dhadkan Se Dhadkan Judi Hai
Abhi Milke Na Hoge Juda Wada Yeh Wada Raha
Abhi Milke Na Hoge Juda Jeena Hai Marna Hai Mujhe Raaho Mein Pyaar Ke
Nazron Ne Teri Jab Dil Ko Chua
Seene Se Gaya Mera Dil Yeh Deewana Dil Kahan Hai
Tera Dil Hum Chura Le Gaye Dil Ban Ke Hum Aagaye
Tera Dil Hum Chura Le Gaye Deewane Kya Jaane Tu Deewangi Meri
Deewani Kya Jaane Tu Deewangi Meri
----------------------
All The Best
Singer: Remo Fernandez
Khel Ke Dil Nasheen Maut Bhi Hai Haseen
Hai Maza Har Gadi Ab Yahaan
Kehta Hai Dil Deewana Hai Dekho Koyi Anjaana
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Kitne Yahan Josh Hai Ab Kahan Hosh Hai
Din-Ba-Din Badh Raha Yeh Junoon
Saason Mein Hai Raftaare
Jaane Main Ban Haare
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Baby All The Best Very Very Best
Zindagi Se Maut Tak Aakhri Har Daud Tak
Khel Khele Ek Naya Saath Hum
Jaanbaazo Ko Hi Kehta Jahan
Yeh Masti Ka Hai Aalam
Jeene Marne Ka Kya Gham
Jaanbaazo Ko Hi Kehta Jahan
All The Best All The Best
All The Best All The Best
Very Very Best To You
All The Best All The Best
All The Best All The Best
----------------------
Amitabh Soliloquy, Title Song
Sach Bahut Hi Ajeeb Aur Garib Hota Hai Yeh Sach Aksar
Asaamaanya Adbhud Kalpana Se Bhi Zyaada Vichitra Hota Hai Yeh Sach Aksar
Woh Sach Jo Hume Naya Lagta Hai Anjana Sa Ek Jhalak Dikhake Chaunka Deta Hai Jo Hume
Use Ajooba Maan Ne Lagte Hai Hum Aksar
Sach Woh Bhi Jo Alaukik Hai Hamari Samaj Ke Baahar Aur Usi Ka Darr Lagta Hai Hume Aksar
Aur Sach Ka Nakab Pehne Hue Kuch Na-Mumkin Kisse
Ahistha Ahishta Wakiye Sach Ban Jaate Hai Aksar
Aisa Hi Ek Na-Mumkin Kissa Asamaan Adbudh Akalp Andekha Anjaana Aparichit Kissa
Sach Hone Ja Raha Hai Ek Khatarnak Saazish
A Dangerous Game Is About To Begin.
Aankhen Aankhen Aankhen Aankhen
Ajooba Hi Ajooba Hai Khel Mein
Masti Hi Masti Hai Khel Mein
Aankhen Aankhen
Darr Darr Ke Jeene Mein Kya Maza
Jeete Ga Jis Dil Mein Hai Ada
Aankhen Aankhen
Jis Dil Mein Hai Josh Humnasheen
Usi Ke Liye Mushkile Bhi Haseen
Jis Dil Mein Hai Josh Humnasheen
Usi Ke Liye Mushkile Bhi Haseen
Masti Hi Masti Hai Hai Junoon
Nasron Ke Hatiyaar Bekaar Hai
Kismat Badal Ne Ke Aasaar Hai
Nasron Ke Hatiyaar Bekaar Hai
Kismat Badal Ne Ke Aasaar Hai
Ishaara Hai Ishaara Hai Maut Ka
Aankhen Aankhen
Ajooba Hi Ajooba Hai Khel Mein
Masti Hi Masti Hai Khel Mein
Aankhen Aankhen
The Game Begins Now
----------------------
Chalka Chalka
Singers: Javed, Alka Yagnik
Chhalka Chhalka, Jaam Hoon Mein -2
Honton Pe Rakh Le Chhalakne Se Pehle
Chhalka Chhalka Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2
Chhalka Chhalka, Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2
Bhale Chaahe Sab Se Chhupa Kar Tu Pi
Magar Ishq Mein Main Mila Kar Tu Pi
Ye Ishq Nasha Hai, Ye Husn Nasha Hai
Ye Jaam Sharaabi, Kehne Ko Nasha Hai
Ho….ho…soch Le Har Baat, Tu Bhi Utar Ne Se Pehle
Thodi Si Tu Bhi Pila De Re Utar Ne Se Pehle
Jawaani Ki Khilti Bahaaron Se Mil
Mere Husn Ke Tu Sitaaron Se Mil
Uljaa De Zulfein, Bikhra De Kajal
Is Diwaani Ko Tu Kar De Paagal
Ho….ho…aur Behkaade Tu Mujhko Sambhalne Se Pehle -2
(Chhalka Chhalka Jaam Hoon Mein
Honton Pe Rakh Le Chhalakne Se Pehle) -2
Har Nasha Kar Le Sharaabi Bahekne Se Pehle -2
The year was 1973 and the film was Zanjeer. It was a relatively small film given the fact that the leading man of the film had yet to deliver a hit and also the fact that the lead role had been turned down by all the leading heroes of Hindi film industry. However the same film and the same unsung hero made history by delivering a phenomenal hit and by changing the face of Hindi commercial cinema from romance to action. It also gave Hindi cinema its first angry young man and first super star-Amitabh Bachchan. This was the cult film that gave Bachchan his iconic status.
The film begins on the night of Diwali with the death of a couple, the parents of the young Vijay Khanna. The young Vijay is unable to identify his parents’ murderers except for a charm bracelet with a white horse. This traumatic event gives him nightmares of a white stallion. Twenty years down the lane Vijay is an honest police officer. In his line of duty he meets two individuals who change his life forever. The first one is Sher Khan, a man who runs gambling dens. He summons Khan to the police station where the latter’s insouciance irks him. Khan tells Vijay that he gets respect only because of his uniform. Vijay takes him up on his challenge, and meets him in street clothes to fight him. At the fight's end, Sher Khan not only closes his gambling dens, but has gained respect for Vijay. He becomes an auto mechanic, and reforms his ways.
DVD Movie:
The second individual is Mala (Jaya Bhaduri) an eye witness to a horrific traffic accident that leave several children dead. Initially she refuses to testify but later on has a change of heart upon viewing the mangled bodies of the dead children. She comes clean and identifies the perpetrator. Underworld Don Teja (Ajit) whose men have been behind the incident come after her and she finds refuge in Vijay’s house and the two orphans slowly fall in love. Eventually, Vijay is framed for bribery, stripped of his title and position as inspector, and jailed for 6 months on false charges, trapped by Teja. When he is released from jail, he plans to take revenge.
Mala on the other hand wants him to forget the ordeal and begin life afresh and not resort to violence. Vijay acquiesces to her pleas but becomes withdrawn and depressed. Soon Mala realises the battle raging within Vijay and asks him to go out and punish the culprits. He goes after Teja and soon realises that it was Teja who murdered his parents on that fateful Diwali night (the charm bracelet gives Teja away). Finally with Sher Khan’s help Vijay is able to avenge his dead parents.
Awards won
Filmfare Best Story Award - Salim-Javed
Filmfare Best Screenplay Award - Salim-Javed
Filmfare Best Lyricist Award - Gulshan Bawra for the song "Yari Hai Imaan Mera"
Filmfare Best Editing Award - R. Mahadik
Cast and Crew:
Directed by Prakash Mehra
Produced by Prakash Mehra
Written by Javed Akhtar, Salim Khan
Starring Amitabh Bachchan, Jaya Bachchan, Pran, Om Prakash, Ajit, Bindu
Music by Kalyanji-Anandji
Cinematography N. Satyen
Editing by R. Mahadik
Nishabd the film directed by Ram Gopal Verma is his take on Nabokov’s famous novel Lolita. The subject matter of the novel is such (a middle aged man lusting after a twelve year old girl, it was paedophilic in its stance) that it raised eyebrows and caused a lot of controversy even in the progressive western societies. For Verma to take this idea and attempt to make a Hindi movie based on it is definitely a laudable effort. However he did do away with the paedophile angle as that would have been too much for commercial Hindi cinema. The rest of the older man-much younger woman story remains the same.
The film begins with a young called Ritu (Shraddha Arya) inviting her close friend Jia (Jiah Khan) to spend the holidays with her at her home in God’s own country, Kerala. Riut’s parents Vijay (Amitabh Bachchan) and Amrita (Revathu) have been married for twenty seven years and have a beautiful home in the midst of picturesque settings. They have a vast estate and Vijay is a photographer. Amrita, who was an accomplished Kuchipudi dancer, gave up her passion to look after the family. Into this idyllic set up enters Jia who comes from a broken family and lives with her mother in Brisbane. Jia comes across as a free spirit who is not too bothered by societal rules and norms.
One lazy day Vijay catches a glimpse of Jia playing with the water hose and that turns his world upside down. He feels himself inexplicably drawn to this young girl who is his daughter’s age. Jia too feels a pull towards a man old enough to be his father. Initially Vijay tries to fight off this unspoken attraction but soon he gives in and the two get close to each other. Ritu stumbles upon this illicit relation and tries to make Jia leave her house without her mother finding out the truth. But she fails. Around this time, Amrita’s brother Shridhar (Nassar) visits them. He also discovers the disturbing truth about Vijay and Jia. He questions his brother-in-law about the seriousness of the affair and find things are pretty serious. Soon Vijay confesses his love for Jia to Amrita, which leaves her shattered. However Vijay convinces Jia that he has no love for her because he realises that at the end of the day he is indeed too old for her. Jia leaves with Rishi, a close friend of hers, heartbroken. Ritu leaves for the US angry with her father and Amrita is determined never to forgive her husband. Having lost his love and his family, Vijay drives to a cliff to end his life. But does he? Watch the film to find out the answer.
CAST AND CREW
Amitabh Bachchan as Vijay
Jiah Khan as Jia
Revathi as Amrita
Nassar as Shridhar
Aftab Shivdasani as Rishi
rozaana jiye rozaana mare - 2
teri yaadon mein hum - 2
rozaana - 2
rozaana jiye rozaana mare
teri yaadon mein hum - 2
rozaana
ungali teri thame huye har lamha chalta hoon mein - 2
tujhko liye ghar lautu, aur ghar se nikalta hoon mein
ek pal ko bhi jata nahi tere bin kahin
yun raat din
bas tujhmein hi - 2
lipta rehta hoon mein
rozaana - 4
rozaana jiye rozaana mare
teri yaadon mein hum
rozaana jale rozaana ghoole
teri yaadon mein hum - 2
rozaana - 4
har din teri ankhon se iss duniya ko takta hoon mein
tu jiss tarah rakhti thi ghar, vaise hi rakhta hoon mein
teri tarah sang sang chale yaadein teri
yun har ghadi baaaton mein bas, baaton mein teri
gumsa rehta hoon mein
rozaaana - 4
kuchh gaao to yaad aaate ho...
gungunao to yaad aate ho...
kuchh phehnu to yaad aate ho...
kahin jaanu to yaad aate ho...
kuchh khone pe yaad aate ho...
kuchh paanu to yaaad aate ho...
rozaana chale yaadon mein teri, zindagi ka safar
tujhse hai roshan, tujse hai zinda, (yeh dil ka sheher - 2)
rozaana - 8
Black that released in the year 2005, amidst tremendous hype and expectations, managed to set a new benchmark for Hindi films. Partly based on the true life story of Helen Keller, the film was tremendously appreciated by the critics and the general public. Hailed by many to be a cult film Black won numerous awards for all those who were associated with it.
The film begins with Michelle McNally (Rani Mukherjee) a blind, deaf and mute woman visiting her former teacher Debraj Sahai (Amitabh Bachchan). Debraj is shown to be in a hospital struggling with the deadly Alzheimer’s disease. The film then goes back to Michelle’s childhood. Michelle’s world from a very young age has been a world that is devoid of sights, colours, sounds and noises. With the passage of time, she becomes a prisoner of this soundless and sightless universe that makes her violent, hostile, and almost animal like. Her parents, Paul and Catherine are at their wit’s end trying to control their eight year old daughter whom they are unable to understand and who is unable to understand them. Into this helpless situation enters Debraj Sahai, a slightly eccentric man. He takes it upon himself to bring Michelle into the light.
Initially he has to use harsh methods as Michelle has become uncontrollable which meets the disapproval of the little girl’s father who asks him to leave. But Debraj asks for twenty days from Catherine to prove himself and stays on. By the 20th day, as he is about to give up, a miraculous break through happens and Michelle is able to come out of her dark world. Impressed by his success the McNallys decide to keep Debraj as Michelle's teacher. Michelle is a fast learner and is very soon able to expertly sign. Debraj even convinces the Principal of a college to grant her the chance to pursue Bachelor of Arts degree, the first deaf-blind person to do so at that university. Michelle moves away from home and lives with Debraj and one of her servants.
Over the next twenty years she struggles to gain her degree. As Michelle face many ups and downs in life, we see the beginning of Alzheimer affect Debraj’s brilliant mind. He is shown forgetting the way out of Principal’s office. Debraj leaves Michelle when one night she forces him to kiss her on her lips as she has never experienced passion and wanted Debraj to be the one to teach her the meaning of this word like so many others. The film ends with Michelle gaining her B.A. degree and her visiting the institution where Debraj stays. She shows him her degree and a glimmer of recognition appears in his eyes. The film ends with a complete role reversal as Michelle takes it upon herself to reacquaint Debraj with the meaning of words that he has long forgotten.
Cast of movie Black:
Amitabh Bachchan - Debraj Sahai
Rani Mukerji - Michelle McNally
Ayesha Kapoor - Young Michelle McNally
Shernaz Patel - Catherine McNally
Dhritiman Chaterji - Paul McNally
Nandana Sen - Sarah McNally
Movie Information:
Directed by Sanjay Leela Bhansali
Produced by Sanjay Leela Bhansali, Anshuman Swami
Written by Sanjay Leela Bhansali, Bhavani Iyer, Prakash Kapadia
Music by Monty Sharma
Cinematography Ravi K. Chandran
Editing by Bela Sehgal
Awards:
Black made an all-time record at the Filmfare Awards by winning eleven awards.
National Film Awards (2006)
Best Feature Film in Hindi
Best Actor - Amitabh Bachchan
Star Screen Awards (2006)
Best Film
Best Director - Sanjay Leela Bhansali
Best Actor - Amitabh Bachchan
Best Actress - Rani Mukerji
Best Supporting Actress - Ayesha Kapur
Best Cinematography - Ravi K. Chandran
Best Editing - Bela Sehgal
Best Sound Recording - Anup Dev
Best Background Score - Monty Sharma
Filmfare Awards (2006)
Best Movie
Best Director - Sanjay Leela Bhansali
Best Actor - Amitabh Bachchan
Best Actress - Rani Mukerji
Critics Award Best Movie - Sanjay Leela Bhansali
Critics Award Best Performance - Amitabh Bachchan & Rani Mukharji (each)
Best Supporting Actress - Ayesha Kapur
Best Editing - Bela Sehgal
Best Cinematography - Ravi K. Chandran
Best Background Score - Monty Sharma
mausam ki adalaa-badali mein
pavan gulaabi ho jaati hai
(haan mainne chhuukar dekha hai) - 2
raat sarakakar chalate-chalate
bilkul aadhi ho jaati hai
(haan mainne chhuukar dekha hai) - 2
mausam ki adalaa-badali mein
garam gunaguni dhuup se baat ki hai mainne
paani ke bahane mein hansi suni hai mainne
sab kahate hain dip bujha hai
lekin baati so jaati hai
(haan mainne chhuukar dekha hai) - 2
mausam ki adalaa-badali mein
bin dastak ke aaye jo vo pyaar suna hai
bin bole man khole vo adhikaar suna hai
lamhon ki ungali thaam ke
yaadein aangan mein aa jaati hain
(haan mainne chhuukar dekha hai) - 2
thandha thandha rang buundon ka
mulaayam rang hai phuulon ka
chubhanevaale rang pahanakar
dulhan saj-dhaj ke jaati hai
haan mainne chhuukar
haan mainne dekha hai
Abhimaan was released in the year 1973, the year that saw Amitabh Bachchan and Jaya Bhaduri officially tie the knot and become husband and wife. In fact they got married just seven days prior to the filming of the song ‘Teri Bindiya Re”. For many industry watchers the plot of the film could have become a real life incident, had Jaya Bhaduri not put on the breaks on her career after her marriage. People still speculate as to whether real life would have imitated reel life had not the superstar’s wife sacrificed her career. However all that is conjecture and takes away from the breath taking sensitivity of this wonderful film.
Subir Kumar (Amitabh Bachchan) is a popular singer who rules over millions of hearts courtesy his songs. His dashing good looks and silken voice are especially irresistible to his legions of female supporters. Subir himself is a carefree young man who enjoys his stardom and his bachelorhood. Chandu (Asrani) is his manager cum best friend and someone keeps him rooted to reality. Subir goes to meet his aunt (Manju Mausi, Durga Khote) and there he meets Uma, whose golden voice enthrals him and whose earthy unaffected charm attracts him. He ends up falling in love with Uma and the two ties the knot.
Back in Bombay, Subir and Uma settle into domestic bliss and soon the husband decides to launch his wife as a professional singer. And that is the starting point of all problems. As Uma’s career takes off, Subir’s career begins to falter. Even as her career touches new highs, her marriage hits rock bottom as Subir is consumed by jealousy and guilt. He hits the bottle and soon things become so bitter that Uma moves back to her father’s place. There she discovers she is pregnant and waits for Subir to come and fetch her. He does not and she suffers a miscarriage that pushes her into depression.
Subir realises his mistake and comes to take her back home but she receives him without any happiness-like almost a piece of wood. Whether Subir is able to bring back Uma from her abyss; whether Uma sings again; and whether the couple reunite forms the climax of the film.
Abhimaan is considered by many to be one of the finest Hindi films. It scores on many fronts. Firstly Hrishikeh Mukherjee’s sensitive direction lends the film the right emotional note. S.D.Burman’s haunting melodies almost act like a character for the film, bringing out all the emotions experienced by the actors. Superb acting by the cast-be it Amitabh Bachchan, Asrani, Durga Khote-makes this film such a treat to watch. However the film is outstanding because of the way Jaya Bhaduri captures Uma through her silence and unspoken hurt.
Mr. Natwarlal, the film releases in 1979. Starring superstar Amitabh Bachchan and Rekha it features some superb song tracks and a very interesting story line. It also has Amitabh Bachchan crooning for the first time for any film of his and the number “Mere Paas Aao, Mere Doston” has continued to entertain kids and adults down the years. In fact the song even fetched him a Filmfare nomination as Best Playback Singer (Male) along side being nominated for the Best Actor Award for the same film.
The story of the film resolves around Natwar (title role played by Bachchan himself) who lives with his beloved older brother and caretaker, police officer Girdharilal (Ajit). He has been assigned the case of apprehending notorious gangster Vikram Singh ( Amjad Khan). But the wily criminal entraps the honest officer and gets him arrested, dismissed from employment and imprisoned. The young Natwar remains a silent spectator to his brother’s victimization and swears to take revenge. He grows up and creates a secret identity for himself, posing as a powerful and mysterious underworld figure named (eponymous) Mr. Natwarlal. He becomes a modern-day Robin Hood, who steals from the rich and bad to help the poor and good.
He is successful in locating Vikram Singh who resides in the hilly regions of North India. Accordingly he relocates himself to be in the same area as his enemy. He also finds himself falling in love with a local girl (Rekha) who reciprocates his feelings. However punishing Vikram Singh proves to be a difficult task as he is a formidable presence in the area. On top of that he has to convince the suspicious villagers that he is not the ‘bad’ guy and tackle a man-eating tiger. Whether he is able to ultimately avenge his brother’s ill fortune and bring Vikram Singh to his knees forms the climax of the film.
A typical Hindi masala film, Mr. Natwarlal, is nevertheless very entertaining. Superb acting by Amitabh Bachchan (as mentioned above, he received a Filmfare Best Actor Nomination) and the terrific on-screen chemistry between him and Rekha are the highlights of the film. Competent direction by Rakesh Kumar and good music by Rajesh Roshan makes this movie a complete entertainer.
Lyrics and videos of songs from the movie (Mr. Natwarlal):
Namak Haram released in the year 1973, a good two years after the path-breaking hit Anand. It had the same hit-making team of Hrishikesh Mukherjee (Director), Amitabh Bachchan and Rajesh Khanna (main heroes). Namak Haram addresses a burning issue of the day that of rising impoverishment of cotton mill workers of Bombay. Its tonality is more entrenched in the day-to-day concerns of industrial workers who toiled from dawn to dusk but earned only peanuts.
Somnath or Somu (Rajesh Khanna) lives in a shanty house with his widowed mom and unmarried sister, Sarla. His best pal is Calcutta-based business tycoon Damodar Maharaj’s only son and heir apparent Vikram or Vicky (Amitabh Bachchan). Theirs is an unlikely friendship for the two have very little in common. Vicky has to take over the reins of the company when his father suffers a heart attack and ends up having a confrontation with a senior employee and union leader of the factory, Bipinlal Pandey. This results in a strike. Vicky’s father, the ever astute businessman intervenes and asks his son to apologise to Bipilal to return things to normalcy. Vicky does so unwillingly and the strike is resolved.
However Vicky is unable to forget his humiliation and confides about this to his best friend, Somu. The two friends conspire to teach Bipinlal a lesson. As part of the plan, Somu accompanies Vicky to Calcutta, gets a job as a labourer in the mill and gets about befriending his fellow workers. He is able to get some monetary relief for injured workers and is soon elected as the union leader, displacing Bipinlal. The success of their plan sees the friends rejoicing. However Damodar is not too keen about this friendship as he sees Somu as a potential threat, who with his middle-class values can influence Vicky in the long run. Damodar starts a chain of events to create a wedge between the two friends that get out of control. The emotion-packed climax sees the death of one friend and the other going to jail, his act serving as both a penance and homage.
The movie scores on many fronts. First it is the superb direction of Hrishikesh Mukherjee whose sensitive delineation of a subject so complex that makes this film such an engaging watch. Then it is R.D.Burman’s soul stirring music. And finally it is the wonderful chemistry of the lead actors, Amitabh Bachchan and Rajesh Khanna, and their wonderful portrayal of the two characters Vicky and Somu that will leave the viewer spell bound. Rajesh Khanna deserves a special mention because he plays the part just right and is able to show the metamorphosis of Somu-from lackey of spoilt friend to a man willing to stake his life for his principles-that will raise a lump in your throat.
Videos of songs
Diya Jalte Hain
Nadiya Se Dariya
Main Shayar Badnaam
Lyrics from the movie Namak Haram:
Diye Jalte hain
Diye jalte hain, phool khilte hain, diye jalte hain, phool khilte hain
badi mushkil se, magar, duniya mein dost, milte hain, diye jalte hain
Jab jis waqt kisi ka, pyar juda hota hai, kuchh na poochho, yaron dil ka, haal bura hota hai,
Jab jis waqt kisi ka pyar juda hota hai, kuchh na poonchho yaron dil ka haal bura hota hai,
dil pe yadon ke jaise, teer chalte hain, ahanha
Diye jalte hain, phool khilte hain, diye jalte hain
Is rang roop pe dekho, hargiz naaz na karna, jaan bhi mange, yaar to dede na, naraz na karna,
rang ud jate hain, dhoop dhalte hain, hmhmhm
Diye jalte hain, phool khilte hain, diye jalte hain
Daulat aur jawani, ek din kho jaati hain, sach kahta hoon, saari duniya, dushman ho jaati hai,
umr bhar dost lekin saath chalte hain hmmhm
Diye jalte hain, phool khilte hain, badi mushkil se, magar, duniya mein dost milte hain
Diye jalte hain.
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Main Shayar Badnaam
Main Shayar Badnam, Main Shayar Badnam Ho O Main Chala, Main Chala,
Mehfil Se Nakam, Ho O Main Chala, Main Chala, Main Shayar Badnam
Mere Ghar Se Tumko, Kuchh Saman Milega, Diwane Shayar Ka, Ek Diwan Milega,
Aur Ek Cheeze Milegi, Tuta Khali Jam, Ho O Main Chala Main Chala
Main Shayar Badnam
Sholo Pe Chalna Tha, Kanton Pe Sona Tha, Aur Abhi Jee Bhar Ke Kismat Pe Rona Tha,
Jane Aise Kitne, Bakki Chhod Ke Kaam, Ho O Main Chala, Main Chala
Main Shayar Badnam
Rasta Rok Rahi Hai, Thodi Jaan Hai Baki, Jane Tute Dil Mein, Kya Arman Hai Baki,
Jane Bhi De Ae Dil, Sabko Mera Salam, Ho O Main Chala, Main Chala
Main Shayar Badnam, Ho O Main Chala, Main Chala
Mehfil Se Nakam, Ho O Main Chala, Main Chala
------------
Nadiya se Dariya
Nadiya se dariya, dariya se sagar,
Sagar se gahera jam (2)
Ho ho ho jam me doob gayi yaro mere jeevan ki har shaam.
Nadiya se dariyaa
Jo na piye wo kya jane, pite hain kyun hum diwane yaar aaha,
Jabse humne pina sikha, jeena sikha marna sikha yaar aaha,
Ho hum jab yun nashemain dagmagane lag gaye,
Ho ho ho dil ki becheni ko aaya thoda sa aaram.
Nadiya se dariyaa
Mera kya main gum ka maara, nashe me aalam hai sara yaar aaha,
Kisi ko dolat ka nasha kahin muhobat ka nasha yaar aaha,
Ho kahe kar ai sharabi sab pukare ab mujhe,
Ho ho ho aur koyi tha, ye to nahi tha pahele mera naam.
Nadiya se dariyaa
Shaan, released in the year 1980, almost four years after the blockbuster, Sholay. The common thread between these two films is the director, Ramesh Sippy. Great things were expected from the man who had given Indian cinema its mammoth blockbuster in the form of Sholay. Almost everybody who had seen Sholay was expecting a repeat performance.
DSP Shiv Kumar Sharma (Sunil Dutta) is an honest and diligent police officer who lives in Bombay (present day Mumbai) with his wife (Rakhi) and son. He also has two wayward brothers in Ravi (Sashi Kapoor) and Vijay (Amitabh Bachchan) who are petty crooks. The two of them spend most of their time indulging in schemes that are so wildly ridiculous that one feels that the whole purpose of these plots was not to make money but to have some fun. The two brothers meet their matches in a pair of women-the glamorous Parveen Babi and the somewhat gawky yet charming Bindiya Goswami- who are also good-hearted con artists.
The four crooks -- along with Bindiya's sneaky uncle -- form a team, sing some nice songs, and fall into a sweet double-dating sort of romance that perfectly compliments their thieving lifestyles. However the drama is introduced in the form of Shiv Kumar-the moralistic cop-cum-brother’s death at the hands of the film’s main villain, Shaakal(a very bald Kulbhushan Kharbanda). The brothers shocked by the sudden demise of their beloved brother, decide to shun all anti-social activities and also punish Shaakal. The villain smart enough to know that he has these two brothers braying for his blood employs Raakesh (Shatrughan Sinha) a sharp-shooter. He puts pressure on Rakesh by holding his wife hostage and believes he can force Rakesh to kill his enemies. The long drawn out climax sees the mother of all encounters that includes a tank full of crocodiles. In the end, good wins over evil and the wicked meet their just end.
By this time you must be wondering, but that is a perfectly sane “Bollywood” commercial story-line. And it is. Or rather it would have been, had Sippy not gone over board in his sub plots that take away from the main film rather than adding to it. The second weak link has to be Kulbhushan Kharbandda who even in his tonsured look fails to evoke enough menace or scare. But on the whole Shaan is definitely a worthwhile ‘time-pass’ film that has pleasant music and some wonderful acting by the inimitable duo of Amitabh Bachchan and Sashi Kapoor.
AWARDS WON:
1981-Won-Filmfare Awards- Best Cinematography- S.M.Anwar
Videos of Songs:
Pyar karnewale
Jaanu Meri Jaan
Yamma Yamma
Lyrics from the movie:
Jaanu Meri Jaan
Jaanuun Meri Jaan, Main Tere Qurbaan
Are, Main Teraa Tuu Merii Jaane Saaraa Hindustaan
Nazaron Se Na Tol Mujhe, Dil Se Kaam Le
Tuu Jisakaa Vo Tere Bin Kyo.N Kisiikaa Naam Le
Jaanuun Merii Jaan ...
Chhotii Sii Ik Baat Bane, Baat Se Daastaan
Chhodake Sab Baate.N Ha.Nsate Hai.N, Vohii Pyaar Kii Shaan
Jaanuu Merii Jaan ...
Gusse Se Hai Pyaar Badaa, Pyaar Se Aitabaar
Jab Aa Jaae Aa Jaanaa, Main Karuungaa Intazaar
Jaanuu Merii Jaan ...
Jaanun Merii Jaan, Main Tere Qurbaan
Main Terii Tuu Meraa Jaane Saaraa Hindustaan
------------
Pyaar Karnewaale
pyaar karanewaale, pyaar karate hain shaan se
jeete hain shaan se, marate hain shaan se
lete hain kisee kaa jo naam un ko hajaaro salaam
kabhee rukate nahee, kahee zukate nahee, chaahe kuchh bhee ho anjaam
yaar kee galee se gujarate hain shaan se
rastaa naheen aasaan denaa padataa hain imtihaan
ye hain dil kee lagee, ye naheen dillagee, aate hain kaee tufaann
wo doob ke fir ubharate hain shaan se
-----------
Yamma Yamma
(Yamma yamma, Yamma yamma, Yeh khubsurat sama,) ---2
(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahan) ---2
(Kab kya hojae kisko khaber, aa nachle jhumkar)...
(Yeh zindagi ek lamba safar, pal bhar ke sab hum safar).........
(ek raat ke mehmaan sab yahan, kal hum kahan tum kahan).........
(Haste huwe aisii shaan se, deewane jal jaenge)....
(Are jalti shama se milke gale, Parwane jal jaenge)....
(Reh jayga yado ka diyaa, Kal hum kahan tum kahan)...
(Yamma yamma, Yamma yamma, Yeh khubsurat sama,).....
(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahan)........
(Bas aaj ki raat hai zindagi , Kal hum kahan tum kahaaaaaaaaaaaaan)........
Namak Halal released in 1982, was directed by Prakash Mehra, the man who gave Amitabh Bachchan Zanjeer and us a viewers, a superstar. Namak Halal went on to become one of the biggest hits of his career and of the year that it released. It bore his trademark style of story telling, interesting with lots of twists and turns, the right amount of emotional drama and a nice does of comedy. The film starred some of the biggest stars of that era who turned in superb performances like Amitabh Bachchan, Shashi Kapoor, Om Prakash and the dusky powerhouse of talent Smita Patil.
Young Arjun is brought up by his Daddu (paternal grandfather) Om Prakash after his father is killed in the line of duty, while trying to save the life of his employer. As he grows up, he is sent to the city by Om Prakash, in searh of a new job and a new life. In the city he meets up with Bhairon ( Ram P. Sethi) who helps him land a job at a five star hotel. The hotel is owned by Raja (Shashi Kapoor). In the course of his work he ends up saving the honour of a female employee, Poonam (Smita Patil) and the duo end up falling in love. Arjun Singh also discovers that the manager of the hotel (Ranjeet) and a host of shadowy bad guys are out to kill Raja. The whole thing has been planned in a way so as to point the finger of suspicion at Savitri Devi (Waheeda Rehman) Raja’s foster mother. The bad guys have enlisted the support of a cabaret singer Nisha (Parveen Babi) to get close to Raja but she ends up falling in love with him.
Arjun Singh smells a rat and at the same time his grandfather who has come down to the city tells him that Savitri Devi is his real mother who had taken on the responsibility of bringing up the orphaned Raja at her husband’s insistence. She had sent her own flesh and blood, Arjun away to the village so that she could fulfil her duties properly. This piece of news reaffirms and strengthens Arjun’s resolve to clear his mother’s name and save his employer’s life from the villains. Whether Arjun is able to save Raja’s life and whether Raja is able to recognise Savitri Devi’s sacrifice forms the climax of the film.
Thodi Si Jo Pee Li Hai
http://www.youtube.com/watch?v=ofkL9rbUMEk
Lyrics from the movie Namak Halal:
Aaj Rapat
Arey Arey Arey Na Na Na
Aaj Rapat Jaayen Toh Hamein Na Uthaiyyo
Aaj Fisal Jaayen Toh Hamein Na Uthaiyyo
(Humein Jo Uthaiyyo Toh) - 2
Khud Bhi Rapat Jaiyyo Ha Khud Bhi Fisal Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo
(Barsaat Mein Thi Kaha Baat Aaisi
Pehli Baar Barsi Barsaat Aaisi) - 2
Kaisi Yeh Hawa Chali, Paani Mein
Aag Lagi, Jaane Kya Pyas Jagi Re
Bheega Yeh Tera Badan
Jagaaye Meethi Chubhan
Nashe Mein Zoome Ye Mann Re
Kaha Hu Main Mujhe Bhi Yeh Hosh Nahi
(Na Ha Ho Ho) - 2 (Aaj Behak Jaaye Toh Hosh Na Dilaiyyo) - 2
(Hosh Jo Dilaiyyo Toh) - 2 Khud Bhi Behak Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo
(Baadal Mein Bijli Baar Baar Chamke
Dil Mein Mere Aaj Pehli Baar Chamke) - 2
Haseena Dari Dari, Baahon Mein Simat Gayi
Seene E Lipat Gayi Re Tujhe Toh Aya Mazaa
Tujhe Toh Aayi Haseen, Meri Toh Jaan Fasi Re
Jaanejigar Kidhar Chali Nazar Churake
(Ha Ha Ho Ho) - 2 (Baat Ulajh Jaiyyo Toh Aaj Na Suljhaiyyo) - 2
(Baat Jo Suljhaiyyo Toh) - 2, Khud Bhi Ulajh Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo
(Badal Se Chham Chham Se Sharab
Barse Saawari Ghata Se Shabaab Barse) - 2
Boondon Ki Baji Payal, Ghata Ne Chhedi Gazal
Ye Raat Gayi Machal Re Dilon Ke Raaz Khule
Fizaa Mein Rang Ghule, Jawaa Dil Khulke Mile Re
Hona Tha Jo Hua Wahi Ab Darana Kya
(Ha Ha Ho Ho) - 2
(Aaj Doob Jaaye To Hame Na Bachaiyyo) - 2
(Humein Jo Bachaiyyo Toh) - 2, Khud Bhi Doob Jaiyyo
Aaj Rapat Ha Ha Aaj Rapat Jaiyyo Toh Hamein Na Uthaiyyo
Aaj Fisal Jaayen Toh Hamein Na Uthaiyyo, (Ha Ha Ho Ho) - 2
------------
Jawani Jaaneman
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh, aha
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Aayi door se dekho dilruba aisi turuturutu
Khaayi bezubaan dil ne chot yeh kaisi
Arre woh, haan haan, mili nazar
Arre yeh, haan haan, huwa asar
Nazar nazar mein yeh sama badal gaya
Chalaaya teer jo mujhi pe chal gaya
Ghazab huwa, yeh kya huwa, yeh kab huwa
Na janoon main na jaane woh, oho
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh, oho
Dil yeh pyaar mein kaise
Khota hai dekho, aha aha aha aha
Kaatil jaan-e-man kaise
Hota hai dekho
Arre woh, haan haan, mila sanam
Arre yeh, haan haan, huwa sitam
Woh dushman jaana dildaar ho gaya
Ke aaj tak bilkul use pyaar ho gaya
Ghazab huwa, yeh kya huwa, yeh kab huwa
Na janoon main na jaane woh, aha
Jawaani jaan-e-man haseen dilruba
Milein do dil jawaan nisaar ho gaya
Shikaar khud yahaan shikaar ho gaya
Yeh kya sitam huwa
Yeh kya gulam huwa
Yeh kya ghazab huwa
Yeh kaise kab huwa
Na jaanoon main na jaane woh
------------
Pag Ghungroo
Buzurgon ne
Buzurgon ne, farmaya ki pairon pe apne khade hoke dikhlaao
Phir yeh zamaana tumhaara hai
Zamaane ke sur taal ke saath chalte chale jaao
Phir har taraana tumhaara fasaana tumhaara hai
Arey to lo bhaiya hum
Apne pairon ke oopar khade ho gaye
Aur milali hai taal
Dabaalega daaton tale ungliyan,liyan
Yeh jahan dekhkar,dekhkar apni chaal
Wah wah wah wah
Dhanvad
Ki pag ghungroo
Ki pag ghungroo baandh meera naachi thi -2
Aur hum naachen bin ghungroo ke
Ki pag ghungroo baandh meera naachi thi
Woh teer bhalaa, kis kaam ka hai
Jo teer nishaaane se chooke chooke chooke re!
Ki pag ghungroo..
Aap andar se kuch aur
Bahar se kuch aur nazar aate hain
Bakhuda shakal se to chor nazar aate hain
Umar guzari hai saari chori mein
Saare sukh chain band jurm ki tijori mein
(Aap ka to lagta hai bas yahi sapna
Ram naam japna paraya maal apna) -2
Watan ka khaaya namak to namak halaal bano
Farz imaan ki zinda yahaan misaal bano
Paraya dhan parayi naar pe nazar mat dalo
Buri aadat hai yeh aadat abhi badal dalo
Kyonke yeh aadat to woh aag hai jo
Ik din apna ghar phoonke phoonke phoonke re!
Ki pag ghungroo..
Mausam-e-ishq mein machale huwe armaan hain hum
Dil ko lagta hai ke do jism ek jaan hai hum
Aisa lagta hai to lagne mein kuchh buraayi nahin
Dil yeh kehta hai aap apni hain paraayi nahin
Sange marmar ki hai, koi moorat ho tum
Badhi dilkash badhi, khubsoorat ho tum
Dil dil se milne ka koi mahoorat ho pyaase dilon ki zaroorat ho tum
Dil cheer ke dikhladoon maein dil mein yahin soorat haseen
Kya aapko lagta nahin hum hain mile pehle kahin
Kya desh hai kya jaat hai
Kya umra hai kya naam hai
Aji chhodhiye in baaton se humko bhala kya kaam hai
Aji suniye to
Hum aap milen to phir ho shuroo afsaane laila majnoo laila majnu ke
Ki pag ghungroo..
-----------
Raat Baaki
Raat baaki, baat baaki
hona hai jo ho jaane do
socho na dekho to
dekho haan janeja mujhe pyar se
raat baaki, baat baaki
hona hai jo ho jaane do….
Kashti jawan dil ki toofan se takra gai
manzil mohabbat ki ab to kareeb aa gai
aa dekhle hai kya maaza dil haar ke
Laawaris came in the year 1981 and became synonymous with the song Mere Angne Mein Tumhara Kya Kaam Hai. It appears twice in the film, once rendered by Alka Yagnik (who received her first Filmfare nominations for this particular song) and once by the hero Amitabh Bachchan himself. It went on to become one of the landmark songs of his career. The film too was a super duper hit and notched up another success for the Prakash Mehra-Amitabh Bachchan pairing. The duo had made their mark with Zanjeer and considered by then to be one of the most bankable director-actor combination of Hindi commercial cinema.
Mehra stayed true to his forte and his style. Laawaris packed in a lot of emotional drama with the right amount of humour and of course hum-able scores. The story resolved around Hira ( Amitabh Bachchan), the illegitimate child of Seth Ranbir (Amjad Khan) and Rakhee, a singer. Disowned by Amjad Khan, Rakhee dies heartbroken and young Hira is brought up by an alcoholic beggar Gangu Ganpat (Sreeram Laagoo). Hira grows up believing he is the child of this useless man.
One day he rebels against his adopted father’s atrocious behaviour who then tells him the truth about his birth. He leaves his adoptive father and finds employment with Mahender Babu (Rajender) who unbeknownst to him is his half-brother. In the course of things he gets close to his biological father (Amjad Khan) and his half sister and the rest of the family. He also finds true love in the form of Mohini, a smouldering Zeenat Aman. Things however take a turn for worse when Ranjeet ends up impregnating the sister of another employee (Suresh Oberoi). The resolution of this turmoil and the Hira’s acceptance into the family by his father who gives him his name, (thus removing the tag of ‘illegitimate’) forms the climax of the story.
The film despite being typical masala, commercial Bollywood fare, is worth watching because of the superlative performances, especially by Amitabh Bachchan and Amjad Khan. As has been mentioned before the song ‘Mere Angne Mein became an instant hit and continues to be one of the most popular songs of Hindi films. Amitabh Bachchan continues to perform the said song in all his stage shows, which is a huge draw for audiences abroad. On the whole, Laawaris is a fine example of mainstream Hindi film- larger than life, dramatic, colourful and entertaining and most importantly devoid of lofty pretensions.
Apni to jaise taise
Thodi aise ya waise
Apni to jaise taise
Thodi aise ya waise
Kat jaayegi
Aapka kya hoga janaabe-aali
Aapka kya hoga
Apne aage na peeche
Na koi upar neeche
Apne aage na peeche
Na koi upar neeche
Ronewala
Na koi ronewali janaabe-aali
Aapka kya hoga
Aap bhi meri tarah insaan ki aaulad hain
Aap mooh mangi dua
Hum unsooni faryaad hain
Aap bhi meri tarah insaan ki aaulad hain
Aap mooh mangi dua
Hum unsooni faryaad hain
Woh jinhe sara zamana samjhe laawaris yahan
Aap jaise zaalimon ke zulm ki ijaat hain
Gaali huzur ki to
Lagti duaon jaisi
Gaali huzur ki to
Lagti duaon jaisi
Hum dua bhi de to lage hai gaali
Aapka kya hoga janaabe-aali
Aapka kya hoga hm
Aapke maathe se chhalke jo pasina bhi kahin
Aasma hilne lage aur kaap oothe yeh zameen
Aapka to yeh pasina khoon se bhi keemti
Aur apne khoon ki keemat yahan kuch bhi nahin
Apna to khoon paani
Jeena marna bemaani
Apna to khoon paani
Jeena marna bemaani
Waqt ki har ada hai apni dekhi bhali
Aapka kya hoga janaabe-aali
Aapka kya hoga
Haan apni to jaise taise
Thodi aise ya waise
Apni to jaise taise
Thodi aise ya waise
Kat jaayegi
Aapka kya hoga janaabe-aali
Aapka kya hoga
Apne aage na peeche
Na koi upar neeche
Apne aage na peeche
Na koi upar neeche
Ronewala
Na koi ronewali janaabe-aali
Aapka kya hoga
--------------
Jiska Koi Nahin
isakaa koee naheen usakaa to khudaa hain yaaro
mai naheen kahataa kitaabon mein likhaa hain yaaro
jisane paidaa kiyaa duniyaan mein wahee paalegaa
hum ko har mod pe, har julm se bachaa legaa
apane bando se kahaa, kab wo judaa hain yaaro
julm insaan kaa jab had se gujar jaataa hai
wo kisee aaur hee soorat mein paas aataa hai
anaginat rup mein wo hum se milaa hain yaaro
-------------------
Kab Ke Bichchde
Kab Ke Bichhade Huye Hum Aaj Kahaa Aa Ke Mile
Jaise Shammaa Se Kahee Lau Ye Zilamilaa Ke Mile
Kab Ke Bichhade Huye Hum Aaj Kahaa Aa Ke Mile
Jaise Saawan Se Kahee Pyaasee Ghataa Chhaa Ke Mile
Baad Muddat Ke Raat Mahakee Hai
Dil Dhadakataa Hai, Saans Bahakee Hai
Pyaar Chhalakaa Hai, Pyaaree Aankhon Se
Surkha Hothhon Pe Aag Dahakee Hai
Mahakee Hawaaon Me, Bahakee Hijaaon Me, Do Pyaase Dil Jo Mile
Jaise Mayakash Koee Saakee Se Dagamagaa Ke Mile
Door Shahanaaee Geet Gaatee Hai
Dil Ke Taaron Ko Chhed Jaatee Hai
Yoo Sapanon Ke Fool Yahaa Khilate Hai
Yoo Duwaa Dil Kee Rang Laatee Hai
Barason Ke Begaane, Ulaft Ke Diwaane, Anajaane Ayese Mile
Jaise Manachaahee Duwaan, Baraso Aajamaa Ke Mile
------------
Mere Angne Mein
Mere Angne Mein
(Mere Angne Mein Tumhara Kya Kam Hai) - 2
Joh Hai Naam Wala
Arre Joh Hai Naam Wala Wahi Toh Badnaam Hai
Mere Angne Mein Tumhara Kya Kam Hai
(Jiski Biwi Lambi Usska Bhi Bara Naam Hai) - 2
Kothe Se Lagado
Arre (Kothe Se Lagado Seerhi Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai
Jiski Biwi Moti Usska Bhi Bara Naam Hai
Jiski Biwi Moti, O Moti, O Moti, O Moti Moti Moti
Jiski Biwi Moti Uska Bhi Bara Naam Hai
Bistar Pe Litado
(Bistar Pe Litado Gaade Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai
(Jiski Biwi Kali Usska Bhi Bara Naam Hai) - 2
Aankhon Mein Basalo
(Aankhon Mein Basalo Surme Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai
(Jiski Biwi Gori Uska Bhi Bara Naam Hai) - 2
Kamre Mein Bithalo
(Kamre Mein Bithalo Bijli Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai
(Jiski Biwi Choti Usska Bhi Bara Naam Hai) - 2
God Mein Bithalo, Haan Haan Haan
(God Mein Bithalo Bache Ka Kya Kam Hai) - 2
Mere Angne Mein Tumhara Kya Kam Hai
(Mere Angne Mein Tumhara Kya Kam Hai) - 2
Joh Hai Naam Wala
Arre Joh Hai Naam Wala Wahi Toh Badnaam Hai
Mere Angne Mein, Haan Mere Angne Mein
Haan Mere Angne Mein Tumhara Kya Kam Hai
-------------
Kahe Paise Pe Itna
Chaar paise kya mile
Kya mile bhai kya mile
Khud ko samajh baithe khuda
Woh khuda hi jaane ab hoga tera anjaam kya
Kahe paise pe
Kahe paise pe itna guroor kare hain
Kahe paise pe itna guroor kare hain
Yehi paisa to
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain
Sone chaandi ke
Unche mehalo mein
Dard zyada hai, chain thoda hai
Dard zyada hai, chain thoda hai
Is zamane mein, paise walon ne
Pyaar cheena hai, dil ko toda hai
Pyaar cheena hai, dil ko toda hai
Paise ki ehmiyat ko inkaar nahi hai
Paisa hi magar sab kuch sarkaar nahi hai
In ka insaan hai, paisa paisa hai
Dil humara bhi tere jaisa hai
Hai bhala paisa to bura bhi hai
Yeh zeher bhi hai, yeh nasha bhi hai
Yeh zeher bhi hai, yeh nasha bhi hai
Yeh nasha koyi
Yeh nasha koyi dhoka zuroor kare hain
Yehi paisa to haan
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain
Arre chale kahan
Yeh paison se kya kya tum yahan khreedoge
Dil khreedoge ya ke jaan khreedoge
Bazaaron mein pyaar kahan bikta hai
Dukaanon pe yaar kahan bikta hai
Phool bik jaate hai
Khushboo bikti nahi
Jism bik jaate hain
Rooh bikti nahi
Chain bikta nahi
Khwaab bikte nahi
Dil ke armaan betaab bikte nahi
Arre paise se kya kya tum yahan khreedoge
Dil khreedoge ya ke jaan khreedoge
Yeh in hawaon ka mol
Kya doge
Un ghataon ka mol
Kya doge
Arre in zameenon ka mol ho shayad
Aasmanon ka mol, kya doge
Yeh in hawaon ka mol
Kya doge
Un ghataon ka mol
Kya doge
Arre in zameenon ka mol ho shayad
Aasmanon ka mol, kya doge
Paas paisa hai to hai yeh duniya haseen
Duniya haseen
Ho zaroorat se zyada to iman-o-yaqeen
Iman-o-yaqeen
Yeh dimago mein
Yeh dimaago mein kasoor kare hain
Yehi paisa to
Yehi paisa to apno se door kare hain
Door kare hain
Kahe paise pe itna guroor kare hain
Guroor kare hain